Apocalyptic Dread


Book Description

In Apocalyptic Dread, Kirsten Moana Thompson examines how fears and anxieties about the future are reflected in recent American cinema. Through close readings of such films as Cape Fear, Candyman, Dolores Claiborne, Se7en, Signs, and War of the Worlds, Thompson argues that a longstanding American apocalyptic tradition permeates our popular culture, spreading from science-fiction and disaster films into horror, crime, and melodrama. Drawing upon Kierkegaard's notion of dread—that is, a fundamental anxiety and ambivalence about existential choice and the future—Thompson suggests that the apocalyptic dread revealed in these films, and its guiding tropes of violence, retribution, and renewal, also reveal deep-seated anxieties about historical fragmentation and change, anxieties that are in turn displaced onto each film's particular "monster," whether human, demonic, or eschatological.




Dread and Pentecostal


Book Description

In this authoritative and passionately argued book, Robert Beckford explores the future of Black British Pentecostalism in a society where the notion of White supremacy--even in faith--is all too evident. Drawing on Black, womanist, and post-colonial theologies of liberation, he urges the Black Church to regain its traditional prophetic role as part of its ministry. He suggests that the Caribbean's first liberation theology, Rastafari, has much to offer all Christians concerned with speaking prophetically into social and political life in Britain. Reflecting on aspects of Rastafari, Black Pentecostalism and the meaning of Jesus in the world today, he develops a new model for a Black political faith--a Dread Pentecostal theology.




I Dread the Thought of the Place


Book Description

"In this book, the author provides an hour-by-hour tactical history of the battle, beginning before dawn on September 17 and concluding with the immediate aftermath of the battle, including General McClellan's fateful decision to not pursue Lee's retreating forces back across the Potomac to Virginia. But this is not only an operational history of Antietam: the author also offers the reader insight into the experiences of enlisted soldiers, the terror of the fighting itself, and the emotional aftermath for those who survived"--




The Fiction of Dread


Book Description

A history and examination of dystopia and angst in popular culture that speaks to our current climate of dread. At the dawn of the 20th century, a wide-ranging utopianism dominated popular and intellectual cultures throughout Europe and America. However, in the aftermathof the World Wars, with such canonical examples as Brave New World and Nineteen-Eighty-Four, dystopia emerged as a dominant genre, in literature and in social thought. The continuing presence and eventual dominance of dystopian themes in popular culture-e.g., dismal authoritarian future states, sinister global conspiracies, post-apocalyptic landscapes, a proliferation of horrific monsters, and end-of-the-world fantasies-have confirmed the degree to which the 21st is also a dystopian century. Drawing on literature as varied as H.G. Wells's The Time Machine, Neil Gaiman's American Gods, and Suzanne Collins's The Hunger Games, and on TV and film such as The Walking Dead, Black Mirror, and The Last of Us, Robert T. Tally Jr. explores the landscape of angst created by the monstrous accumulation of dystopian material. The Fiction of Dread provides an innovative reading of contemporary culture and offers an alternative vision for critical theory and practice at a moment when, as has been famously observed, it is easier to imagine the end of the world than the end of capitalism.




Dread: A Head Full of Bad Dreams


Book Description

There are some nightmares from which you can never wake. Dread: A Head Full of Bad Dreams, from the Bram Stoker Award-nominated editoral team of Anthony Rivera and Sharon Lawson, is Volume One in the Best of Grey Matter Press series. Selected by readers and horror fans, the twenty short stories contained within the pages of Dread include some of the darkest hallucinatory revelations from the minds of the most accomplished award-winning authors of our time. Travel dark passageways and experience the disturbing visions of twenty masters from the horror, fantasy, science fiction, thriller, transgressive and speculative fiction genres as they bare their souls and fill your head with a lifetime of bad dreams. Includes the work of Jonathan Maberry, Ray Garton, John F.D. Taff, William Meikle, Michael Laimo, JG Faherty, Bracken MacLeod, Tim Waggoner, Rose Blackthorn, Chad McKee, T. Fox Dunham, Edward Morris, Trent Zelazny, John C. Foster, Jonathan Balog, Jane Brooks, Peter Whitley, Martin Rose and John Everson. Praise for Dread: A Head Full of Bad Dreams "Reading Dread: A Head Full of Bad Dreams is my very first experience with the small publisher Grey Matter Press -- and let me tell you, I cannot wait to read more. Dread is a solid ode to nightmares that will keep you up -- and most importantly, keep you reading." -- Michelle "Izzy" Galgana, FANGORIA "If you consider yourself a discerning reader of horror fiction but have yet to sample the dark delights of Grey Matter Press then you are in for a treat. This collection should be filed under essential reading. Grey Matter Press are one of the leading lights within the dark fiction genre." -- Adrian Shotbolt, THE GRIM READER "This is sure to be a great addition to any horror-lover's collection." -- Natalya Lainhart, SCREAM SIRENS Proudly presented by Grey Matter Press, the home of multiple Bram Stoker Award-nominated volumes of horror. Grey Matter Press: Where Dark Thoughts Thrive




The Marvellous Equations of the Dread: A Novel in Bass Riddim


Book Description

The ancestors have awakened. Somebody has called them. The long-dead are stirring. Jah ways are mysterious ways. “Is me—Bob. Bob Marley.” Reincarnated as homeless Fall-down man, Bob Marley sleeps in a clock tower built on the site of a lynching in Half Way Tree, Kingston. The ghosts of Marcus Garvey and King Edward VII are there too, drinking whiskey and playing solitaire. No one sees that Fall-down is Bob Marley, no one but his long-ago love, the deaf woman, Leenah, and, in the way of this otherworldly book, when Bob steps into the street each day, five years have passed. Jah ways are mysterious ways, from Kingston’s ghettoes to London, from Haile Selaisse’s Ethiopian palace and back to Jamaica, Marcia Douglas’s mythical reworking of three hundred years of violence is a ticket to the deep world of Rasta history. This amazing novel—in bass riddim—carries the reader on a voyage all the way to the gates of Zion.




Dread


Book Description

Alcabes persuasively argues that people's anxieties about epidemics are created not so much by the germ or microbe in question--or the actual risks of contagion--but by the unknown, the undesirable, and the misunderstood. b&w illustration insert.




Dread Dominion


Book Description

Joe and Rico Dredd: clone brothers who chose to live on different sides of the law. Thirty-seven years ago, Dredd arrested his twin in Cafe Cesare and condemned him to life as a cyborg on the prison-moon Titan. Now the Cafe seems to be at the heart of a wave of hallucinations sweeping Mega-City One. Even the Judges are affected. Their behaviour is increasingly erratic. It's almost as if they become entirely different people. And throughout the city, people are being tortured and killed by a man who calls himself Chief Judge Dread. To save his world, Judge Dredd must cross to another dimension where Judge Caligula is the Governor of New Rome and Anderson and Giant lead anti-Judge rebels. A dimension in which history took one very wrong turn . . .




Planet of Dread


Book Description

Moran, naturally, did not mean to help in the carrying out of the plans which would mean his destruction one way or another. The plans were thrashed out very painstakingly, in formal conference on the space-yacht Nadine, with Moran present and allowed to take part in the discussion. From the viewpoint of the Nadine's ship's company, it was simply necessary to get rid of Moran. In their predicament he might have come to the same conclusion; but he was not at all enthusiastic about their decision. He would die of it. The Nadine was out of overdrive and all the uncountable suns of the galaxy shone steadily, remotely, as infinitesimal specks of light of every color of the rainbow. Two hours since, the sun of this solar system had been a vast glaring disk off to port, with streamers and prominences erupting about its edges. Now it lay astern, and Moran could see the planet that had been chosen for his marooning. It was a cloudy world. There were some dim markings near one lighted limb, but nowhere else. There was an ice-cap in view. The rest was—clouds. The ice-cap, by its existence and circular shape, proved that the planet rotated at a not unreasonable rate. The fact that it was water-ice told much. A water-ice ice-cap said that there were no poisonous gases in the planet's atmosphere. Sulfur dioxide or chlorine, for example, would not allow the formation of water-ice. It would have to be sulphuric-acid or hydrochloric-acid ice. But the ice-cap was simple snow. Its size, ...




Dreams, Doubt, and Dread


Book Description

Films are modern spiritual phenomena. They function as such in at least three profound ways: world projection, thought experiments, and catharsis (i.e., as dreams, doubt, and dread). Understanding film in this way allows for a theological account of the experience that speaks to the religious possibilities of film that far extend the portrayal of religious themes or content. Dreams, Doubt, and Dread: The Spiritual in Film aims to address films as spiritual experiences. This collection of short essays and dialogues examines films phenomenologically--through the experience of the viewer as an agent having been acted upon in the functioning of the film itself. Authors were invited to take one of the main themes and creatively consider how film, in their experiences, has provided opportunities for new modes of thinking. Contributors will then engaged one another in a dialogue about the similarities and differences in their descriptions of film as spiritual phenomena. The intended aim of this text is to shift contemporary theological film engagement away from a simple mode of analysis in which theological concepts are simply read into the film itself and begin to let films speak for themselves as profoundly spiritual experiences.