Conversations on Conflict Photography


Book Description

In today's image-saturated culture, the visual documentation of suffering around the world is more prevalent than ever. Yet instead of always deepening the knowledge or compassion of viewers, conflict photography can result in fatigue or even inspire apathy. Given this tension between the genre's ostensible goals and its effects, what is the purpose behind taking and showing images of war and crisis? Conversations on Conflict Photography invites readers to think through these issues via conversations with award-winning photographers, as well as leading photo editors and key representatives of the major human rights and humanitarian organizations. Framed by critical-historical essays, these dialogues explore the complexities and ethical dilemmas of this line of work. The practitioners relate the struggles of their craft, from brushes with death on the frontlines to the battles for space, resources, and attention in our media-driven culture. Despite these obstacles, they remain true to a purpose, one that is palpable as they celebrate remarkable success stories: from changing the life of a single individual to raising broad awareness about human rights issues. Opening with an insightful foreword by the renowned Sebastian Junger and richly illustrated with challenging, painful, and sometimes beautiful images, Conversations offers a uniquely rounded examination of the value of conflict photography in today's world.




Through the Lens


Book Description

2020 was a period of groundbreaking social and political upheaval, in combination with a colossal epidemiological crisis—and it urgently redefined the working conditions of photojournalists. The historic 2020 Black Lives Matter protests and the devastating Covid-19 pandemic presented unique challenges for photojournalism, forcing photographers into a terrain defined by new ethical, technological, and safety (emotional and physical) concerns, as well as innovative attacks on press freedom. Through a series of interviews—with top photographers who covered 2020’s biggest crises, as well as key photo editors who grappled with these unprecedented obstacles inside the newsroom—Through the Lens: The Pandemic and Black Lives Matter unpacks the industry’s most critical debates as it sheds light on the experiences and thought processes of the visual journalists themselves. Importantly, this book encourages readers to consider the efforts behind the camera lens: the challenges and risks visual journalists face to bring us the news in pictures. Richly illustrated with evocative photos, Through the Lens is a timely and vital look at the role photojournalism serves in a world of crisis. It is a powerful follow-up to Lauren Walsh’s previous title, Conversations on Conflict Photography, which offers a crucial exploration of the visual documentation of war and humanitarian crisis.




Photography and the American Civil War


Book Description

Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.




Of Love & War


Book Description

“Spectacular . . . a majestic collection that captures the drama of everyday existence in war zones around the world. . . . There is no disputing the impact of this revelatory collection.” —BookPage From the Pulitzer Prize-winning photojournalist and New York Times bestselling author, a stunning and personally curated selection of her work across the Middle East, South Asia, and Africa Pulitzer Prize–winning photojournalist and MacArthur Fellow Lynsey Addario has spent the last two decades bearing witness to the world’s most urgent humanitarian and human rights crises. Traveling to the most dangerous and remote corners to document crucial moments such as Afghanistan under the Taliban immediately before and after the 9/11 attacks, Iraq following the US-led invasion and dismantlement of Saddam Hussein’s government, and western Sudan in the aftermath of the genocide in Darfur, she has captured through her photographs visual testimony not only of war and injustice but also of humanity, dignity, and resilience. In this compelling collection of more than two hundred photographs, Addario’s commitment to exposing the devastating consequences of human conflict is on full display. Her subjects include the lives of female members of the military, as well as the trauma and abuse inflicted on women in male-dominated societies; American soldiers rescuing comrades in the Korengal Valley of Afghanistan, and Libyan opposition troops trading fire in Benghazi. Interspersed between her commanding and arresting images are personal journal entries and letters, as well as revelatory essays from esteemed writers such as Dexter Filkins, Suzy Hansen, and Lydia Polgreen. A powerful and singular work from one of the most brilliant and influential photojournalists working today, Of Love & War is a breathtaking record of our complex world in all its inescapable chaos, conflict, and beauty.




Expanding Peace Journalism


Book Description

This major new text explores and interrogates peace journalism as a significant challenge to this hegemonic discourse, which has been advocated and elaborated over the recent years in journalism, media development and academic spheres.




Photojournalists on War


Book Description

With previously unpublished photographs by an incredibly diverse group of the world's top news photographers, Photojournalists on War presents a groundbreaking new visual and oral history of America's nine-year conflict in the Middle East. Michael Kamber interviewed photojournalists from many leading news organizations, including Agence France-Presse, the Associated Press, the Guardian, the Los Angeles Times, Magnum, Newsweek, the New York Times, Paris Match, Reuters, Time, the Times of London, VII Photo Agency, and the Washington Post, to create the most comprehensive collection of eyewitness accounts of the Iraq War yet published. These in-depth interviews offer first-person, frontline reports of the war as it unfolded, including key moments such as the battle for Fallujah, the toppling of Saddam's statue, and the Haditha massacre. The photographers also vividly describe the often shocking and sometimes heroic actions that journalists undertook in trying to cover the war, as they discuss the role of the media and issues of censorship. These hard-hitting accounts and photographs, rare in the annals of any war, reveal the inside and untold stories behind the headlines in Iraq.




Lens of War


Book Description

This set of essays by twenty-seven historians of the Civil War describes a wide array of the war's photographs, examining them in unfamiliar ways.




Women War Photographers


Book Description

Discover eight remarkable women war photographers who have documented harrowing and unforgettable crises and combat around the world for the past eighty years. Women have been on the front lines of war for more than a century. With access to places men cannot go, the women who photograph war lend a unique perspective to the consequences of conflict. From intimate glimpses of daily life to the atrocities of war, this exhibition catalog reveals the range and depth of eight women photographers' contributions to wartime photojournalism. Each photographer is introduced by a brief, informative essay followed by reproductions of a selection of their works. Included here are images by Lee Miller, who documented the liberation of Dachau and Buchenwald. The first woman journalist to parachute into Vietnam, Catherine Leroy was on the ground during the Tet Offensive. Susan Meiselas raised international awareness around the Somoza regime's catastrophic effects in Nicaragua. German reporter Anja Niedringhaus worked on assignment in nearly every major conflict of the 1990s, from the Balkans to Libya, Iraq to Afghanistan. The work of Carolyn Cole, Françoise Demulder, Christine Spengler, and Gerda Taro round out this collective profile of courage under pressure and of humanity in the face of war.




Conversations on Conflict Photography


Book Description

In today’s image-saturated culture, the visual documentation of suffering around the world is more prevalent than ever. Yet instead of always deepening the knowledge or compassion of viewers, conflict photography can result in fatigue or even inspire apathy. Given this tension between the genre’s ostensible goals and its effects, what is the purpose behind taking and showing images of war and crisis? Conversations on Conflict Photography invites readers to think through these issues via conversations with award-winning photographers, as well as leading photo editors and key representatives of the major human rights and humanitarian organizations. Framed by critical-historical essays, these dialogues explore the complexities and ethical dilemmas of this line of work. The practitioners relate the struggles of their craft, from brushes with death on the frontlines to the battles for space, resources, and attention in our media-driven culture. Despite these obstacles, they remain true to a purpose, one that is palpable as they celebrate remarkable success stories: from changing the life of a single individual to raising broad awareness about human rights issues. Opening with an insightful foreword by the renowned Sebastian Junger and richly illustrated with challenging, painful, and sometimes beautiful images, Conversations offers a uniquely rounded examination of the value of conflict photography in today’s world.




Heaven is a Photograph


Book Description

This girl is hungry for the weight of a camera in her hands, but that desire feels wicked. Is it because her father is a war photographer and photography has always been his domain? Or is it because she's yet to become a woman who chases what she wants? And who's to say photography can't be her domain, too? At least she knows this: Salvation lies in pixels. Heaven is a photograph. This collection of narrative poems and photographs tells the story of an art student and her journey of doubt, longing, and questioning. Join her as she finds her power behind the lens. "With Heaven is a Photograph, Christine Sloan Stoddard presents you with a poetic meditation on the fear and desire of making images (and claiming one's power). Intellectually and spiritually rich, her words and images imprint on your mind and heart with beauty, honesty and recognition." -Art Jones, artist and filmmaker "Heaven is a Photograph is a living hagiography of a girl who cannot decide whether or not pursuing photography is a sin. Conflicted by gender expectations and the uncertainty of a career in the arts, the one thing that the protagonist knows is that photography is a deeply spiritual practice, enveloping her life. It is truly an autobiography of many women in the arts." -Gretchen Gales, executive editor of Quail Bell Magazine, as seen in Ms. Magazine, The Mighty, and Roar Feminist Magazine "Heaven is a Photograph is a unique exploration of poetry and photography you'll only experience through Christine Sloan Stoddard's magic. The power of her words will shake the core of your being. She doesn't just take pictures-she gives them." -Ghia Vitale, senior editor of Quail Bell Magazine, as seen in Everyday Feminism, xoJane, and BUST "Heaven is a Photograph puts the reader behind, in front of, and inside the camera through Christine Sloan Stoddard's evocative poetry and photography. Through the lens of her viewpoint character, the collection demonstrates the personal and universal appeal of photography in a vivid and impactful manner. Stoddard describes the art of photography as it relates to memory, creation, and legacy in a way that makes the act of clicking the shutter button both an artistic and a spiritual act." -Alex Carrigan, senior critic at Quail Bell Magazine "The narrator of Christine Stoddard's Heaven is a Photograph is hungry. For art. For success. For salvation. For the weight of a camera in her hands. She laments that photography is slow to love her back, which is perhaps what makes this collection so intoxicating. The unchecked, sometimes fearful and unabashedly female desire of a woman who cannot contain her passion-who would let it consume her-explodes in words and images." -Mari Pack, author of Description of a New World (dancing girl press)