Dead Regular


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The Art of AMC's the Walking Dead Universe


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Published by Skybound & produced by AMC Networks Publishing, discover the behind-the-scenes pre-production & production art for AMC's THE WALKING DEAD shows: The Walking Dead, Fear the Walking Dead, and The Walking Dead: World Beyond, all in one incredible collection! Includes never-before-seen original sketches, concept art, storyboards, previs art, set concept and engineering art, promotional concept to completion key art, special product illustrations, in-world product art, and much more. Also includes a brand-new wraparound cover featuring over 50 characters from across all the shows. Features an introduction by Chief Content Officer, SCOTT M. GIMPLE, as well as other compelling anecdotes and fun facts from The Walking Dead creators and crew. A must-have for anyone who has ever shouted, "We are the Walking Dead!"




Dead Upon a Time


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“An imaginative, dark, and creepy blend of classic fairy tales in a page-turning thriller . . . unpredictable and enjoyable.” —The Quiet Concert One girl is kept in a room where every day the only food she’s given is a poisoned apple. Another is kept in a room covered in needles—and if she pricks her finger, she’ll die. Then there are the brother and sister kept in a cell that keeps getting hotter and hotter . . . A sinister kidnapper is on the loose in Kate’s world. She’s not involved until one day she heads to her grandmother’s house in the woods—and finds her grandmother has also been taken. Already an outcast, Kate can’t get any help from the villagers who hate her. Only Jack, another outsider, will listen to what’s happened. Then a princess is taken, and suddenly the king is paying attention—even though the girl’s stepmother would rather he didn’t. It’s up to Kate and Jack to track down the victims before an ever after arrives that’s far from happy. “Paulson’s world-building is intriguing . . . compulsively readable.” —MuggleNet




Speaking with the Dead in Early America


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In late medieval Catholicism, mourners employed an array of practices to maintain connection with the deceased—most crucially, the belief in purgatory, a middle place between heaven and hell where souls could be helped by the actions of the living. In the early sixteenth century, the Reformation abolished purgatory, as its leaders did not want attention to the dead diminishing people's devotion to God. But while the Reformation was supposed to end communication between the living and dead, it turns out the result was in fact more complicated than historians have realized. In the three centuries after the Reformation, Protestants imagined continuing relationships with the dead, and the desire for these relations came to form an important—and since neglected—aspect of Protestant belief and practice. In Speaking with the Dead in Early America, historian Erik R. Seeman undertakes a 300-year history of Protestant communication with the dead. Seeman chronicles the story of Protestants' relationships with the deceased from Elizabethan England to puritan New England and then on through the American Enlightenment into the middle of the nineteenth century with the explosion of interest in Spiritualism. He brings together a wide range of sources to uncover the beliefs and practices of both ordinary people, especially women, and religious leaders. This prodigious research reveals how sermons, elegies, and epitaphs portrayed the dead as speaking or being spoken to, how ghost stories and Gothic fiction depicted a permeable boundary between this world and the next, and how parlor songs and funeral hymns encouraged singers to imagine communication with the dead. Speaking with the Dead in Early America thus boldly reinterprets Protestantism as a religion in which the dead played a central role.




Sessional Papers


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The Quick and the Dead


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The Musical Standard


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