Cutie I Pray


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Sleeping Cutie


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A magical toy is the only solution for Cutie's bedtime problem




Mimi and the Cutie Catastrophe: A Graphix Chapters Book (Mimi #1)


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Rising star Shauna J. Grant makes her Graphix Chapters debut with this humorous and wholesome series. Get drawn into reading with Graphix Chapters! Graphix Chapters are ideal books for beginning and newly independent readers aged 6-8. With approachable page counts, easy-to-follow paneling, and artwork that supports text comprehension, these engaging stories with unforgettable characters help children become lifelong readers. Meet Mimi. She's charming! She's cheerful! She's cute! But that's not all! She's also a loyal friend and fun playmate, who has the best adventures with Penelope, her magical toy dog. But when Mimi notices people treating her like she's too cute, can she show them that she's much more than meets the eye? Or will she be stuck in this cute-astrophe?







Dictionar Technic Poliglot


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Baja Florida


Book Description

Zack Chasteen's old friend Mickey Ryser pays a surprise visit to deliver some bad news: doctors tell him he has only a few weeks to live and he plans to spend it on his private-island hideaway in the Bahamas. But Ryser has a favor to ask. He needs Zack to find his estranged daughter, Jen, whom Ryser hasn't seen in more than twenty years. He wants to make amends and spend what little time he has left with her. When last heard from, Jen had bought a big sailboat and was bound for the Bahamas with some college friends. A private detective hired by Ryser to track her down has gone MIA. One of Jen's friends has jumped ship, under curious conditions. And there's the specter of an international piracy ring, known to hijack and plunder private yachts passing through island waters. With little to go on, Zack embarks on a mission that will take him from one end of the Bahamas to the other. It's home to all sorts of rogues and rascals, with plenty of places to hide---a wonderment of islands that Zack calls Baja Florida.




Swine Record


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Immigrant Children in Transcultural Spaces


Book Description

Grounded in both theory and practice, with implications for both, this book is about children’s perspectives on the borders that society erects, and their actual, symbolic, ideational and metaphorical movement across those borders. Based on extensive ethnographic data on children of immigrants (mostly from Mexico, Central America and the Philippines) as they interact with undergraduate students from diverse linguistic, cultural and racial/ethnic backgrounds in the context of an urban play-based after-school program, it probes how children navigate a multilingual space that involves playing with language and literacy in a variety of forms. Immigrant Children in Transcultural Spaces speaks to critical social issues and debates about education, immigration, multilingualism and multiculturalism in an historical moment in which borders are being built up, torn down, debated and recreated, in both real and symbolic terms; raises questions about the values that drive educational practice and decision-making; and suggests alternatives to the status quo. At its heart, it is a book about how love can serve as a driving force to connect people with each other across all kinds of borders, and to motivate children to engage powerfully with learning and life.




Anyone Can Do It: Empowerment, Tradition and the Punk Underground


Book Description

For more than three decades, a punk underground has repeatedly insisted that 'anyone can do it'. This underground punk movement has evolved via several micro-traditions, each offering distinct and novel presentations of what punk is, isn't, or should be. Underlying all these punk micro-traditions is a politics of empowerment that claims to be anarchistic in character, in the sense that it is contingent upon a spontaneous will to liberty (anyone can do it - in theory). How valid, though, is punk's faith in anarchistic empowerment? Exploring theories from Derrida and Marx, Anyone Can Do It: Empowerment, Tradition and the Punk Underground examines the cultural history and politics of punk. In its political resistance, punk bears an ideological relationship to the folk movement, but punk's faith in novelty and spontaneous liberty distinguish it from folk: where punk's traditions, from the 1970s onwards, have tended to search for an anarchistic 'new-sense', folk singers have more often been socialist/Marxist traditionalists, especially during the 1950s and 60s. Detailed case studies show the continuities and differences between four micro-traditions of punk: anarcho-punk, cutie/'C86', riot grrrl and math rock, thus surveying UK and US punk-related scenes of the 1980s, 1990s and beyond.