Daphne Wright - Emotional Archaeology


Book Description

Daphne Wright is a contemporary artist who has developed an approach to her work that involves intensive research and psychological engagement.This publication, the first survey of a practice she has developed over more than twenty years, considers her work as 'emotional archaeology' which, in media including sculpture, installation and sound, sculpture, drawing, photographs and film -- aims to uncover hidden truths.The book includes two interviews with Daphne Wright as well as new essays by Penelope Curtis, Director of Museu Calouste Gulbenkian, Lisbon, and Xa Sturgis, Director of Ashmolean Museum, Oxford and Josephine Lanyon, curator of the exhibition, Emotional Archaeology.Published on the occasion of the exhibition Daphne Wright: Emotional Archaeology, at Arnolfini, Bristol (30 September - 31 December 2016), Tyntesfield National Trust (10 September - 20 September 2016), and Royal Hibernian Academy (17 January - 26 February 2017).




Project Boast


Book Description

65 poems by 29 women poets




Daphne Wright


Book Description

Including essays and an interview, this work presents an overview of the artist's work.




Feeling Power


Book Description

First published in 1999. Megan Boler combines cultural history with ethical and multicultural analyses to explore how emotions have been disciplined, suppressed, or ignored at all levels of education and in educational theory. FEELING POWER charts the philosophies and practices developed over the last century to control social conflicts arising from gen­der, class, and race. The book traces the development of progressive pedagogies from civil rights and feminist movements to Boler's own recent studies of emo­tional intelligence and emotional literacy. Drawing on the formulation of emotion as knowledge within feminist, psychobiological, and post structuralist theo­ries, Boler develops a unique theory of emotion missing from contemporary educa­tional discourses.




Mr. Palomar


Book Description

A novel of a delightful eccentric on a search for truth, by the renowned author of Invisible Cities. In The New York Times Book Review, the poet Seamus Heaney praised Mr. Palomar as a series of “beautiful, nimble, solitary feats of imagination.” Throughout these twenty-seven intricately structured chapters, the musings of the crusty Mr. Palomar consistently render the world sublime and ridiculous. Like the telescope for which he is named, Mr. Palomar is a natural observer. “It is only after you have come to know the surface of things,” he believes, “that you can venture to seek what is underneath.” Whether contemplating a fine cheese, a hungry gecko, or a topless sunbather, he tends to let his meditations stray from the present moment to the great beyond. And though he may fail as an objective spectator, he is the best of company. “Each brief chapter reads like an exploded haiku,” wrote Time Out. A play on a world fragmented by our individual perceptions, this inventive and irresistible novel encapsulates the life’s work of an artist of the highest order, “the greatest Italian writer of the twentieth century” (The Guardian).




Oxford Handbook of Synesthesia


Book Description

Synesthesia is a fascinating phenomenon which has captured the imagination of scientists and artists alike. This title brings together a broad body of knowledge about this condition into one definitive state-of-the-art handbook.




Women's Images of Men


Book Description

This volume comprises challenging essays and interviews with women of different generations who discuss their conflicts and goals as artists and who portray men as objects of sexual desire, as persecutors, poseurs, emotional dependants or friends. The book evolved out of the controversy aroused by an exhibition of the same name which opened at the Institute of Contemporary Arts in London and toured Britain. Many critics denounced the show for its scratching and biting savagery.




What is Media Archaeology?


Book Description

This cutting-edge text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. Written with a steampunk attitude, What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author contextualizes media archaeology in relation to other key media studies debates including software studies, German media theory, imaginary media research, new materialism and digital humanities. What is Media Archaeology? advances an innovative theoretical position while also presenting an engaging and accessible overview for students of media, film and cultural studies. It will be essential reading for anyone interested in the interdisciplinary ties between art, technology and media.




Consilience


Book Description

NATIONAL BESTSELLER • "A dazzling journey across the sciences and humanities in search of deep laws to unite them." —The Wall Street Journal One of our greatest scientists—and the winner of two Pulitzer Prizes for On Human Nature and The Ants—gives us a work of visionary importance that may be the crowning achievement of his career. In Consilience (a word that originally meant "jumping together"), Edward O. Wilson renews the Enlightenment's search for a unified theory of knowledge in disciplines that range from physics to biology, the social sciences and the humanities. Using the natural sciences as his model, Wilson forges dramatic links between fields. He explores the chemistry of the mind and the genetic bases of culture. He postulates the biological principles underlying works of art from cave-drawings to Lolita. Presenting the latest findings in prose of wonderful clarity and oratorical eloquence, and synthesizing it into a dazzling whole, Consilience is science in the path-clearing traditions of Newton, Einstein, and Richard Feynman.




An Anthropology of Anthropology


Book Description

The book uses anthropological methods and insights to study the practice of anthropology. It calls for a paradigm shift, away from the publication treadmill, toward a more profile-raising paradigm that focuses on addressing a broad array of social concerns in meaningful ways.