Culture, Man, and Nature


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Culture, People, Nature


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Beyond Nature and Culture


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“Gives to anthropological reflection a new starting point and will become the compulsory reference for all our debates in the years to come.” —Claude Lévi-Strauss, on the French edition Beyond Nature and Culture has been a major influence in European intellectual life since its French publication in 2005. Here, finally, it is brought to English-language readers. At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture? Culture—as a collective human making, of art, language, and so forth—is often seen as essentially different from nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces. Philippe Descola shows this essential difference to be not only a Western notion, but also a very recent one. Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the “four ontologies” —animism, totemism, naturalism, and analogism—to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers a fundamental reformulation by which anthropologists and philosophers can see the world afresh. “A compelling and original account of where the nature-culture binary has come from, where it might go—and what we might imagine in its place.” —Somatosphere “The most important book coming from French anthropology since Claude Lévi-Strauss’s Anthropologie Structurale.” —Bruno Latour, author of An Inquiry into Modes of Existence “Descola’s challenging new worldview should be of special interest to a wide range of scientific and academic disciplines from anthropology to zoology . . . Highly recommended.” —Choice




The Human Elder In Nature, Culture, And Society


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Chronicling the evolution of David Gutmann's cross-cultural, empirical studies on which his developmental theories of aging are based, this volume reveals how descriptions of the developmental sequences (as they show themselves in older men and women) lead to identification of the psychological forces that drive these processes across the years. This book of new and previously published work first reports on the research that buttressed the more hopeful view of aging as a period of growth and then sets forth the broad, unifying ideas that came out of the empirical work. These concepts include the theory of the "Parental Imperative"—the engine of human development in early and later adulthood; observations on the "gentling" of the older man and the increased assertiveness of the older woman; essays about the unique qualities of aging leaders and the special role of the aged as representatives of the community to its gods; and ideas about the evolutionary basis of the third age—aging as a human adaptation, a legitimate life stage, rather than the grim prelude to death. The last group of selections focuses on the clinical perspective, applying developmental insights to the psychological disorders of later life, ultimately leading to a more hopeful view of these conditions as well as more effective approaches to their treatment. Each section contains original commentary placing the material in the context of current research. This text is for gerontologists, for all students of human development, and for all thoughtful readers who are concerned with the great themes of the human life-cycle—in-cluding their own.




Nature and Culture


Book Description

Originally published in 1963. Perhaps the most generative ethical question of eighteenth-century France was how to live a virtuous and happy life at the same time. During the Age of Enlightenment, Christianity fell out of vogue as the dominant and authoritative moral code. In place of Christianity's emphasis on sin and redemption in light of a supposed afterlife, present happiness became recognized as an appropriate end goal among French Enlightenment thinkers. French intellectuals struggled to find equilibrium between nature (a person's individual goals and needs) and culture (the political, economic, and social organization of humans for a collective good). Enlightenment discourse generated a unique cultural moment in which thinkers addressed the problems of humans' moral coexistence through the dichotomy of nature and culture. Lester Crocker addresses these questions in an overview of ethical thought in eighteenth-century France.




Clouds


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Clouds have been objects of delight and fascination throughout human history, their fleeting magnificence and endless variety having inspired scientists and daydreamers alike. Described by Aristophanes as “the patron goddesses of idle men,” clouds and the ever-changing patterns they create have long symbolized the restlessness and unpredictability of nature, and yet they are also the source of life-giving rains. In this book, Richard Hamblyn examines clouds in their cultural, historic, and scientific contexts, exploring their prevalence in our skies as well as in our literature, art, and music. As Hamblyn shows, clouds function not only as a crucial means of circulating water around the globe but also as a finely tuned thermostat regulating the planet’s temperature. He discusses the many different kinds of clouds, from high, scattered cirrus clouds to the plump thought-bubbles of cumulus clouds, even exploring man-made clouds and clouds on other planets. He also shows how clouds have featured as meaningful symbols in human culture, whether as ominous portents of coming calamities or as ethereal figures giving shape to the heavens, whether in Wordsworth’s poetry or today’s tech speak. Comprehensive yet compact, cogent and beautifully illustrated, this is the ultimate guidebook to those shapeshifters of the sky.




People and Places of Nature and Culture


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Using the rich and vital Australian Aboriginal understanding of country as a model, "People and Places of Nature and Culture "affirms the importance of a sustainable relationship between nature and culture. While current thought includes the mistaken notion perpetuated by natural history, ecology, and political economy that humans have a mastery over the Earth, this book demonstrates the problems inherent in this view.In the current age of climate change, this is an important appraisal of the relationship between nature and culture, and a projection of what needs to change if we want to achieve environmental stability."




Nature and Culture : American Landscape and Painting, 1825-1875, With a New Preface


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In this richly illustrated volume, featuring more than fifty black-and-white illustrations and a beautiful eight-page color insert, Barbara Novak describes how for fifty extraordinary years, American society drew from the idea of Nature its most cherished ideals. Between 1825 and 1875, all kinds of Americans--artists, writers, scientists, as well as everyday citizens--believed that God in Nature could resolve human contradictions, and that nature itself confirmed the American destiny. Using diaries and letters of the artists as well as quotes from literary texts, journals, and periodicals, Novak illuminates the range of ideas projected onto the American landscape by painters such as Thomas Cole, Albert Bierstadt, Frederic Edwin Church, Asher B. Durand, Fitz H. Lane, and Martin J. Heade, and writers such as Ralph Waldo Emerson, Henry David Thoreau, and Frederich Wilhelm von Schelling. Now with a new preface, this spectacular volume captures a vast cultural panorama. It beautifully demonstrates how the idea of nature served, not only as a vehicle for artistic creation, but as its ideal form. "An impressive achievement." --Barbara Rose, The New York Times Book Review "An admirable blend of ambition, elan, and hard research. Not just an art book, it bears on some of the deepest fantasies of American culture as a whole." --Robert Hughes, Time Magazine




Nature and Culture in Western Discourses


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How unique is man? How much are we bound by a common nature? To what extent is culture an expression of instinct? Such questions have haunted the development of social theory. In this fascinating book, Stephen Horigan argues that our thinking on these matters has been bedevilled by the enlightenment distinction between nature and culture. He criticizes this on the grounds that terms such as 'nature', 'culture', 'human', and 'animal' are ambiguous. He uses the themes of wildness and primitivism and cases of 'feral' children to illustrate his argument.




Ice


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In Ice, Klaus Dodds provides a wide-ranging exploration of the cultural, natural, and geopolitical history of this most slippery of subjects. Beyond Earth, ice has been found on other planets, moons, and meteors—and scientists even think that ice-rich asteroids played a pivotal role in bringing water to our blue home. But our outlook need not be cosmic to see ice’s importance. Here today and gone tomorrow in many parts of the temperate world, ice is a perennial feature of polar and mountainous regions, where it has long shaped human culture. But as climates change, ice caps and glaciers melt, and waters rise, more than ever this frozen force touches at the core of who we are. As Dodds reveals, ice has played a prominent role in shaping both the earth’s living communities and its geology. Throughout history, humans have had fun with it, battled over it, struggled with it, and made money from it—and every time we open our refrigerator doors, we’re reminded how ice has transformed our relationship with food. Our connection to ice has been captured in art, literature, movies, and television, as well as made manifest in sport and leisure. In our landscapes and seascapes, too, we find myriad reminders of ice’s chilly power, clues as to how our lakes, mountains, and coastlines have been indelibly shaped by the advance and retreat of ice and snow. Beautifully illustrated throughout, Ice is an informative, thought-provoking guide to a substance both cold and compelling.