Cultural Congruence: Contemporaneity and Confluence


Book Description

We are happy to publish this book Cultural Congruence: Contemporaneity and Confluence for the academic community interested in Cultural Studies. This book is an outcome of the discussions and deliberations based on the National seminar held on 28th and 29th January 2020 conducted by the Post Graduate Department of English, MES Asmabi College, P. Vemballur, Kodungallur, Thrissur, Kerala. The editors do admit to the fact that a dynamic phenomenon such Cultural Studies cannot be compressed in a few papers but the concepts and applications illustrated by the research scholars and participants should not go unnoticed and unrecognised. That is the very reason for the publication of this seminar volume. We are aware that topics in Cultural Studies are constantly evolving and constantly challenged. The concepts are always renewed and reinvigorated through negation and negotiation. But they present a paradigm which is surely valuable in the real academic sense. The ideas proposed by the writers are their own and the editors do not subscribe to or endorse them. The editors would like to express the sincere support and goodwill shown by the publisher in this regard. We do acknowledge the moral support by the department colleagues and the academic fraternity at large. We would surely welcome comments and criticism from the readers.




A Voluntary Exile


Book Description

Western missionaries in China were challenged by something they could not have encountered in their native culture; most Westerners were Christian, and competitions in their own countries were principally denominational. Once they entered China they unwittingly became spiritual merchants who marketed Christianity as only one religion among the long-established purveyors of other religions, such as the masters of Buddhist and Daoist rites. A Voluntary Exile explores the convergence of cultures. This collection of new and insightful research considers themes of religious encounter and accommodation in China from 1552 to the present, and confronts how both Western Europeans and indigenous Chinese mitigated the cultural and religious antagonisms that resulted from cultural misunderstanding. The studies in this work identify areas where missionary accommodation in China has succeeded and failed, and offers new insights into what contributed to cultural conflict and confluence. Each essay responds in some way to the “accommodationist” approach of Western missionaries and Christianity, focusing on new areas of inquiry. For example, Michael Maher, SJ, considers the educational and religious formation of Matteo Ricci prior to his travels to China, and how Ricci’s intellectual approach was connected to his so-called “accommodationist method” during the late Ming. Eric Cunningham explores the hackneyed assertion that Francis Xavier’s mission to Asia was a “failure” due to his low conversion rates, suggesting that Xavier’s “failure” instigated the entire Chinese missionary enterprise of the 16th and 17th centuries. And, Liu Anrong confronts the hybridization of popular Chinese folk religion with Catholicism in Shanxi province. The voices in this work derive from divergent scholarly methodologies based on new research, and provide the reader a unique encounter with a variety of disciplinary views. This unique volume reaches across oceans, cultures, political systems, and religious traditions to provide important new research on the complexities of cultural encounters between China and the West.




Confluence Narratives


Book Description

Confluence Narratives: Ethnicity, History and Nation-Making in the Americas explores how a collection of contemporary novels calls attention to the impact of ethnicity on national identities in the Americas. These historical narratives portray the cultural encounters—the conflicts and alliances, peaceful borrowings and violent seizures—that have characterized the history of the American continents since the colonial period. In the second half of the twentieth century, North and South American readers have witnessed a steady output of novels that revisit moments of cultural confluence as a means of revising national histories. Confluence Narratives proposes that these historical novels, published in such places as Brazil, Argentina, Mexico, the United States, and Canada, make up a key literary genre in the Americas. The genre links the various parts of the hemisphere together through three common historical experiences: colonization, slavery, and immigration. Luciano Tosta demonstrates how numerous texts from the United States, Canada, Spanish America, the Caribbean, and Brazil fall into the genre. The book focuses on four case studies from ethnic groups in the Americas: Amerindians, Afro-descendants, Jewish Americans, and Japanese Americans. Tosta uses the experience of the American nations as a springboard to problematize the concept of the contemporary nation, an identity marked by border-crossings and other experiences of deterritorialization. Based on the exploration of “confluence narratives,” Tosta argues that the “contemporary” nation is not as contemporary as one may think. Informed by postcolonial theory and transnational and ethnic studies, this book offers an important comparative study for and of inter-American literature. Its analysis of the representation of cultural encounters within distinctive national histories underscores the complex nature of ‘otherness’ in the Americas, as well as the inherently transcultural aspect of a trans-continental American identity.




American Confluence


Book Description

A bold new history of Missouri--the region where the American West begins.




The Texas Outlook


Book Description




Culture on the Margins


Book Description

In Culture on the Margins, Jon Cruz recounts the "discovery" of black music by white elites in the nineteenth century, boldly revealing how the episode shaped modern approaches to studying racial and ethnic cultures. Slave owners had long heard black song making as meaningless "noise." Abolitionists began to attribute social and political meaning to the music, inspired, as many were, by Frederick Douglass's invitation to hear slaves' songs as testimonies to their inner, subjective worlds. This interpretive shift--which Cruz calls "ethnosympathy"--marks the beginning of a mainstream American interest in the country's cultural margins. In tracing the emergence of a new interpretive framework for black music, Cruz shows how the concept of "cultural authenticity" is constantly redefined by critics for a variety of purposes--from easing anxieties arising from contested social relations to furthering debates about modern ethics and egalitarianism. In focusing on the spiritual aspect of black music, abolitionists, for example, pivoted toward an idealized religious singing subject at the expense of absorbing the more socially and politically elaborate issues presented in the slave narratives and other black writings. By the end of the century, Cruz maintains, modern social science also annexed much of this cultural turn. The result was a fully modern tension-ridden interest in culture on the racial margins of American society that has long had the effect of divorcing black culture from politics.




Anthropology of Migration and Multiculturalism


Book Description

The field of anthropology of migration and multiculturalism is booming. Throughout its hundred-odd year history, studies of migration and diverse or ‘plural’ societies have arguably been both marginal and central to the discipline of Anthropology. However, recent years have witnessed the rapid growth of anthropological studies concerning these topics. This has particularly been the case since the 1970s, when anthropologists developed a keen interest in the subject of ethnicity, especially in post-migration communities. Since the 1990s, migrant transnationalism has become one of the most fashionable topics. There is still much to do in research and theory surrounding this field, not least with regard to contemporary public debates around multiculturalism, immigration and ‘integration’ policy. This book presents essays pointing toward a number of possible new directions – both theoretical and methodological – for anthropological inquiry into migration and multiculturalism, including innovative ways of examining diversity discourses, urban conditions, social complexities, scales of analysis, transnational marriages, entangled politics and interwoven cultures. This book was published as a special issue of the Ethnic and Racial Studies.




臺勢教會 The Taiwanese Making of the Canada Presbyterian Mission


Book Description

"臺勢教會 The Taiwanese Making of the Canada Presbyterian Mission" explores the Canadian Presbyterian Mission to Northern Taiwan, 1872-1915. The Canada Presbyterian Mission has often been portrayed as one of the nineteenth- century’s most successful missions, and its founder, George Leslie Mackay, has been called the most successful Protestant Missionary of all time. Mark Dodge challenges the heroic narrative by exploring the motives and actions of the Taiwanese actors who supported and established the mission. Religious leaders, teachers, doctors, and businessmen from Northern Taiwan collaborated to build a strong and vital mission, whose phenomenal success brought fame and status to Mackay and their cause. In turn, this status provided a protective space in which these Taiwanese patrons were able to exert significant economic and political autonomy in spite of pressures from competing colonial interests. This book will be of particular interest to students and historians of nineteenth-century East Asia as well as scholars of comparative colonialism, with a focus on missionary history and cultural colonialism.




Photography and American Coloniality


Book Description

This book is the first to question both why and how the colonialist mythologies represented by the work of photographer Eliot Elisofon persist. It documents and discusses a heterogeneous practice of American coloniality of power as it explores Elisofon’s career as war photographer-correspondent and staff photographer for LIFE, filmmaker, author, artist, and collector of “primitive art” and sculpture. It focuses on three areas: Elisofon’s narcissism, voyeurism, and sexism; his involvement in the homogenizing of Western social orders and colonial legacies; and his enthused mission of “sending home” a mass of still-life photographs, annexed African artifacts, and assumed vintage knowledge. The book does not challenge his artistic merit or his fascinating personality; what it does question is his production and imagining of “difference.” As the text travels from World War II to colonialism, postcolonialism, and the Cold War, from Casablanca to Leopoldville (Kinshasa), it proves to be a necessarily strenuous and provocative trip.




The Huasteca


Book Description

The Huasteca, a region on the northern Gulf Coast of Mexico, was for centuries a pre-Columbian crossroads for peoples, cultures, arts, and trade. Its multiethnic inhabitants influenced, and were influenced by, surrounding regions, ferrying unique artistic styles, languages, and other cultural elements to neighboring areas and beyond. In The Huasteca: Culture, History, and Interregional Exchange, a range of authorities on art, history, archaeology, and cultural anthropology bring long-overdue attention to the region’s rich contributions to the pre-Columbian world. They also assess how the Huasteca fared from colonial times to the present. The authors call critical, even urgent attention to a region highly significant to Mesoamerican history but long neglected by scholars. Editors Katherine A. Faust and Kim N. Richter put the plight and the importance of the Huasteca into historical and cultural context. They address challenges to study of the region, ranging from confusion about the term “Huasteca” (a legacy of the Aztec conquest in the late fifteenth century) to present-day misconceptions about the region’s role in pre-Columbian history. Many of the contributions included here consider the Huasteca’s interactions with other regions, particularly the American Southeast and the southern Gulf Coast of Mexico. Pre-Columbian Huastec inhabitants, for example, wore trapezoid-shaped shell ornaments unique in Mesoamerica but similar to those found along the Mississippi River. With extensive examples drawn from archaeological evidence, and supported by nearly 200 images, the contributors explore the Huasteca as a junction where art, material culture, customs, ritual practices, and languages were exchanged. While most of the essays focus on pre-Columbian periods, a few address the early colonial period and contemporary agricultural and religious practices. Together, these essays illuminate the Huasteca’s significant legacy and the cross-cultural connections that still resonate in the region today.