Cultures of War


Book Description

WORLD HISTORY: SECOND WORLD WAR. Over recent decades, John W. Dower, one of America's preeminent historians, has addressed the roots and consequences of war from multiple perspectives. In War Without Mercy (1986), winner of the National Book Critics Circle Award, he described and analyzed the brutality that attended World War II in the Pacific, as seen from both the Japanese and the American sides. Embracing Defeat (1999), winner of numerous honors including the Pulitzer Prize and the National Book Award, dealt with Japan's struggle to start over in a shattered land in the immediate aftermath of the Pacific War, when the defeated country was occupied by the U.S.-led Allied powers. Turning to an even larger canvas, Dower now examines the cultures of war revealed by four powerful events--Pearl Harbor, Hiroshima, 9-11, and the invasion of Iraq in the name of a war on terror.




Cultures of War in Graphic Novels


Book Description

Cultures of War in Graphic Novels examines the representation of small-scale and often less acknowledged conflicts from around the world and throughout history. The contributors look at an array of graphic novels about conflicts such as the Boxer Rebellion (1899-1901), the Irish struggle for national independence (1916-1998), the Falkland War (1982), the Bosnian War (1992-1995), the Rwandan genocide (1994), the Israel-Lebanon War (2006), and the War on Terror (2001-). The book explores the multi-layered relation between the graphic novel as a popular medium and war as a pivotal recurring experience in human history. The focus on largely overlooked small-scale conflicts contributes not only to advance our understanding of graphic novels about war and the cultural aspects of war as reflected in graphic novels, but also our sense of the early twenty-first century, in which popular media and limited conflicts have become closely interrelated.




Cold War Cultures


Book Description

The Cold War was not only about the imperial ambitions of the super powers, their military strategies, and antagonistic ideologies. It was also about conflicting worldviews and their correlates in the daily life of the societies involved. The term “Cold War Culture” is often used in a broad sense to describe media influences, social practices, and symbolic representations as they shape, and are shaped by, international relations. Yet, it remains in question whether — or to what extent — the Cold War Culture model can be applied to European societies, both in the East and the West. While every European country had to adapt to the constraints imposed by the Cold War, individual development was affected by specific conditions as detailed in these chapters. This volume offers an important contribution to the international debate on this issue of the Cold War impact on everyday life by providing a better understanding of its history and legacy in Eastern and Western Europe.




Cultures of Commemoration


Book Description

In 1941 the Japanese military attacked the US naval base Pearl Harbor on the Hawaiian island of O‘ahu. Although much has been debated about this event and the wider American and Japanese involvement in the war, few scholars have explored the Pacific War’s impact on Pacific Islanders. Cultures of Commemoration fills this crucial gap in the historiography by advancing scholarly understanding of Pacific Islander relations with and knowledge of American and Japanese colonialisms in the twentieth century. Drawing from an extensive archival base of government, military, and popular records, Chamorro scholar Keith L Camacho traces the formation of divergent colonial and indigenous histories in the Mariana Islands, an archipelago located in the western Pacific and home to the Chamorro people. He shows that US colonial governance of Guam, the southernmost island, and that of Japan in the Northern Mariana Islands created competing colonial histories that would later inform how Americans, Chamorros, and Japanese experienced and remembered the war and its aftermath. Central to this discussion is the American and Japanese administrative development of "loyalty" and "liberation" as concepts of social control, collective identity, and national belonging. Just how various Chamorros from Guam and the Northern Mariana Islands negotiated their multiple identities and subjectivities is explored with respect to the processes of history and memory-making among this "Americanized" and "Japanized" Pacific Islander population. In addition, Camacho emphasizes the rise of war commemorations as sites for the study of American national historic landmarks, Chamorro Liberation Day festivities, and Japanese bone-collecting missions and peace pilgrimages. Ultimately, Cultures of Commemoration demonstrates that the past is made meaningful and at times violent by competing cultures of American, Chamorro, and Japanese commemorative practices.




Culture Wars


Book Description

A riveting account of how Christian fundamentalists, Orthodox Jews, and conservative Catholics have joined forces in a battle against their progressive counterparts for control of American secular culture.




Iraq War Cultures


Book Description

The Iraq war has produced profound changes within the United States, changes manifested by popular discontent with the war. On one hand, U.S. culture finds its own ideological reflection in the Iraq war; on the other hand, U.S. media repeatedly critique the social and political forces that produce the war. These multiple and contradictory assessments have been characterized by intensified imagery and narratives, an escalation that is in part a function of the new communications technologies used to generate them. This book examines the images and stories emerging from the Iraq war, from video games that retell its battles, the representations of Arab people in American film history, and U.S. war documentaries, to parody and memoir and photographs from Abu Ghraib.




War and the Cultural Turn


Book Description

In this stimulating new text, renowned military historian Jeremy Black unpacks the concept of culture as a descriptive and analytical approach to the history of warfare. Black takes the reader through the limits and prospects of culture as a tool for analyzing war, while also demonstrating the necessity of maintaining the context of alternative analytical matrices, such as technology. Black sets out his unique approach to culture and warfare without making his paradigm into a straightjacket. He goes on to demonstrate the flexibility of his argument through a series of case studies which include the contexts of rationale (Gloire), strategy (early modern Britaisn), organizations (the modern West), and ideologies (the Cold War). These case studies drive home the point at the core of the book: culture is not a bumper sticker; it is a survival mechanism. Culture is not immutable; it is adaptable. Wide-ranging, international and always provocative, War and the Cultural Turn will be required reading for all students of military history and security studies.




Violent Cartographies


Book Description

An innovative critique of the way historians and political scientists study war. How can we resist a nation-state vision of the globe? What is needed to "unmap" the familiar world? In Violent Cartographies, Michael J. Shapiro considers these questions, exploring the significance of war in contemporary society and its connections to the geographical imaginary. Employing an ethnographic perspective, Shapiro uses whiplash reversals and bizarre juxtapositions to jolt readers out of conventional thinking about international relations and security studies. Considering the ideas of thinkers ranging from yon Clausewitz to Virilio, from Derrida to DeLillo, Shapiro distances readers from familiar political and strategic accounts of war and its causes. Shapiro uses literary and film analyses to elucidate his themes. For example, he considers such cultural artifacts as U.S. Marine recruiting television commercials, American war movies, and General Schwarzkopf's autobiography, elaborating how a certain image of American masculinity is played out in the military imaginary and in the media. Other topics are Melville's The Confidence Man, Bunuel's film That Obscure Object of Desire, and a comparison of the U.S. invasion of Grenada to an Aztec "flower war". Throughout, Shapiro draws attention to the violence of the colonial encounters through which many modern nation-states were formed, and ultimately suggests possible directions for an ethics of minimal violence in the encounter with others. The overall effect is of a complex, cumulative, and layered analysis of the historical and moral conditions of the current use of violence in the conduct of international relations. A fascinating andchallenging work, Violent Cartographies will interest anyone concerned with the connections between war and culture.




Cultures in Conflict


Book Description

The Seven Years' War (1754-1763) was a pivotal event in the history of the Atlantic world. Perspectives on the significance of the war and its aftermath varied considerably from different cultural vantage points. Northern and western Indians, European imperial authorities, and their colonial counterparts understood and experienced the war (known in the United States as the French and Indian War) in various ways. In many instances the progress of the conflict was charted by cultural differences and the implications participants drew from cultural encounters. It is these cultural encounters, their meaning in the context of the Seven Years' War, and their impact on the war and its diplomatic settlement that are the subjects of this volume. Cultures in Conflict: The Seven Years' War in North America addresses the broad pattern of events that framed this conflict's causes, the intercultural dynamics of its conduct, and its profound impact on subsequent events--most notably the American Revolution and a protracted Anglo-Indian struggle for continental control. Warren R. Hofstra has gathered the best of contemporary scholarship on the war and its social and cultural history. The authors examine the viewpoints of British and French imperial authorities, the issues motivating Indian nations in the Ohio Valley, the matter of why and how French colonists fought, the diplomatic and social world of Iroquois Indians, and the responses of British colonists to the conflict. The result of these efforts is a dynamic historical approach in which cultural context provides a rationale for the well-established military and political narrative of the Seven Years' War. These synthetic and interpretive essays mark out new territory in our understanding of the Seven Years' War as we recognize its 250th anniversary.




Strategic Culture and Ways of War


Book Description

A much-needed survey and synopsis of literature on strategic culture and ways of war. It clearly shows how national strategies and approaches to warfare are, to a significant extent, culturally determined. The concept of national ‘ways of war’ dates from the 1930s, when Basil H. Liddell Hart theorized that there was a ‘British Way in Warfare’. The concept of "strategic culture" dates from the 1970s, when Jack Snyder introduced it to explain why leaders of the Soviet Union did not behave according to rational choice theory. These ideas have gained wide acceptance among historians of international politics and warfare, and remain controversial for political scientists seeking general or universal theoretical understanding of such subjects. Because political scientists have focused on strategic culture and historians on ways of war, this work will greatly benefit both audiences and provide each with valuable exposure to the ideas of the other.