Crossroads of European Art


Book Description




The Low Countries at the Crossroads


Book Description

This book focuses on the diffusion of architectural inventions from the Low Countries to other parts of Europe from the late fifteenth until the end of the seventeenth century. Multiple pathways connected the architecture of the Low Countries with the world, but a coherent analysis of the phenomenon is still missing. Written by an international team of specialists, the book offers case-studies illustrating various mechanisms of transmission, such as the migration of building masters and sculptors who worked as architects abroad, networks of foreign patrons inviting Netherlandish artists, printed models and the role of foreign architects who visited the Low Countries for professional reasons. Its geographical scope is as broad as the period under review and includes all European regions where Netherlandish elements were found: from Spain to Scandinavia and from Scotland to Transylvania.




Caribbean


Book Description

Unprecedented in scope, this book examines the modern history of the Caribbean through its artistic culture. Acknowledging the individuality of various islands, the richness of the coastal regions, and the reach of the Diaspora, Caribbean looks at the vital visual and cultural links that exist among these diverse constituencies. The authors examine how the Caribbean has been imagined and pictures, and the role of art in the development of national identity.




Early Netherlandish Painting at the Crossroads


Book Description

The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.




The Book of Tbilisi


Book Description

A rookie reporter, searching for his first big story, re-opens a murder case that once saw crowds of protestors surround Tbilisi's central police station... A piece of romantic graffiti chalked outside a new apartment block sends its residents into a social media frenzy, trying to identify the two lovers implicated by it.... A war-orphaned teenager looks after his dying sister in an abandoned railway carriage on the edge of town, hoping that someday soon the state will take care of them... In the 26 years since Georgia declared independence from the Soviet Union, the country and its capital, Tbilisi, have endured unimaginable hardships: one coup d'état, two wars with Russia, the cancer of organised crime, and prolonged periods of brutalising, economic depression. Now, as the city begins to flourish again – drawing hordes of tourists with its eclectic architecture and famous, welcoming spirit – it's difficult to reconcile the recent past with this glamorous and exotic present. With wit, warmth, heartbreaking realism, and a distinctly Georgian sense of neighbourliness, these ten stories do just that. 'Acts as an introduction to a literature quite neglected by the Anglophone world... the language consistently has the direct, clean and unadorned quality of great fiction.' – Luke Kennard. ‘A soaring, searing collection – important new stories that are sure to live long in the memory.’ – Eley Williams, author of Attrib. Published with the support of the Georgian National Book Center and the Ministry of Culture and Monument Protection of Georgia.




Print Culture at the Crossroads


Book Description

This book investigates the importance of printing in early-modern Central Europe, revealing a complicated web of connections linking printers and scholars, Jews and Christians, from the Baltic to the Adriatic.




Saharan Crossroads


Book Description

Saharan Crossroads: Exploring Historical, Cultural, and Artistic Linkages between North and West Africa counteracts the traditional scholarly conception of the Sahara Desert as an impenetrable barrier dividing the continent by employing an interdisciplinary lens to examine myriad interconnections between North and West Africa through travel, trade, communication, cultural exchange, and correspondence that have been ongoing for several millennia. Saharan Crossroads offers a unique contribution to existing scholarship on the region by uniting a diverse group of African, European, and American scholars working on various facets of trans-Saharan history, social life, and cultural production, and bringing their work together for the first time. This trilingual volume includes eleven chapters written in English, five chapters in French, and three chapters in Arabic, reflecting the multicultural nature of the Sahara and this international project. Saharan Crossroads explores historical and contemporary connections and exchanges between populations living in and on both sides of the Sahara that have led to the emergence of distinctive cultural and aesthetic expressions. This contact has been fostered by a series of linkages that include the trans-Saharan caravan trade, the spread of Islam, the migration of nomadic pastoralists, and European colonization. The book includes three major sections: (1) history, culture, and identity; (2) trans-Saharan circulation of arts, music, ritual performance, and architecture; and (3) religion, law, language, and writing. While the gaze of international political analysts has turned toward the Sahara to follow problematic developments that pose serious threats to human rights and security in the region, it is especially timely to recall that the people and countries of the Sahelo-Saharan world have maintained long histories of peaceful coexistence, interdependence, and cooperation that are too often overlooked in the present.




Iconography Beyond the Crossroads


Book Description

This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.




Prague


Book Description

Thirty years ago, Prague was a closed book to most travelers. Today, it is Europe’s fifth-most-visited city, surpassed only by London, Paris, Istanbul, and Rome. With a stunning natural setting on the Vltava river and featuring a spectacular architectural potpourri of everything from Romanesque rotundas to gothic towers, Renaissance palaces, Baroque churches, art nouveau cafés, and cubist apartment buildings, Prague may well be Europe’s most beautiful capital city. But behind this beauty lies a turbulent and often violent history, and in this book, Derek Sayer explores both. Located at the uneasy center of the continent, Prague has been a crossroads of cultures for more than a millennium. From the religious wars of the middle ages and the nationalist struggles of the nineteenth century to the modern conflicts of fascism, communism, and democracy, Prague’s history is the history of the forces that have shaped Europe. Sayer also goes beyond the complexities of Prague’s colorful past: his expert, very readable, and exquisitely illustrated guide helps us to see what Prague is today. He not only provides listings of what to see, hear, and do and where to eat, drink, and shop, but also offers deep personal reflection on the sides of Prague tourists seldom see, from a model interwar modernist villa colony to Europe’s biggest Vietnamese market.




Ireland


Book Description

A sweeping survey of the arts of Ireland spanning 150 years and an astonishing range of artists and media This groundbreaking book captures a period in Ireland's history when countless foreign architects, artisans, and artists worked side by side with their native counterparts. Nearly all of the works within this remarkable volume--many of them never published before--have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons over 150 years of Ireland's sometimes turbulent history. Featuring the work of a wide range of artists--known and unknown--and a diverse array of media, the catalogue also includes an impressive assembly of essays by a pre-eminent group of international experts working on the art and cultural history of Ireland. Major essays discuss the subjects of the Irish landscape and tourism, Irish country houses, and Dublin's role as a center of culture and commerce. Also included are numerous shorter essays covering a full spectrum of topics and artworks, including bookbinding, ceramics, furniture, glass, mezzotints, miniatures, musical instruments, pastels, silver, and textiles.