A Country Made by War


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From the Revolution to Vietnam-the story of America's rise to power.




Notes for a War Story


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" ... an astonishing urban fable of life in a lawless, war-torn nation, heightened by the uncanny artwork of Italy's maestro graphic novel author."--Front inside flap.




Free to Die for Their Country


Book Description

One of the Washington Post's Top Nonfiction Titles of 2001 In the spring of 1942, the federal government forced West Coast Japanese Americans into detainment camps on suspicion of disloyalty. Two years later, the government demanded even more, drafting them into the same military that had been guarding them as subversives. Most of these Americans complied, but Free to Die for Their Country is the first book to tell the powerful story of those who refused. Based on years of research and personal interviews, Eric L. Muller re-creates the emotions and events that followed the arrival of those draft notices, revealing a dark and complex chapter of America's history.




London War Notes, 1939-1945


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On War


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Country Notes in Wartime


Book Description

Sackville-West's column "Country Notes", observations on life in the English countryside, appeared regularly in the New Statesman and Nation. This is a collection of her columns from the early years of the Second World War.




A Country at War with Itself


Book Description

Hether it is hijacking or rape, a home robbery or a husband's explosion of rage, violence is so common that few lives have been left untouched by it. The result is a society deformed by its fears. Closeted behind locked doors and high walls, panic buttons at the ready, members of the middle classes live lives haunted by fear. The poor, who are both more likely to be victimized and less able to secure themselves, are just as traumatized. 'A Country at War with Itself' is a penetrating exploration of South Africa's crime problem. Getting behind the statistics to offer a sober and sobering account of the scale of the problem and its evolution, it describes how government has sometimes sought to deal with the crisis and sometimes sought to deny its existence. The book ends with some suggestions of what needs to be done to deal with this scourge.




Wartime Notebooks


Book Description

A Polish writer’s experience of wartime France, a cosmopolitan outsider’s perspective on politics, culture, and life under duress When the aspiring young writer Andrzej Bobkowski, a self-styled cosmopolitan Pole, found himself caught in occupied France in 1940, he recorded his reflections on culture, politics, history, and everyday life. Published after the war, his notebooks offer an outsider’s perspective on the hardships and ironies of the Occupation. In the face of war, Bobkowski celebrates the value of freedom and human life through the evocation—in a daringly untragic mode—of ordinary existence, the taste of simple food, the beauty of the French countryside. Resisting intellectual abstractions, his notes exude a young man’s pleasure in physical movement—miles clocked on country roads and Parisian streets on his trusty bike—and they reveal the emergence of an original literary voice. Bobkowski was recognized in his homeland as a master of modern Polish prose only after Communism ended. He remains to be discovered in the English-speaking world.




Burning Country


Book Description

In 2011, Syrians took to the streets to demand the overthrow of the regime of Bashar al-Assad. Today, much of Syria has become a war-zone where foreign journalists find it almost impossible to go. Burning Country explores the reality of life in present-day Syria. Drawn from over fifteen years of work with the people of Syria, it reveals the stories of opposition fighters, exiles lost in an archipelago of refugee camps, and many others. Examining new grassroots revolutionary organisations, the rise of ISIS and Islamism, and the emergence of the worst refugee crisis since World War Two, Burning Country is a vivid account of a modern-day political and humanitarian nightmare. -- from back cover.




Your Country, Our War


Book Description

Journalists are actors in international relations, mediating communications between governments and publics, but also between the administrations of different countries. American and foreign officials simultaneously consume the work of U.S. journalists and use it in their own thinking about how to conduct their work. As such, journalists play an unofficial diplomatic role. However, the U.S. news media largely amplifies American power. Instead of stimulating greater understanding, the U.S. elite, mainstream press can often widen mistrust as they promote an American worldview and, with the exception of some outliers, reduce the world into a tight security frame in which the U.S. is the hegemon. This has been the case in Afghanistan since 2001, particularly as emerging Afghan journalists have relied significantly on U.S. and other Western news outlets to report events within their government and their country. Based on eight years of interviews in Kabul, Washington, and New York, Your Country, Our War demonstrates how news has intersected with international politics during the War in Afghanistan and shows the global power and reach of the U.S. news media, especially within the context of the post-9/11 era. It reviews the trajectory of the U.S. news narrative about Afghanistan and America's never-ending war, and the rise of Afghan journalism, from 2001 to 2017. The book also examines the impact of the American news media inside a war theater. It examines how U.S. journalists affected the U.S.-Afghan relationship and chronicles their contribution to the rapid development of a community of Afghan journalists who grappled daily with how to define themselves and their country during a tumultuous and uneven transition from fundamentalist to democratic rule. Providing rich detail about the U.S.-Afghan relationship, especially former President of Afghanistan Hamid Karzai's convictions about the role of the Western press, we begin to understand how journalists are not merely observers to a story; they are participants in it.