Dante and Augustine


Book Description

At several junctures in his career, Dante paused to consider what it meant to be a writer. The questions he posed were both simple and wide-ranging: How does language, in particular 'poetic language,' work? Can poetry be translated? What is the relationship between a text and its commentary? Who controls the meaning of a literary work? In Dante and Augustine, Simone Marchesi re-examines these questions in light of the influence that Augustine's reflections on similar issues exerted on Dante's sense of his task as a poet. Examining Dante's life-long dialogue with Augustine from a new point of view, Marchesi goes beyond traditional inquiries to engage more technical questions relating to Dante's evolving ideas on how language, poetry, and interpretation should work. In this engaging literary analysis, Dante emerges as a versatile thinker, committed to a radical defence of poetry and yet always ready to rethink, revise, and rewrite his own positions on matters of linguistics, poetics, and hermeneutics.




The Syntax of Desire


Book Description

In medieval culture, the consideration of language is deeply connected to other aspects of the system of knowledge. One interesting connection takes place between theories of language and theories of larger concepts such as love and desire. The Syntax of Desire is an interdisciplinary examination of the interlacing operation of syntax and desire in three medieval 'grammars:' theological, linguistic, and poetic. Exploring three representative aspects of medieval language theory, Elena Lombardi uncovers the ways in which syntax and desire were interrelated in the Middle Ages. She suggests that, in Augustine's theology, the creative act of God in the universe emerges as a syntax that the human individual must interpret by means of desire; in the linguistic theory of the Modistae, she sees the syntax of language as parallel to a syntax of reality, one organized by the desiring interplay of matter and form; in Dante's poetry, she argues that the language of the fallen human is bound together by the syntax of poetry, an act of desire that restores language to its primitive innocence. In addition to detailed analyses of medieval texts, The Syntax of Desire examines some aspects of the same relationship in light of contemporary linguistics, philosophy of language, and psychoanalysis.




The Eighth Arrow


Book Description

Condemned to burn in the eighth circle of Dante's Hell, Odysseus, legendary thief and liar of Homer's Odyssey and Iliad, decides he is going to break out. His adventure begins with a prayer to Athena Parthenos, who appears to him bearing gifts: his armor, his famous bow, a mysterious leather pouch, and seven unusual arrows. She then sends him on a quest through the Underworld along with Diomedes, his friend from the Trojan War who had been sharing in his eternal punishment. To complete their escape, the goddess warns them, they must recover their squandered honor and learn to use "the eighth arrow". At turns exciting, humorous, and edifying, this action-packed epic follows Odysseus and Diomedes as they journey through all the circles of Dante's Hell, where they encounter various characters from Greek mythology, ancient history, and Renaissance literature, including Helen of Troy, Cerberus, Penelope, Homer, Harpies, Centaurs, and eventually Satan himself. With witty banter and wily stratagems, the two Greek warriors fight their way through the obstacles that stand between them and redemption. The Eighth Arrow is a thoroughly entertaining jailbreak story. Full of allusions to great works of old, it is also gently educational, and as such it can be read as a guide or a companion to Dante's Inferno and the works of Homer.




Augustine's Confessions


Book Description

From Pulitzer Prize–winner Garry Wills, the story of Augustine’s Confessions In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the Confessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of the Confessions, this is an unparalleled introduction to one of the most important books in the Christian and Western traditions. Understandably fascinated by the story of Augustine's life, modern readers have largely succumbed to the temptation to read the Confessions as autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. "We have to read Augustine as we do Dante," Wills writes, "alert to rich layer upon layer of Scriptural and theological symbolism." Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when the Confessions has become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics. With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic.




Understanding the Medieval Meditative Ascent


Book Description

The Confessions, Proslogion, and Consolation of philosophy, like the Divine comedy, all enact Platonist accents. [These accents] generate implied meditative meanings, which scholars have explored only in part. Each work calls us to read forward, on its journey to understanding, and to meditate backwards on the stages of the ascent and the relations between them. Augustine, Anselm, Boethius, and Dante wrote for readers experienced in meditating on the Bible, adept at exploring relations between far distant passages They designed these works as spiritual exercises for the same kind of reading and meditations. This book uses literary analysis to discover new philosophical meaning in these works. --Book jacket.




Augustine and Literature


Book Description

The influence of Christianity on literature has been great throughout history, as has been the influence of the great Christian, Augustine. Augustine and Literature considers the influence of Augustine on the theory and practice of an academic discipline of which he himself was not a practitioner-literature, especially poetry and fiction. The essays in this volume explore the many influences of Augustine on literature, most obviously in terms of themes and symbols, but also more pervasively perhaps in proving that literature strives for meaning through and beyond the fictional or metaphorical surface. The authors discussed in these essays, from Dante and Milton to O'Connor and Faulkner, all demonstrate a common concern that literature must be attentive to the highest things and the deepest journeys of the soul. Together these essays offer a compelling argument that literature and Augustine do belong together in the common task of guiding the soul toward the truth it desires.




Dante


Book Description

[The essays] are arranged to follow the order of the "Comedy," and they form the perfect companion for a reader of the poem. Throughout Freccero operates on the fundamental premise that there is always an intricate and crucial dialectic at work between Dante the poet and Dante the pilgrim. -- from cover.




Dante’s Bones


Book Description

A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.




Dante and Aquinas


Book Description

Christopher Ryan's study of Dante and Aquinas, touching on issues of nature and grace, of explicit and implicit faith, and of desire and destiny, is intended to mark the difference between them in key areas of theological sensibility. Re-shaped and revised by John Took on the basis of papers made available to him from Christopher Ryan's estate, it seeks to deepen our understanding of one of the great cultural encounters in European letters.




Ascent to Love


Book Description

As one of the supreme Christian epic poems, Dante's Divine Comedy provides not only far more personality and emotional depth than the pagan epics, it also opens up all the issues on which Western history turns - truth, beauty, goodness, sin, sanctification, and triumph. For all that, C.S. Lewis loved the Comedy for its seemingly effortless poetry. In this guide Peter Leithart uses a biblical angle to open up the Comedy for students, high school and up. He begins his discussion by examining the meaning and place of the courtly love tradition and then introduces us to the varied levels of meaning throughout the work. In the heart of the guide, Leithart walks us carefully through the craft and symbolism of each progressive stage - Inferno, Purgatorio, and Paradiso. Each section contains helpful study questions.