Cynthia's Revels


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Cynthia's Revels; Or, The Fountain of Self-Love


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"Cynthia's Revels; Or, The Fountain of Self-Love" by Ben Jonson In the play, the goddess, Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten.










Cynthia's Revels


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Cynthia's Revels, Or The Fountain of Self-Love By Ben Jonson "The Annotated Classic Edition"


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Cynthia's Revels, or The Fountain of Self-Love," is a masterpiece By Ben Jonson. The play was part of the so-called Poetomachia, or War of the Theatres, between Jonson and playwrights John Marston and Thomas Dekker. The character Cynthia represented Queen Elizabeth, and the play was marked by violence and controversy in reflection of the queen's final reigning years. This work is culturally important, thus we have made it available as part of our commitment for preserving, protecting, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.




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Cynthia's Revels


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Excerpt from Cynthia's Revels: Or, the Fountain of Self-Love Cynthia's Revels, because of its formlessness, complexity, and allegorical nature, probably yields less to the average reader than any other of Jonson's plays. This edition represents an effort to make the play more intelligible, partly by disentangling and analyzing its various elements, and partly by a detailed explanation of its obscurities and allusions. This has not been so dreary a task as one would imagine, to judge from the criticism which has for years been dealt out to this 'comicall satyre.' Swinburne's characterization, for example, of Jonson's 'cyclopean ponderosity of perseverance which hammers through scene after scene at the task of ridicule by anatomy of tedious and preposterous futilities, ' is hardly calculated to bias many toward the play. I have no wish to palliate its faults: its woeful lack of dramatic action, monotonous repetition of absurdities, and absence of artistic unity are all apparent enough. But no true impression of it is derived from a mere enumeration of its imperfections. With all its blemishes, one is yet constantly aware that it is a product of Jonson's maturing powers; and, aside from its literary qualities, it presents, especially to the student, questions of absorbing interest, most of which have hitherto received but little serious attention. What relation does it bear to the Stage-Quarrel, that fiery war fought out on the boards of the common stage? Who are the detractors of Cynthia, and who the culprits upon whom she has visited divine justice? Does the satire of manners, which forms the groundwork of the play, represent a conventional or an original and sincere attack on the foppery of the time? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.