Costumes and Textiles of Awadh


Book Description

This book takes a fascinating journey, connecting dates and events to the evolution of costumes, textiles, colours, motifs and ornamentations from the eighteenth century up to present-day India.




Costumes and Textiles of Royal India


Book Description

After years of searching through dusty museum collections and royal stores across India, acclaimed designer Ritu Kumar has uncovered many of the last surviving examples of traditional royal clothing. Her book is a celebration of this rich legacy of textiles and craftsmanship. This in-depth study of the evolution of Indian royal costume spans the centuries from the first representations of clothing in ancient India, through the reign of the Mughal emperors and the days of the British Raj, to Indian independence and royalty in the present day. The author covers both men's and women's garments, Hindu and Muslim styles, and documents the evolution of European-Indian fashions. This sumptuous volume is illustrated with a variety of material, much of which has never been published before ranging from archive photographs, miniatures, royal portraits and cinema stills, to detailed images of garments and textiles from as far back as the seventeenth century. A separate section explains in detail the techniques behind the traditional crafts of weaving, dyeing, printing and embroidery, with sketches and patterns illustrating a variety of garments. Specially commissioned photographs of members of royalty wearing their traditional clothes emphasise the colour, shape, ornament and texture of these stunning costumes. This royal family album is supplemented by stories of royal India told to the author by the last Rajmatas who still remember the splendours of courtly life. AUTHOR: Ritu Kumar is one of India's foremost designers, who has developed a unique style combining the ancient traditions of Indian craftsmanship with contemporary innovations. She began her work many years ago in a small village near Calcutta with just four hand-block printers and a couple of tables. 360 colour & 100 b/w illustrations




Divyāmbara


Book Description

This is a worthy addition to the publications of the National Museum, New Delhi. The novelty of the textile collection in the National Museum is that unlike the Indian Museum, Kolkata and the Maharaja Sawai Man Singh II Museum Jaipur, it has no heritage collections upon which it can draw. This has its advantages. The collections based on gifts and purchase offer a heterogeneity which a scholar can utilize while alluding to the continuity between the past and present. As the catalogue is devoted to the master pieces of the costume from the collection, pagris, head gear have not been included and the same applies to the unstitched garment, the sari. However, India has a vast continuum from which it is possible to elicit information and the costume collection mirrors this.0While Lotika Varadarajan, as Tagore Fellow, brings her wide knowledge of textiles to bear on the subject, Sushmit Sharma adds another dimension to the work by his understanding of visual language in its many dimensions. This has opened up further avenues of investigation adding additional depth to the subject. The work has been envisaged keeping in mind the transformation of the role of museum in modern times from being geared to the needs of a research scholar to that of translating works of art into quotidian language.




Indian Costumes


Book Description

Indian Costumes provides a brief survey of how our people dressed themselves in the past and how they now dress themselves in the different regions of this country




Silk Brocades


Book Description

With reference to products of India.




Chikankari


Book Description

Chikankari is one of the finest traditional embroideries of India, a symbol of Lucknawi culture and elegant courts of the nawabs of Awadh. Chikankari appeared in Lucknow in the late 18th century and its exquisite aesthetic and craftsmanship has sustained the tradition to this day, through changing patronage and market trends. Chikankari is not just about embroidery. Its legendary finesse is based on a creative blend of the delicate embroidery with very fine dressmaking and sewing techniques. This beautifully illustrated book showcases unknown gems from personal and public collections, and brings to life the history of this unique craft tradition. The various chapters describe the mysterious origins of the craft, the range of costumes, the inspirations behind it motifs, the time-honoured elaborate production process, and the bewildering array of stitches that raised this craft to a truly exceptional art form.




Zero Waste Fashion Design


Book Description

Zero Waste Fashion Design combines research and practice to introduce a crucial sustainable fashion design approach. Written by two industry leading pioneers, Timo Rissanen and Holly McQuillan, the book offers flexible strategies and easy-to-master zero waste techniques to help you develop your own cutting edge fashion designs. Sample flat patterns and more than 20 exercises will reinforce your understanding of the zero waste fashion design process. Beautifully illustrated interviews with high-profile, innovative designers, including Winifred Aldrich, Rickard Lindqvist and Yeohlee Teng, show the stunning garments produced by zero waste fashion design. Featured topics include: The criteria for zero waste fashion design Manufacturing zero waste garments Adapting existing designs for zero waste Zero waste designing with digital technologies







Court & Courtship


Book Description

Features in-depth commentary on 90 superb paintings by the eminent art historian J.P. Losty - Many of the paintings offer fascinating insights into Indian attire and fabrics, as they were acquired for the textiles and costumes they illustrate - Showcasing a curated selection of Indian miniature paintings, this book is a feast for the eye for lovers of Indian painting Court & Courtship: Indian Miniatures in the TAPI Collection is a study of Indian paintings in which the author J.P. Losty explores the well-trod highways and the lesser-known byways of miniature paintings, put together by the well-known textile collectors, Praful and Shilpa Shah. Starting with a splendid 16th-century painting from the early Rajput Bhagvata Purana, readers will savor the variety of Mughal and other portraits of emperors, princes, courtiers, and of royal elephants and horses. Courtly pictures include several from the Deccan, Rajasthan, Central India, and the northern hills. Resplendent ladies in 18th and 19th-century attire adorn the pages, as do paintings acquired for the textiles and costumes they illustrate - jamas, paijamas, angarkhas, turbans, odhnis, patkas, canopies, and qanats. Representing the classic texts of Sanskrit and Hindi literature are stunning examples from a 17th-century ragamala, the Shangri Ramayana, the Gita Govinda, Harivamsha, and Rasikapriya. Two of the most impressive paintings ever to come out of Nathdwara are featured here, from the hands of master artists Sukhdev Gaur and Ghasiram Sharma. Showcasing 90 superb images, this collection is sure to be of interest to lovers of Indian art.




Ancient Indian Costume


Book Description

A study of ancient indian costumes from the earliest times to the end of the gupta period, supplementede with a number of illusions of sculptures and drawings.