Creepy Comics #15


Book Description

Here comes Uncle Creepy to tingle your spine with all-new tales of terror! Alex de Campi (_Grindhouse_) and Henrik S. Jonsson (_Detective Comics_) present a lovers' quarrel full of mischief, while Doug Moench (_Batman_) unleashes ancient alarm from an Aztec tomb! * Frontispiece by Bruce Timm (_Batman: The Animated Series_)! * Cover by J. G. Jones (_Final Crisis_)!




Ice Cream Man #15


Book Description

"COAT CHECK STORY" Lillian is wearing someone else's coat.




Camp Midnight Volume 1


Book Description

Ben 10 and Big Hero 6 creator Steven T. Seagle returns to comics with New Yorker Magazine cartoonist Jason Adam Katzenstein for a new graphic novel! Reluctant Skye is accidentally sent to the wrong summer camp. Not wanting to please her “step monster,” Skye is dead-set on not fitting in. That won't be a problem, as everyone at Camp Midnight-with the exception of fellow camper and fast-friend Mia-is a full-fledged monster! The perfect book for fans of Raina Telgemeier's Smile, but wish it had more bowls of gooey eyeballs.




Last Stop on the Red Line


Book Description

Detective Migdalia Torres investigates a vicious strangling on a Boston subway car with no feasible leads. As potential evidence produces dead ends, Migdalia inadvertently takes in a vagrant named Yusef who may have a supernatural connection to the crime at hand. While Yusef's plagued by visions and seemingly false memories, both suspect and detective struggle to discover the identity of the phantom killer that stalks the Boston Metro. This volume collects issues #1-#4 of the futuristic, mind-bending horror story Last Stop on the Red Line, written by Paul Maybury (Aqua Leung), vividly illustrated by Sam Lotfi (Doctor Fate), and beautifully colored by John Rauch (Spider-Man, Venom). Collects Last Stop on the Red Line #1-#4.




Horror Comics #15


Book Description




Apocalypse Taco


Book Description

Sid, Axl, and Ivan volunteer to make a late-night fast-food run for the high school theater crew, and when they return, they find themselves. Not in a deep, metaphoric sense: They find copies of themselves onstage. As they look closer, they begin to realize that the world around them isn’t quite right. Turns out, when they went to the taco place across town, they actually crossed into an alien dimension that’s eerily similar to their world. The aliens have made sinister copies of cars, buildings, and people—and they all want to get Sid, Axl, and Ivan. Now the group will have to use their wits, their truck, and even their windshield scraper to escape! But they may be too late. They may now be copies themselves . . .




The Horror Comic Never Dies


Book Description

Horror comics were among the first comic books published--ghastly tales that soon developed an avid young readership, along with a bad reputation. Parent groups, psychologists, even the United States government joined in a crusade to wipe out the horror comics industry--and they almost succeeded. Yet the genre survived and flourished, from the 1950s to today. This history covers the tribulations endured by horror comics creators and the broader impact on the comics industry. The genre's ultimate success helped launch the careers of many of the biggest names in comics. Their stories and the stories of other key players are included, along with a few surprises.




Horror Comics in Black and White


Book Description

In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.







Eerie Archives Volume 14


Book Description

Slithering upon the heels of Dark Horse's archive collections of the seminal horror comics magazine Creepy comes its terror-filled cousin publication Eerie! Collected for fans for the first time ever, and packaged in the same amazing oversized format as the Creepy Archives, Dark Horse Comics has taken great, gruesome care in presenting this groundbreaking material to readers who have been waiting decades to get their claws on it.