David Klamen


Book Description

Chicago-based artist David Klamen fuses op-art effects with art historical images to create high impact and engaging artworks. Looking like obsessive crosses between bar codes, puzzles, and old master paintings, these works plead to be interpreted through a dizzying kaleidoscope of colors and shapes. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison




David Klamen


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Spirited Visions


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Unpainted to the Last


Book Description

Endlessly pursued but ever elusive, Moby-Dick roams freely throughout the American imagination. A fathomless source for literary exploration, Melville's masterpiece has also inspired a stunning array of book illustrations, prints, comics, paintings, sculptures, mixed media, and even architectural designs. Innovative and lavishly illustrated, Unpainted to the Last illuminates this impressive body of work and shows how it opens up our understanding of both Moby-Dick and twentieth-century American art. The most continuously, frequently, and diversely illustrated of all American novels, Moby-Dick has attracted some remarkable book illustrators in Rockwell Kent, Boardman Robinson, Garrick Palmer, Barry Moser, and Bill Sienkiewicz, among others represented here. It has also inspired extraordinary creations by such prominent artists as Jackson Pollock, Frank Stella, Sam Francis, Benton Spruance, Leonard Baskin, Theodoros Stamos, Richard Ellis, Ralph Goings, Seymour Lipton, Walter Martin, Tony Rosenthal, Richard Serra, and Theodore Roszak. The artists reflect in equal measure the novel's realistic (plot, character, natural history) and philosophical modes, its visual and visionary dimensions. Some, like the obsessed and haunted Gilbert Wilson, claim Moby-Dick as their "Bible." Still others view the novel as a touchstone for feminist, multicultural, and environmentalist themes, or mock its status as a cultural icon.




Artistic Interiors


Book Description

Artistic Interiors is an extraordinary volume featuring the work of prestigious architectural interior designer Suzanne Lovell. Hundreds of full color photographs feature her unique approach toward designing couture environments that create an expressive home through the integration of architecture, sophisticated materials, and fine art. Exploring more than a dozen residences, Lovell takes the reader on a journey through homes with sumptuous interiors, finely crafted details, and exceptional collections. A lifestyle architect practicing at the intersection of architecture and interiors, design and art, Lovell's work incorporates an expansive array of paintings, drawings, and photography, ceramics and sculpture, textiles, custom furnishings, and antiques. Suzanne Lovell is the go-to designer for the passionate collector and Artistic Interiors offers a glimpse into her distinct design process through striking images of her work. Praise for Artistic Interiors: “For Suzanne Lovell, a well-designed room serves as a frame for the art it displays. In more than twelve featured projects, Lovell tailors her aesthetic to highlight her clients’ collections, resulting in graceful, harmonious spaces that are enhanced with works by Kara Walker, Vik Muniz, and Henri Matisse, among others.” —Architectural Digest “Perfect for gift giving; the holidays fast approach.” —Ebony “An instant education in how art and furniture can live in harmony.” —Chicago magazine “This book will have a special appeal to those looking for a sophisticated point of view in Midwestern abodes.” —Library Journal !--StartFragment-- “Although unmistakably modern, Suzanne Lovell’s carefully detailed style has a classic quality, frequently incorporating antiques as well as furniture by early-twentieth-century luminaries. She displays whimsical folk art with as much sophistication and integrity as highly important works by celebrated artists, past and present, and the book’s text is adept at explaining the thinking behind her designing.” —House & Garden (UK) “The book—beautifully designed by Doug Turshen, with David Huang, using the work of a handful of photographers led by Tony Soluri—makes her mastery of dimension, volume, material, form, color, scale, period, and detail exceptionally vivid.” —1stDibs.com “A sumptuous new volume by celebrated architect-designer Suzanne Lovell. Lovell offers intimate access to fourteen couture environments in which she has temptingly integrated architecture, materials, fine art, and the client's ‘soul and sensibility.’”—Private Clubs




Out of Place


Book Description

Broad in scope, Out of Place: Artists, Pedagogy, and Purpose presents an overview of the different paths taken by artists and artist collectives as they navigate their way from formative experiences into pedagogy. Focusing on the realms in- and outside the academy (the places and persons involved in post-secondary education) and the multiple forms and functions of pedagogy (practices of learning and instruction), the contributions in this volume engage individual and collective artistic practices as they adapt to meet the factors and historical conditions of the people and communities they serve through solidarity, equity, and creativity. With this critically, historicist approach in mind, the contributions in Out of Place historicize, study, critique, revise, reframe, and question the academy, its operations and exclusions. The extensive range of contributions, emphasizing community-oriented projects both inside and outside the United States, is grouped into three overarching categories: artists who work in academic institutions but whose social and pedagogical engagement extends beyond the walls of the academy; artists who engage in pedagogical initiatives or forms of institutional critique that were established outside of an art school or university setting; and artist-scholars who are doing transformative and inter/transdisciplinary work within their respective institutions. Collectives and projects represented in Out of Place comprise Art Practical, Axis Lab, BFAMFAPhD, Beta-Local, Black Lunch Table Project, The Black School, The Center for Undisciplined Research, Devening Projects, ds4si, Elsewhere, Ghana ThinkTank, Gudskul, The Icebox Project Space, Las Hermanas Iglesias, The Laundromat Project, Occupy Museums, Peebls, PlantBot Genetics, Queer Conversations on Culture and the Arts, Related Tactics, Side by Side, 'sindikit, Sustainable Native Communities Collaborative, and Tiger Strikes Asteriod.




Street, Text, and Representation in African American Literature


Book Description

Comprehensive and comparative, this volume investigates African American street novelists since the Chicago Black Renaissance and the semiotic strategies they employ in publication, consumption, and depiction of street life. Divided into three chapters, this text analyzes the content, style, and ethics of “street” narrative through a discursive/rhetorical lens, exploring the development of street literature’s formal and contextual concerns to resolve the sociocultural and political questions surrounding cultural work. The book also gives emphasis to “text” or (post)structural literary analysis by answering questions about the genre’s aesthetic and linguistic techniques that respond to the injustices of urban planning. The last chapter, “Representation,” investigates the phenomenological hermeneutics of more recent street literature and its satire, highlighting the political stakes for authorship, credibility, and subjectivity. Through historical and contemporary studies of urban space, Blackness, and adaptations of street literature, this work attempts to network activists, artists, and scholars with the greater reading public by providing a functional ontology of reading the inner city.




Artworld Prestige


Book Description

This book examines the ways in which cultural arguments about value develop: the processes by which some practices, artists, and media in the artworld win and others lose. The authors argue that the concept of prestige, although uncomfortable and consistently overlooked, is an essential model for understanding artworld values.




New Art Examiner


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The independent voice of the visual arts.




Re-humanizing Medicine


Book Description

What starts as personal dissatisfaction in the workplace can become personal transformation that changes clinical practice and ultimately changes the culture of medicine. Physicians and professionals train extensively to relieve suffering. Yet the systems they train and practice in create suffering for both themselves and their clients through the neglect of basic human needs. True healthcare reform requires addressing dehumanization in medicine by caring for the whole person of the professional and the patient. Re-humanizing Medicine provides a holistic framework to support human connection and the expression of full human being of doctors, professionals and patients. A clinician needs to be a whole person to treat a whole person, thus the work of transformation begins with clinicians. As professionals work to transform themselves, this will in turn transform their clinical practices and healthcare institutions.