Dance by the Canal


Book Description

A tragicomic satire from the heart of East Germany. Gabriela grows up in the East German town of Leibnitz. Her father is a famous surgeon, her mother a respected society hostess. The girl, however, struggles to fulfil their expectations. She shows no talent as a violinist and, worse, she fails to choose the right friends at school. When her father falls out of favour with the communists, Gabriela drops out of school. Eventually she ends up living beneath a canal bridge. Then the Wall falls. Can Gabriela seize a second chance in the new, united, Germany? Why Peirene chose to publish this book: 'When I pass homeless women, I look into their faces and wonder: why her and not me? I sense that maybe our differences are not as great as I would like to believe. Dance by the Canal tells the story of a woman who fails to find her place in society - neither in communist GDR nor in the capitalist West. Her refusal to conform to the patriarchal structures of both societies forces her into ever-increasing isolation. This book will make you think.' Meike Ziervogel, publisher at Peirene Press 'An intense story... grotesque, macabre, poetic.' Neues Deutschland 'An authentic story of East Germany.' Die Ost-West-Wochenzeitung '30 years of East German history narrated with laconic irony.' Die Zeit




Canal Record


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Lamb at the Altar


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"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."--Deborah Hay Her movements are uncharacteristic, her words subversive, her dances unlike anything done before--and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay's account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay's creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance's four-month emergence. In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements--precise and mysterious, mental and physical--that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece.




The Panama Canal Record


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The Minute Man


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CanalWatch


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A major collection of superb "flash fiction" writing by one of Canada's best authors. Ken Rivard has published two collections of poetry and eight collections of fiction during his literary career. "CanalWatch is a collection of flash fiction written over numerous visits to Ohau, the man made waterway in Honolulu which serves as the dividing line of Waikiki on the Hawaiian island of Oahu. Each story is based on the passing image of a particular person, place, event, object or overheard conversation (whether real or imagined ) in or around the La Wai Canal. Readers are invited to sit in the brief story moment of each flash fiction peice. Most times each narrative turns back on itself with the first line of this story also becoming the last line, resulting in a kind of story portrait...Occasionally, readers may be asked to suspend their disbelief. Other times, the point in time being described may appear to be too real to be untrue. Often, a particular idea or image simply asks "what if?" Then the story takes off and brings the readers along for the ride. Enjoy the "what if's" and the "not so what if's." - Ken Rivard, from the IntroductionCritical Acclaim for Ken Rivard"Rivard's writing is honest, refreshing, startling, imaginative and gets the reader emotionally involved..." - W.P. Kinsella"A master of imagery...once again Rivard treats these personal subjects with humanity." - Wendy RaJalka, Calgary Herald"Amazing collection...Such thought-provoking portraits ...render the reader party to intense moments in private life..." - Virginia Gilllham, Canadian Book Review Annual"The most impressive of Rivard's work is its tendency towards a surrealistic, dream-like quality." - Bob Attridge, Newest Review."I was born and raised on a working-class Montreal street inhabited more by rats than people. We were surrounded by fields, factories, railroad tracks and trains where, as




Dance Anatomy


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Dance Anatomy, Third Edition, is a visually stunning presentation of more than 100 dance, movement, and performance exercises to promote correct alignment, improved body placement, proper breathing, and management of common injuries




Minute Man


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The Ancient English Morris Dance


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This book traces the history of morris dancing in England, from its introduction in the 15th century, through the contention of the Reformation and Civil War, when morris dancing and maypoles became potent symbols of the older ways of living, to its re-invention as an emblem of Victorian concepts of Merrie England in the 19th century.




Ainslee's Magazine


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