Final Girl


Book Description

The one who remains to tell the story -- the "final girl" -- is the last girl left alive in this bracing cycle of poems that draw on slasher movies, captivity fantasies, queer theory, and death from breast cancer. Sexy and tart, low-down and high-hearted poems such as Suture, Slash, Vamp, and Bride of Reanimator articulate the dark desires, fears, and traumas out of which pop culture is made. Author Daphne Gottlieb is the winner of the 2002 Firecracker Award and a 2002 Lambda Finalist.




The Entrance Place of Wonders


Book Description

Includes twenty trancscendent poems by the leaders of the Harlem Renaissance and brief biographies of the poets.




Kissing Dead Girls


Book Description

Fusing pornography and postfeminist theory, transcript and tell-all, these playful, penetrating poems and stories reach off the page in search of what it is to be known, both to the masses and to the "Other." Gertrude Stein's work is co-opted and re-seen in an attempt to unpack the relationship between love and war; Walt Whitman makes a command performance in dismembered bits of forced formal verse; and The Exorcist and The Devil in Miss Jones are sutured together in an attempt to locate the horror of desire.




Daphne


Book Description

Daphne is a marvelous story of literary fascination and possession; of stolen manuscripts and forged signatures; of love lost, and love found; of the way into imaginary worlds, and the way out again. The book is written in three entwined parts, which follow Daphne du Maurier herself, the beautiful, tomboyish, passionate author of the enormously popular Gothic novel Rebecca; John Alexander Symington, eminent editor and curator of the Brontës' manuscripts, who by 1957 had been dismissed from the Brontë Parsonage Museum in disgrace after being accused of stealing and forging Brontë manuscripts and who became Daphne's correspondent; and a nameless modern researcher on the trail of Daphne, Rebecca, Alexander Symington, and the Brontës.




Steveston


Book Description

Ronsdale Press offers a new edition of Steveston, this much loved work by two of Canada's finest poets and photographers. For this edition, Daphne Marlatt has written a new poem, never before published, to offer a postscript from 2001 on the original 1974 undertaking. At the publisher's request, Robert Minden has returned to his photographic archive bringing 9 additional images of Steveston and New Denver to light. In addition, Marlatt and Minden have rethought their decision to interleave poems and photos, and have, instead, created two separate but connected stories -- poetry and pictures that evoke their own rhythms and then speak to each other of their connections. For the first time, Minden talks about their joint project of recreating Steveston, in verse and photos, as two overlapping but distinct "folios." For all the newness of this edition, Steveston retains its old magic: with Marlatt's long lines recreating the ebb and flow of the Fraser River, the sense of the two artists outside the mainly Japanese-Canadian community, but also through their art evoking the multiple layers of community, the traces and erasures of presence. As Marlatt recalls, "There was something in Steveston which drew us, over and over again, and which our work attempted to enunciate -- something under the backwater quiet, the river hum of comings and goings, the traffic of work, that was 'shouting' at us to tell it."




The Girl Who Became a Tree


Book Description

Award-winning poet and author Joseph Coelho breaks new ground with his first novel in verse. The Girl Who Became a Tree is a powerful and mezmerising exploration of grief and renewal. Daphne is unbearably sad and adrift. She feels the painful loss of her father acutely and seeks solace both in the security of her local library and the escape her phone screen provides by blocking out the world around her. As Daphne tries to make sense of what has happened she recalls memories of shared times and stories past, and in facing the darkness she finds a way back from the tangle of fear and confusion, to feel connected once more with her friends and family. The Girl Who Became a Tree sees Joseph Coelho deploy a wide variety of poetic forms with consummate skill in its narration of events. He seamlessly but searingly weaves together the ancient legend of Daphne, who was turned into a tree to avoid the attentions of the god Apollo, and a totally modern tale, mixing real-life and fantasy, in which a latter-day Daphne seeks her own freedom. This a heart-stoppingly imaginative story told in poems, at times bleak and even tragic, which is layered, rich, and ultimately a tour de force of poetic skill and energy.




Daphne and Other Poems


Book Description




Pretty Ugly


Book Description

People are chemical machines, yet we (and some other animals) develop a sense of beauty. Why and how did it evolve? How is it formed? This book answers these questions from the perspective of scientists with deep knowledge of the arts. It interweaves experimental sciences with the histories of art, architecture, music, dance, speech, literature, and food. Although we perceive each of our senses to be dramatically different, the authors show them all to be similar under the hood—similar in how they function and in how they shape our aesthetic experience. The authors cover many fields, and do not assume the reader has any special knowledge or expertise. They avoid jargon, equations and formulae, and begin every discussion at an introductory level. However, introductory does not mean elementary. This is a broad knife that cuts deep.




Peterborough, Ontario, Canada, City Hallowed in Centennial Fame, Remember You and Your Famous Name


Book Description

Madame Daphne Jane Rogers Molson is a Canadian, membered, International Who's Who Golden Poet, awarded laureate graduate, of American multibillionaire, Howard Ely, Editor and Owner of Waternark Press. Since 1997, Howard's International Library of Poetry anthologies, America In The Millennium, The Colors of Life, The Best Poems and Poets, The International Who's Who In Poetry, Poetry.com, The Sound of Poetry tapes, discs, electronic collections, and the International Society of Poets Conventions and Symposiums have acclaimed Daphne's evocative, meaningful, wittingly woven humour, satire, war and peace pathos, peace and prayer asking, prose, and human loving, inspiring poems. Xlibris published With Love To Humanity and Madame Daphne Jane Rogers Molson in 2011 to BEA, America's yearly book exhibition, held in New York City, then to Chicago, then to Canadian and American cities television, newspaper, and radio medias. Former Presidents, Barack Obama and William Clinton thanked Daph for A New Millennium Address To Humanity. Prime Minister Justin Trudeau and House of Commons MP, Maryam Monsef congratulated her poetry works. Canada Council for the Arts, Ontario Arts Council, Trillium Foundation, EC3, Chapters, Indigo, Trent University, The Poetry Institute of Canada, Canadian Authors Association, Canadian Writers Summit, Amazon, Kindle, Xlibris and others sponsor and sell Daph's books. Her famous city, Rogers and Molson relatives, friends, and their profit making of wealth, business, industry, culture, art, and Daph's are the essence of this book.




Brown Girls


Book Description

NEW YORK TIMES EDITORS’ CHOICE • A “boisterous and infectious debut novel” (The Guardian) about a group of friends and their immigrant families from Queens, New York—a tenderly observed, fiercely poetic love letter to a modern generation of brown girls. “An acute study of those tender moments of becoming, this is an ode to girlhood, inheritance, and the good trouble the body yields.”—Raven Leilani, author of Luster FINALIST: The New American Voices Award, The Carol Shields Prize for Fiction, The VCU Cabell First Novelist Award, The New American Voices Award, The Center for Fiction First Novel Prize ONE OF THE BEST BOOKS OF THE YEAR: PopSugar, Kirkus Reviews If you really want to know, we are the color of 7-Eleven root beer. The color of sand at Rockaway Beach when it blisters the bottoms of our feet. Color of soil . . . Welcome to Queens, New York, where streets echo with languages from all over the globe, subways rumble above dollar stores, trees bloom and topple over sidewalks, and the funky scent of the Atlantic Ocean wafts in from Rockaway Beach. Within one of New York City’s most vibrant and eclectic boroughs, young women of color like Nadira, Gabby, Naz, Trish, Angelique, and countless others, attempt to reconcile their immigrant backgrounds with the American culture in which they come of age. Here, they become friends for life—or so they vow. Exuberant and wild, together they roam The City That Never Sleeps, sing Mariah Carey at the tops of their lungs, yearn for crushes who pay them no mind—and break the hearts of those who do—all while trying to heed their mothers’ commands to be obedient daughters. But as they age, their paths diverge and rifts form between them, as some choose to remain on familiar streets, while others find themselves ascending in the world, beckoned by existences foreign and seemingly at odds with their humble roots. A blazingly original debut novel told by a chorus of unforgettable voices, Brown Girls illustrates a collective portrait of childhood, adulthood, and beyond, and is a striking exploration of female friendship, a powerful depiction of women of color attempting to forge their place in the world today. For even as the conflicting desires of ambition and loyalty, freedom and commitment, adventure and stability risk dividing them, it is to one another—and to Queens—that the girls ultimately return.