Tamil Dalit Feminist Poetics


Book Description

Tamil Dalit feminist poetry occurs in the nexus of caste demands and literary expectations based on Tamil “high culture,” as set in the literary conventions of both classical and contemporary aesthetics. Tamil Dalit feminist poets and their allies challenge literary expectations set for women poets as well as caste stigma. In Tamil Dalit Feminist Poetics: Resistance, Power, and Solidarity, Pramila Venkateswaran argues that Dalit poets Sukirtharani, Arangamallika, Umadevi, Meena Kandasamy, and Tamil feminist allies, such as Malathi Maitri and Kutty Revathi, challenge the literary tradition of Tamil poetry by presenting their radical poems on themes based on their experience and witnessing the trauma of violence on Dalit women’s bodies, thus placing caste and gender at the center of their work. They assert their subjectivity, offering us a feminist poetics that is rich with insights on the Dalit body, spirituality, music, culture, Dalit connection to land, and democracy. Their poems theorize women’s experiences, using metaphor, symbol, folk idioms, as well as satire and irony to express feminist connectedness to all spheres of life. Replete with anti-caste resistance of language, form, and content, Tamil Dalit feminist poets reframe both feminism and contemporary Tamil poetry. Thus, Dalit feminist poetry and other cultural productions are vehicles for solidarity and democracy.




Indian Poetry


Book Description

This Anthology Of Papers Presented At A Seminar Organised By The Sahitya Akademi In March 1988, Takes Stock Of The Indian Poetry Of The Five Decades After Independence, Raises Basic Conceptual Questions, Examines Paradigm Shifts And Interrogates The Established Canons By Foregrounding Marginalised Voices. The Papers Examine The Growth Of Modern Sensibility In Indian Poetry In Specific Linguistic Contexts, Relates It To General Cultural Issues And Examines Post-Colonial Avant-Grade Trends Including The Feminist And The Dalit Movements. The Papers Are Collected Under Three Heads: ýModernism In Retrospectý Examines The Historical, Political And Aesthetic Aspects Of Modernism;ýAfter Modernism: Articulating Resistanceý Takes A Close Look At The Alternative Trends That Challenge The Status-Quoist Mainstream Poetry;ýPoetry As Discourse: Some General Issuesý Takes Up Some General Issues Concerning The Present And Future Of Poetry, Including The Problems Of The Translation Of Poetry. K. Satchidanandan Who Has Edited This Volume Is A Pioneer Of Modern Poetry And Criticism In Malayalam With 18 Collections Of Poetry, Two Plays, 15 Collections Of Critical Articles And Interviews And 15 Collections Of Translated Poetry.. He Now Heads The Sahitya Akademi, The Indian National Academy Of Letters




The Essence of Dalit Poetry


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Dalit Literature


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Study on Marathi Dalit literature.




Dalit Text


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This book, companion to the much-acclaimed Dalit Literatures in India, examines questions of aesthetics and literary representation in a wide range of Dalit literary texts. It looks at how Dalit literature, born from the struggle against social and political injustice, invokes the rich and complex legacy of oral, folk and performative traditions of marginalised voices. The essays and interviews systematically explore a range of literary forms, from autobiographies, memoirs and other testimonial narratives, to poems, novels or short stories, foregrounding the diversity of Dalit creation. Showcasing the interplay between the aesthetic and political for a genre of writing that has ‘change’ as its goal, the volume aims to make Dalit writing more accessible to a wider public, for the Dalit voices to be heard and understood. The volume also shows how the genre has revolutionised the concept of what literature is supposed to mean and define. Effervescent first-person accounts, socially militant activism and sharp critiques of a little-explored literary terrain make this essential reading for scholars and researchers of social exclusion and discrimination studies, literature (especially comparative literature), translation studies, politics, human rights and culture studies.




Silent Suffering & Unheard Agony In The Regional Writings On Women


Book Description

Papers presented at the International Seminar on Psycho Dynamics of Women in the Postmodern Literature of the East and West, held at Visakhapatnam during 25-26 February 2006.




Dalit Literature


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Language and Society


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Poetry, Politics and Culture


Book Description

This book maps the journey of the Indian poetic imagination—in Hindi, Panjabi and Indian English—from its original quasi-spiritual longings to its activist interventions in the public domain. As Indian poetry of the post-1990s gravitates towards a non-Orientalised postcolonial nationalism, it seeks to rewrite and disseminate the shifting coordinates of nationalist imagination in terms of the dissent of the subaltern discontents of the nation. The book is interdisciplinary: it studies Indian poetry from the new emerging imperatives of postcolonialism, new historiography (subaltern, dalit and diasporas), nationalism, and cultural studies. Covering the two major north Indian languages—Hindi and Punjabi—along with poetry in Indian English, the book is a close textual study of about 150 poetry collections in these languages. It is path-breaking in its study of secular poetry written in the so-called vernaculars, with critical attention to its participation in the political as well as cultural processes of nation-making. This cutting-edge book should be of interest to scholars of Indian writings in English, Hindi and Panjabi, gender studies, dalit and diaspora studies, postcolonial poetry and to students reading South Asian literature and culture.