Damien Hirst: Black Scalpel Cityscapes


Book Description

In 2014, Damien Hirst (born 1965) unveiled a new series of paintings made up of vast numbers of surgical instruments that combine to form bird's-eye views of cities from around the world. With the Black Scalpel Cityscapes, Hirst investigates subjects pertaining to the sometimes-disquieting realities of modern life--surveillance, urbanization, globalization and the virtual nature of conflict--as well as those relating to the human condition in general, such as our inability to arrest physical decay. Described by the artist as "portraits of living cities," the series is illustrated in full and accompanied by a comprehensive list of artwork details in this signed limited edition, which features a black zipper down the spine. The volume also includes an essay by Jerry Brotton, author of A History of the World in Twelve Maps, and a fictional short story by novelist and arts writer Michael Bracewell.




Black Scalpel Cityscapes


Book Description

Published on the occasion of an exhibition held at White Cube, São Paulo, 11 November 2014 - 31 January 2015.




Art Maps and Cities


Book Description

This book presents an original study on how contemporary artists are exploring urban spaces through mapping. Despite a long history of representations of cities in maps, and the relationships that can be envisaged between art maps and cities in the contemporary world, little research is dedicated to investigating how artists intervene in the realm of urban cartography. The research examines a century-old history of art maps and draws on academic debates challenging traditional notions of maps as scientific artefacts produced through accurate measurement and surveying. The potential of art maps to construct personal narratives, through contestation, embodiment and play, is analysed in the city context, where spaces are shaped by urban planning and design, political ideologies and socio-economic forces. Adopting an exploratory and interpretative research approach that investigates the confluence of theories originated in different domains, this book conducts the reader to discover what artistic practices can bring into a more creative, while inquisitive, understanding of cities. A series of semi-structured interviews with visual artists, enquiring how they apprehend, process and re-create urban spaces in artworks, explores cartographic process and methods in visual art practices in the twenty first century, which incorporates digital technologies and critical thinking.




Black Scalpel Cityscapes


Book Description




Full of Love Full of Wonder


Book Description

'Full of Love, Full of Wonder' is a monograph on one of Australia's leading contemporary artists, Nike Savvas, spanning her entire body of work. It explores her oeuvre to date, showcasing Savvas' processes as well as the finished works, thus offering unprecedented insight into both her large- and small-scale works.




Obiter Dicta


Book Description

Stitched together over five years of journaling, Obiter Dicta is a commonplace book of freewheeling explorations representing the transcription of a dozen notebooks, since painstakingly reimagined for publication. Organized after Theodor Adorno's Minima Moralia, this unschooled exercise in aesthetic thought--gleefully dilettantish, oftentimes dangerously close to the epigrammatic--interrogates an array of subject matter (although inescapably circling back to the curiously resemblant histories of Western visual art and instrumental music) through the lens of drive-by speculation. Erick Verran's approach to philosophical inquiry follows the brute-force literary technique of Jacques Derrida to exhaustively favor the material grammar of a signifier over hand-me-down meaning, juxtaposing outer semblances with their buried systems and our etched-in-stone intuitions about color and illusion, shape and value, with lessons stolen from seemingly unrelatable disciplines. Interlarded with extracts of Ludwig Wittgenstein but also Wallace Stevens, Cormac McCarthy as well as Roland Barthes, this cache of incidental remarks eschews what's granular for the biggest picture available, leaving below the hyper-specialized fields of academia for a bird's-eye view of their crop circles. Obiter Dicta is an unapologetic experiment in intellectual dot-connecting that challenges much long-standing wisdom about everything from illuminated manuscripts to Minecraft and the evolution of European music with lyrical brevity; that is, before jumping to the next topic.




The Renaissance Bazaar


Book Description

More than ever before, the Renaissance stands as one of the defining moments in world history. Between 1400 and 1600, European perceptions of society, culture, politics and even humanity itself emerged in ways that continue to affect not only Europe but the entire world. This wide-ranging exploration of the Renaissance sees the period as a time of unprecedented intellectual excitement and cultural experimentation and interaction on a global scale, alongside a darker side of religion, intolerance, slavery, and massive inequality of wealth and status. It guides the reader through the key issues that defined the period, from its art, architecture, and literature, to advancements in the fields of science, trade, and travel. In its incisive account of the complexities of the political and religious upheavals of the period, the book argues that Europe's reciprocal relationship with its eastern neighbours offers us a timely perspective on the Renaissance as a moment of global inclusiveness that still has much to teach us today.




A History of the World in 12 Maps


Book Description

A New York Times Bestseller “Maps allow the armchair traveler to roam the world, the diplomat to argue his points, the ruler to administer his country, the warrior to plan his campaigns and the propagandist to boost his cause… rich and beautiful.” – Wall Street Journal Throughout history, maps have been fundamental in shaping our view of the world, and our place in it. But far from being purely scientific objects, maps of the world are unavoidably ideological and subjective, intimately bound up with the systems of power and authority of particular times and places. Mapmakers do not simply represent the world, they construct it out of the ideas of their age. In this scintillating book, Jerry Brotton examines the significance of 12 maps - from the almost mystical representations of ancient history to the satellite-derived imagery of today. He vividly recreates the environments and circumstances in which each of the maps was made, showing how each conveys a highly individual view of the world. Brotton shows how each of his maps both influenced and reflected contemporary events and how, by considering it in all its nuances and omissions, we can better understand the world that produced it. Although the way we map our surroundings is more precise than ever before, Brotton argues that maps today are no more definitive or objective than they have ever been. Readers of this beautifully illustrated and masterfully argued book will never look at a map in quite the same way again. “A fascinating and panoramic new history of the cartographer’s art.” – The Guardian “The intellectual background to these images is conveyed with beguiling erudition…. There is nothing more subversive than a map.” – The Spectator “A mesmerizing and beautifully illustrated book.” —The Telegraph




Splendid Cities


Book Description

A coloring book that will relax and inspire--all the while transporting you to the world's most wonderful cities. The most splendid cities in the world--some real, others imagined--come alive under your hand. Open this book and let yourself be drawn into a world tour dotted with floating kingdoms in the sky and spooky cities, and taking you from the domes of Moscow to the top of the Eiffel Tower. This journey knows no limits! So take your time, relax, and let your imagination run free! Get out your markers or pens and discover the calming pleasure of coloring. Safe travels!




Two Weeks One Summer


Book Description

This publication accompanies the Damien Hirst 'Two Weeks One Summer' exhibition at White Cube Gallery, May 2012. Painting has always been an important part of Hirst's oeuvre, but unlike the spot paintings and photorealist series which were made using a collaborative studio process, this body of work is altogether more personal: painted from life, by Hirst in his Devon studio.The paintings, often intimate in size, could be seen as traditional still lifes, depicting an array of carefully arranged elements, both natural and inanimate, sometimes memento mori, alongside objects and formal devices that have made their appearance in Hirst's sculptures and installations before. Exquisitely coloured birds on display stands or in simple glass boxes, butterflies, fruit and cherry blossom at the peak of its beauty, intimate the pure joy of spring's transition into summer but also the temporal significance of this natural phenomenon.Next to these bucolic objects, more sinister symbols take their place: oversized scissors, a shark's gaping jawbone, bell jars and even several lonely single or conjoined foetuses floating in jars, elements that are displaced from the laboratory table rather than the domestic one. Some objects are painted with clarity and impasto; others appear hazy and faint, as if they are somehow more insubstantial, part of a sudden apparition or dream-like vision.