Dante's Indiana


Book Description

"A Divine Comedy of our times."—John Irving, author of The World According to Garp "This book is a miracle.”—Junot Díaz, Pulitzer Prize-winning author of The Brief, Wondrous Life of Oscar Wao A 2022 ReLit Award Finalist • A Winnipeg Free Press Top Read of 2021 Following Original Prin, a NYTBR Editor’s Choice and Globe and Mail Best Book, Dante’s Indiana is an extraordinary journey through the divine comedies and tragedies of our time. Middle-aged, married, but living on his own, Prin has lost his way. Desperate for money and purpose, he moves to small-town Indiana to work for an evangelical millionaire who’s building a theme park inspired by Dante’s Inferno. He quickly becomes involved in the difficult lives of his co-workers and in the wider struggles of their opioid-ravaged community while trying to reconcile with his distant wife and distant God. Both projects spin out of control, and when a Black teenager is killed, creationists, politicians and protesters alike descend. In the midst of this American chaos, Prin risks everything to help the lost and angry souls around him while searching for his own way home. Affecting and strange, intimate and big-hearted, Dante’s Indiana is a darkly divine comedy for our time.




Dante's Inferno, The Indiana Critical Edition


Book Description

Presents a verse translation of Dante's "Inferno" along with ten essays that analyze the different interpretations of the first canticle of the "Divine Comedy."




Dante's Vita Nuova, New Edition


Book Description

"A fresh, new version of a 1962 translation that has had enormous popularity in comparative literature classes. The Vita Nuova (the New Life) is a small book which relates in prose and often very beautiful verse the story of the youthful Dante's love for Beatrice. The esay which follows the translation provides new insights into this puzzling thirteenth-century work. Musa regards Dante's intention in this so-called "Book of Memory" as a cruel and comic commentary on the youthful lover. He argues that Dante, using the tradition of love poetry current in his time, points up the foolishness and shallowness of his protagonist, a self-centered and self-pitying youth who only occasionally in the progress of his suffering catches even a glimpse of the true nature of Love or his beloved. "The sensitive man who would realize a man's destiny must ruthlessly cut out of his heart the canker at its center [i.e. self-pity], the canker that the heart instinctively tends to cultivate." According to Musa, this is one of Dante's central ideas. Dante scholars, libraries, and students of the Italian classics will welcome this distinguished translation and its provocative commentary"--Back cover.




Original Prin


Book Description

A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE A GLOBE AND MAIL BEST BOOK OF THE YEAR Eight months before he became a suicide bomber, Prin went to the zoo with his family. Following a cancer diagnosis, forty-year old Prin vows to become a better man and a better Catholic. He’s going to spend more time with his kids and better time with his wife, care for his recently divorced and aging parents, and also expand his cutting-edge research into the symbolism of the seahorse in Canadian literature. But when his historic college in downtown Toronto faces a shutdown and he meets with the condominium developers ready to take it over—including a foul-mouthed young Chinese entrepreneur and Wende, his sexy ex-girlfriend from graduate school—Prin hears the voice of God. Bewildered and divinely inspired, he goes to the Middle East, hoping to save both his college and his soul. Wende is coming, too. The first book in a planned trilogy, Original Prin is an entertaining and essential novel about family life, faith, temptation, and fanaticism. It’s a timely story about timeless truths, told with wise insight and great humour, confirming Randy Boyagoda’s place as one of Canada’s funniest and most provocative writers.




The Cambridge Companion to Dante's ‘Commedia'


Book Description

Accessible and informative account of Dante's great Commedia: its purpose, themes and styles, and its reception over the centuries.




Dante's Philosophical Life


Book Description

When political theorists teach the history of political philosophy, they typically skip from the ancient Greeks and Cicero to Augustine in the fifth century and Thomas Aquinas in the thirteenth, and then on to the origins of modernity with Machiavelli and beyond. Paul Stern aims to change this settled narrative and makes a powerful case for treating Dante Alighieri, arguably the greatest poet of medieval Christendom, as a political philosopher of the first rank. In Dante's Philosophical Life, Stern argues that Purgatorio's depiction of the ascent to Earthly Paradise, that is, the summit of Mount Purgatory, was intended to give instruction on how to live the philosophic life, understood in its classical form as "love of wisdom." As an object of love, however, wisdom must be sought by the human soul, rather than possessed. But before the search can be undertaken, the soul needs to consider from where it begins: its nature and its good. In Stern's interpretation of Purgatorio, Dante's intense concern for political life follows from this need, for it is law that supplies the notions of good that shape the soul's understanding and it is law, especially its limits, that provides the most evident display of the soul's enduring hopes. According to Stern, Dante places inquiry regarding human nature and its good at the heart of philosophic investigation, thereby rehabilitating the highest form of reasoned judgment or prudence. Philosophy thus understood is neither a body of doctrines easily situated in a Christian framework nor a set of intellectual tools best used for predetermined theological ends, but a way of life. Stern's claim that Dante was arguing for prudence against dogmatisms of every kind addresses a question of contemporary concern: whether reason can guide a life.




The Inferno of Dante Translated


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Dante's Divine Comedy


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




A Book about Myself Called Hell


Book Description

In the middle of the journey of our life Dante finds himself lost in a dark wood but then he founds a whole lot of literary movements and arguably modernity itself with his Divine Comedy that, nonetheless, inexplicably, didn't make God laugh. This serious absence caused God's non-divine counterparts, humans, to wonder: "Why are we in hell?" "Why is it so funny?" "And why can't I laugh?"




Dante’s Bones


Book Description

A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.