The Chandler Hill Inn Series


Book Description

A family saga filled with love, a love story of a family with heart… In 1970, Violet Hawkins’ only wish at eighteen is to escape her life in the Dayton, Ohio, foster-care system and make her way to the west coast to enjoy a mellow life and find the love she’s been missing all her life. Lettie makes it to San Francisco, but soon learns she needs a job if she’s to live properly. A kind young man named Kenton Chandler offers her a sandwich and a job at his father’s inn and vineyards. With nothing to lose, Lettie takes him up on his offer and begins a whole new life in the Willamette Valley, Oregon. She immediately falls in love with the land and is fascinated with the idea of growing grapes to make wines. She, Kenton, and Rafe Lopez become friends as she learns about running the small inn on the property. At the same time she marries Kenton, a stroke kills his father. And then before she can tell Kenton she’s pregnant, he dies in an automobile accident. Heartbroken and burdened with the gift of the Chandler Hill Inn and Winery, she’s left with the task of making them a success. Struggling to raise a child alone while working to grow the business, Lettie makes a shocking discovery that changes everything. Camilla “Cami” Chandler comes home from France to take over the Chandler Hill Inn and Winery for her recently deceased grandmother, Lettie, as she’d always promised. Determined to succeed in this new venture, she finds herself in trouble from the beginning when she discovers most of her grandmother’s estate intended for maintaining the inn and its business expenses was lost in a Ponzi scheme. She forges ahead to provide her guests with wonderful experiences and to produce the best wines in Willamette Valley. After being ditched by her French boyfriend, she decides that being friends with Drew Farley is the safest way to proceed. He loves grape growing and winemaking as much as she does and isn’t looking for anything beyond friendship. When a bride planning a wedding at the inn tells Cami that she looks exactly like her best friend, life becomes even more complicated. Never having known even the name of her father, Cami searches for a connection and comes to realize how complicated love and family can be. Louise “Lulu” Kingsley is thrilled to discover after years of wishing for a sibling, Cami Chandler is her half-sister. When Cami invites her to live at Chandler Hill, Lulu jumps at the chance to leave behind all the heartache in her recent life. Not the spoiled little rich girl the media would like everyone to think, Lulu digs into marketing for the inn and winery, feeling more comfortable there than she ever did in California with her political father. Better yet, her mother is becoming a stronger, happier person and shares the idea of becoming part of a new family. Even though Lulu is aware that Miguel Lopez is the kind of guy who represents everything she’s trying to forget, she’s attracted to him. Following a heartbreaking situation, she steps away from their relationship. Lulu settles in at Chandler Hill, coping the best way she knows—by working hard. But when Cami’s beloved grandfather, Rafe, has a stroke, Lulu realizes life is short and knows she must make things right with Miguel, and learns that home is where your heart leads you.




Coming Home


Book Description

The second in a series about how a young single mother, faced with the task of keeping an inn and winery going in Oregon wine country, becomes the matriarch of a family filled with love and unexpected surprises as the inn continues to grow into a well-known hotel. Families can be complicated… Camilla “Cami” Chandler comes home from France to take over the Chandler Hill Inn and Winery for her recently deceased grandmother, Lettie, as she’d always promised. Determined to succeed in this new venture, she finds herself in trouble from the beginning when she discovers most of her grandmother’s estate intended for maintaining the inn and its business expenses was lost in a Ponzi scheme. She forges ahead to provide her guests with wonderful experiences and to produce the best wines in Willamette Valley. After being ditched by her French boyfriend, she decides that being friends with Drew Farley is the safest way to proceed. He loves grape growing and winemaking as much as she does and isn’t looking for anything beyond friendship. When a bride planning a wedding at the inn tells Cami that she looks exactly like her best friend, life becomes even more complicated. Never having known even the name of her father, Cami searches for a connection and comes to realize how complicated love and family can be. A great read with a glass of wine! A love story of a family with heart… Be sure to read the other books in the series: Going Home and Home at Last. And check out Judith Keim’s other series – the Hartwell Women, The Beach House Hotel series, the Fat Fridays series, the Salty Key Inn series, the Chandler Hill Inn series, the Desert Sage Inn series, and the Seashell Cottage Books that readers are loving. Contemporary women's fiction, Contemporary Women's Romance, Friends Fiction, Family Saga, strong heroine, Finding love, Family Life Fiction, Mothers and Daughters Fiction, Friends fiction, Women's literary fiction, strong women face challenge, Oregon winery, Women's domestic life fiction, friends, country inn, hotel, vineyard, winery, sisters, surprise sister




Sinsatiable


Book Description

Aisha Carlisle's faith in God is sorely tested when she, forced to purchase the building that houses her dance studio, searches for a way to make some quick money. Original.




A Front Row Seat


Book Description

From her idyllic childhood in the American Midwest to her Oscar–nominated performance in Sunset Boulevard (1950) and the social circles of New York and Los Angeles, actress Nancy Olson Livingston has lived abundantly. In her memoir, A Front Row Seat, Livingston treats readers to an intimate, charming chronicle of her life as an actress, wife, and mother, and her memories of many of the most notable figures and moments of her time. Livingston shares reminiscences of her marriages to lyricist and librettist Alan Jay Lerner, creator of award-winning musicals Paint Your Wagon, Gigi, and My Fair Lady (which was dedicated to her), and to Alan Wendell Livingston, former president of Capitol Records, who created Bozo the Clown and worked with legendary musical artists, including Nat King Cole, Frank Sinatra, Judy Garland, the Beach Boys, the Beatles, the Band, and Don McLean. One of the last living actors of the Golden Age of Hollywood, Livingston shares memorable encounters with countless celebrities—William Holden, Billy Wilder, Bing Crosby, Marilyn Monroe, and John Wayne, to name a few—and less pleasant experiences with Howard Hughes and John F. Kennedy that act as reminders of women's long struggle for equality. Entertaining and engrossing, A Front Row Seat deftly interweaves Livingston's life with her observations of the artists, celebrities, and luminaries with whom she came in contact—a paean to the twentieth century and a treasure for readers enamored with a bygone era.







Publication


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Ballet News


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The Farthest Place


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The first critical anthology of an important and singular contemporary composer




Local Glories


Book Description

To most people, the term "opera house" conjures up images of mink-coated dowagers accompanied by tuxedo-clad men in the gilded interiors of opulent buildings like the Met in New York or La Scala in Milan. However, the opera house in the United States has a far more varied-and far more interesting-history than that stereotype implies. In Local Glories, Ann Satterthwaite explores the creative, social, and communal roles of the thousands of opera houses that flourished in small towns across the country. By 1900, opera houses were everywhere: on second floors over hardware stores, in grand independent buildings, in the back rooms of New England town halls, and even in the bowels of a Mississippi department store. With travel made easier by the newly expanded rail lines, Sarah Bernhardt, Mark Twain, and John Philip Sousa entertained thousands of townspeople, as did countless actors, theater and opera companies, innumerable minor league magicians, circuses, and lecturers, and even 500 troupes that performed nothing but Uncle Tom's Cabin. Often the town's only large space for public assembly, the local opera house served as a place for local activities such as school graduations, recitations, sports, town meetings, elections, political rallies, and even social dances and roller skating parties. Considered local landmarks, often in distinctive architect-designed buildings, they aroused considerable pride and reinforced town identity. By considering states with distinctly different histories--principally Maine, Nebraska, Vermont, New York, and Colorado--Satterthwaite describes the diversity of opera houses, programs, audiences, buildings, promoters, and supporters--and their hopes, dreams, and ambitions. In the twentieth century, radio and movies, and later television and changing tastes made these opera houses seem obsolete. Some were demolished, while others languished for decades until stalwart revivers discovered them again in the 1970s. The resuscitation of these opera houses today, an example of historic preservation and creative reuse, reflects the timeless quest for cultural inspiration and for local engagement to counter the anonymity of the larger world. These "local glories" are where art and community meet, forging connections and making communities today, just as they did in the nineteenth century.




Richland Center, Wisconsin


Book Description