New Contexts of Canadian Criticism


Book Description

Times change, lives change, and the terms we need to describe our literature or society or condition—what Raymond Williams calls “keywords”—change with them. Perhaps the most significant development in the quarter-century since Eli Mandel edited his anthology Contexts of Canadian Criticism has been the growing recognition that not only do different people need different terms, but the same terms have different meanings for different people and in different contexts. Nation, history, culture, art, identity—the positions we take discussing these and other issues can lead to conflict, but also hold the promise of a new sort of community. Speaking of First Nations people and their literature, Beth Brant observes that “Our connections … are like the threads of a weaving. … While the colour and beauty of each thread is unique and important, together they make a communal material of strength and durability.” New Contexts of Canadian Criticism is designed to be read, to work, in much the same manner.




The Cambridge Companion to Canadian Literature


Book Description

This book offers a comprehensive and engaging introduction to major writers, genres and topics in Canadian literature. Contributors pay attention to the social, political and economic developments that have informed literary events. Broad surveys of fiction, drama, and poetry are complemented by chapters on Aboriginal writing, francophone writing, autobiography, literary criticism, writing by women, and the emergence of urban writing in a country traditionally defined by its regions. Also discussed are genres that have a special place in Canadian literature, such as nature-writing, exploration- and travel-writing, and short fiction.




The Politics of Art


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Shifting the Ground of Canadian Literary Studies


Book Description

Shifting the Ground of Canadian Literary Studies is a collection of interdisciplinary essays that examine the various contexts—political, social, and cultural—that have shaped the study of Canadian literature and the role it plays in our understanding of the Canadian nation-state. The essays are tied together as instances of critical practices that reveal the relations and exchanges that take place between the categories of the literary and the nation, as well as between the disciplinary sites of critical discourses and the porous boundaries of their methods. They are concerned with the material effects of the imperial and colonial logics that have fashioned Canada, as well as with the paradoxes, ironies, and contortions that abound in the general perception that Canada has progressed beyond its colonial construction. Smaro Kamboureli’s introduction demonstrates that these essays engage with the larger realm of human and social practices—throne speeches, book clubs, policies of accommodation of cultural and religious differences, Indigenous thought about justice and ethics—to show that literary and critical work is inextricably related to the Canadian polity in light of transnational and global forces.




Pioneering Women


Book Description

Pioneering Women is an anthology of short fiction written before 1880 by Canadian women, including Susanna Moodie, Catharine Parr Traill, and Rosanna Mullins Leprohon. From the Maritimes to Upper Canada, from backwoods to the drawing room, this collection demonstrates the variety that exists in stories by women of early British North America.




Stand


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Future Indicative


Book Description

The format of this book is arbitrary and exact, the way paint is in a landscape by Alex Colville. It follows the program of the symposium that took place at the University of Ottawa, from April 25 to 27, 1986. As Bakhtin leaps from the sidelines to centre stage, as Derrida clambers out of orchestra pit into the prompter's box, and Lancan swings from the flies, as Foucault, Lévi-Strauss, Saussure, Barthes, and a throng of others rhubarb their way through the text, one recognizes just how connected all the disparate elements of this critical extravaganza really are.




Unnamed Country


Book Description

Americans have an idea of what the Great Plains did to the people who settled there but know little about the analogous process north of the 49th parallel, or how it was reflected in fiction. Dick Harrison's Unnamed Country fills this gap. Harrison traces the varying literary responses to the Canadian prairies, from the bewilderment of the first English-speaking visitors, who saw the country in essentially negative terms -- no wood, no water -- down to the contemporary novelists who are employing sophisticated modem fictional techniques to reinterpret the whole experience from a new perspective. Between these two ends of the literary continuum he finds the early writers of fiction too loaded down with what he calls "excess cultural baggage" brought from Britain or eastern Canada to see the country as it was; the early twentieth-century writers, bemused by the myth of the garden, who portrayed the prairies subdued and fruitful; the prairie realists of the 1920s and 1930s, akin to O. E. Rolvaag in their tragic view; and their contemporaries, the popular novelists, who depicted the pioneering process in more affirmative tones.




The Literary History of Saskatchewan


Book Description

Saskatchewan’s literary history is both colourful and complex. It is also mature enough to deserve a critical investigation of its roots and origins, its salient features and its prominent players. This collection of scholarly essays, conceptualized and compiled by well-known Saskatchewan novelist, essayist and scholar David Carpenter, examines the Saskatchewan literary scene, from its early Aboriginal storytellers on through to the decades to the burgeoning 1970s. The dozen essays, preceded by a David Carpenter introduction, include such topics as “Our New Storytellers: Cree Literature in Saskatchewan”; “The Literary Construction of Saskatchewan before 1905: Narratives of Trade, Rebellion and Settlement” and “The New Generation: The Seventies Remembered.” Also included are special topics, among them – “Playwriting in Saskatchewan”; “Feral Muse, Angelic Muse – The Poetry of Anne Szumigalski”, and tribute pieces to John V. Hicks, R.D. Symons, Terrence Heath and Alex Karras. Contributing scholars include the likes of: Kristina Fagan, Jenny Kerber, Susan Gingell, Ken Mitchell and Martin Winquist.




Northrop Frye's Canadian Literary Criticism and Its Influence


Book Description

Northrop Frye's Canadian Literary Criticism examines the impact of Frye's criticism on Canadian literary scholarship as well as the response of Frye's peers to his articulation of a 'Canadian' criticism.