Cosmic Haiku


Book Description

The art of haiku allows the reader and composer to be fully in the moment when experiencing the beauty and simplicity life has to offer. Travel into the stars and discover things about your origin, and travel into your own spirit and get a feel for a higher vibration. This gateway will allow you to discover your inner truths and experience life differently. May you connect with the poems and images in this book and feel the energy flowing in from the Universe to open your crown and begin your transformation. Now that your heart is opened, you are ready for the cosmic energy.




Elemental Haiku


Book Description

A fascinating little illustrated series of 118 haiku about the Periodic Table of Elements, one for each element, plus a closing haiku for element 119 (not yet synthesized). Originally appearing in Science magazine, this gifty collection of haiku inspired by the periodic table of elements features all-new poems paired with original and imaginative line illustrations drawn from the natural world. Packed with wit, whimsy, and real science cred, each haiku celebrates the cosmic poetry behind each element, while accompanying notes reveal the fascinating facts that inform it. Award-winning poet Mary Soon Lee's haiku encompass astronomy, biology, chemistry, history, and physics, such as "Nickel, Ni: Forged in fusion's fire,/flung out from supernovae./Demoted to coins." Line by line, Elemental Haiku makes the mysteries of the universe's elements accessible to all.




Haiku


Book Description

In Haiku, the Gentle Art of Disappearing, a renowned Irish poet shows us how haiku may be used as a powerful tool for spiritual interpenetration. This implies that we divest ourselves of the ever-chattering mind, shed the voracious ego and enjoy momentary glimpses of unity with natural phenomena. In the companion volume, Haiku Enlightenment, he further explores these thoroughly delightful experiences and invites us to disappear! Haiku is dynamically focussed on the present, from season to season, from day to day, from hour to hour, from second to second. But how illusory, how fleeting is that present moment? How caught up is it with the past, with the future? Can we stop its flow? Are there more ways than one of experiencing its essence? If we experience a moment intensely enough, might we disappear? Surprises await those readers who may have considered haiku to be nothing more than an innocuous three-line poem. A renowned poet shares his experience of haiku and its potential to surprise us again and again into a sudden awakening and thus to a deeper sense of what it is to be truly alive. His remarkably refreshing insights have delighted confreres around the world.




Cup - Poems


Book Description

Jeredith Merrin’s third collection, Cup, deftly muses on art, travel to exotic locations, nature’s gains and losses, the resiliency of spirit juxtaposed against the body’s frailty, the joys and discords of the familial unit, and aging without bitterness and giving “Praise/ to her or him who keeps, past sixty/ and in all weathers, an open heart.” This collection of abundant wit, insight, longing and passion is deservedly a special honoree of the 2013 Able Muse Book Award. PRAISE FOR CUP: In Cup we meet a poet of rare power and unique originality, unafraid of feeling, able to take on matters of the deepest consequence. Jeredith Merrin strikes me as admirably hard-minded, shunning poeticisms and needless wordage, delivering again and again the real thing. For proof, see the title poem, or the wonderful tribute to John Clare. Plunge in anywhere, and be regaled. —X.J. Kennedy, Judge for the 2013 Able Muse Book Award “. . . stanzas, rooms, lives./ And you, toiling to make it better,/ whatever your it is./ Each has a cup.” In these forthright and moving poems written in restrained, disciplined stanzas, the stories are told of how we each, “trying to make it better,/ whatever . . . it is,” have to find our own cup, and find it acceptable. This is most vividly so in the poems about the bravery and laughter required by a terrible sickness, but also in the very description of a block of still-inhabited Victorian houses, porch after porch, which is like a train going who knows where. The poems’ stanzas are the rooms, and in the rooms are the lives. —David Ferry, winner of the National Book Award In Cup, Jeredith Merrin confronts time’s confounding passage, but there’s not a glimmer of self-pity here, no mourning the fate of an aging body. Instead she offers us an artful contemplation of what age brings: the strangeness of shifting perspectives, the quiet richness of sustained love, and the unabated force of old griefs. Both witty and meditative, these poems brim with insight and affection. And “Lear’s Macaw” alone is worth the price of admission! —Mark Doty, author of Paragon Park Jeredith Merrin’s exhilarating poems pulse with memory, with art, and the complex emotional richness that is the present. At the book’s heart is a sequence of poems of helpless shock and of the courage of her adult daughter’s confrontation with cancer: “She’s doing it, my grown/ child, with characteristic kindness and/ intelligence. . . .” We recognize not only a mother’s love, but also fury in the midst of crisis, and, most movingly, her admiration. The wished-for reprieve, “our raft saved for now,” is, when it comes, “Easeful.” These are understated yet passionate poems that ravish with their gallant dignity. Merrin’s Cup is large and it is full. —Gail Mazur, author of Figures in a Landscape




Hyakujo: The Everest of Zen, with Basho’s Haikus


Book Description

Hyakujo was the direct heir of Ma Tzu and became most well known for his establishment of the first truly Zen monasteries and his treatise on sudden enlightenment. To understand Hyakujo, the first thing is to understand that enlightenment can only be sudden. The preparation can be gradual, but the illumination is going to be sudden. You can prepare the ground for the seeds, but the sprouts will come suddenly one day in the morning; they don’t come gradually. Existence believes in suddenness. Nothing is gradual here, although everything appears to be gradual; that is our illusion.




Space and Eternal Life


Book Description

The book is in the form of a dialogue between an eminent astronomer (Wickramasinghe) and a leading Buddhist scholar (Ikeda) which probes some of the deepest aspects of our existence. As the dialogue unfolds both the astronomerb s view of the world and the Buddhist viewpoint are expounded, side by side, with interesting comparisons between the two sets of basic tenets.




The Cosmos and the Creative Imagination


Book Description

The essays in this book respond to Anna-Teresa Tymieniecka’s recent call to explore the relationship between the evolution of the universe and the process of self-individuation in the ontopoietic unfolding of life. The essays approach the sensory manifold in a number of ways. They show that theories of modern science become a strategy for the phenomenological study of works of art, and vice versa. Works of phenomenology and of the arts examine how individual spontaneity connects with the design(s) of the logos – of the whole and of the particulars – while the design(s) rest not on some human concept, but on life itself. Life’s pliable matrices allow us to consider the expansiveness of contemporary science, and to help create a contemporary phenomenological sense of cosmos.




The Routledge Global Haiku Reader


Book Description

The Routledge Global Haiku Reader provides a historical overview and comprehensive examination of haiku across the world in numerous languages, poetic movements, and cultural contexts. Offering an extensive critical perspective, this volume provides leading essays by poets and scholars who explore haiku’s various global developments, demonstrating the form’s complex and sometimes contradictory manifestations from the twentieth century to the present. The sixteen chapters are carefully organized into categories that reflect the salient areas of practice and study: Haiku in Transit, Haiku and Social Consciousness, Haiku and Experimentation, and The Future of Global Haiku. An insightful introduction surveys haiku’s influence beyond Japan and frames the collection historically and culturally, questioning commonly held assumptions about haiku and laying the groundwork for new ways of seeing the form. Haiku’s elusiveness, its resistance to definition, is partly what keeps it so relevant today, and this book traces the many ways in which this global verse form has evolved. The Routledge Global Haiku Reader ushers haiku into the twenty-first century in a critically minded and historically informed manner for a new generation of readers and writers and will appeal to students and researchers in Asian studies, literary studies, comparative literature, creative writing, and cultural studies




All Yesterdays' Parties


Book Description

The Velvet Underground, among the most influential bands of all time, are credited with creating a streetwise, pre-punk sensibility that has become inseparable from the popular image of downtown New York. "Discovered" by Andy Warhol in 1966, the VU - with their original line-up of Lou Reed, John Cale, Sterling Morrison, and Mo Tucker - would soon become the house band of the avantgarde, composing songs simultaneously furious in their abrasiveness and beautiful in their pathos, standing in striking contrast to the prevailing flower power of the era. All Yesterdays' Parties gathers for the first time almost all of the published writings contemporary with the band's existence-from sources as mainstream as the New York Times to vanished voices of the counterculture like Oz, Fusion, and Crawdaddy! The book is a revealing snapshot of an era by trailblazing rock writers such as Lester Bangs, Robert Greenfield, and Paul Williams. With photographs, posters, and other visual evocations of the period throughout, All Yesterdays' Parties is an invaluable resource, a trove of lore for anyone interested in the VU, their roots, and legacy.




Gerald Vizenor


Book Description

Kimberly M. Blaeser begins with an examination of Vizenor's concept of Native American oral culture and his unique incorporation of oral tradition in the written word. She details Vizenor's efforts to produce a form of writing that resists static meaning, involves the writer in the creation of the literary moment, and invites political action and explores the place of Vizenor's work within the larger context of contemporary tribal literature, Native American scholarship, and critical theory.