Dead Woman Pickney


Book Description

Dead Woman Pickney chronicles life stories of growing up in Jamaica from 1943 to 1965 and contains both personal experience and history, told with stridency and humour. The author’s coming of age parallels the political stages of Jamaica’s moving from the richest Crown colony of Great Britain to an independent nation within the British Commonwealth of Nations. Taking up the haunting memories of childhood, along with her astonishment at persistent racial marginalization, both locally and globally, the author sets out to construct a narrative that at once explains her own origins in the former slave society of Jamaica and traces the outsider status of Africa and its peoples. The author’s quest to understand the absence of her mother and her mother’s people from her life is at the heart of this narrative. The title, Dead Woman Pickney, is in Jamaican patois, and its meaning unfolds throughout the narrative. It begins with the author’s childhood question of what a mother is, followed by the realization of the vulnerability of a child without its mother’s protection. The term “pickney” was the name for slave children on sugar plantations, and post-emancipation the term was retained for the descendants of enslaved Africans and the children of black women fathered by slavers. The author struggles through her life to discover the identity of her mother in the face of silence from her father’s brutal family. A wonderful resource for teachers of history, social studies, cultural studies, and literature, this work could be used as a starting point to discuss issues of diasporic identities, colonialism, racism, impact of slavery, and Western imperialism around the world. It is also an engaging read for those interested in memoir and life writing.




The Book of Night Women


Book Description

From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings "An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breath­takingly daring and wholly in command of his craft.




High Cotton


Book Description

High Cotton is an extraordinarily rich account of the dreams and inner turmoils of a new generation of the black upper middle class, capturing the essence of a part of American society that has mostly been ignored in literature. The novel's protagonist journeys from his childhood home in the midwest to college, a stint in New York publishing, and Europe, yet the issue of his "blackness" remains at the heart of his being.




Kinds of Winter


Book Description

A veteran dog musher, Dave Olesen finished the Iditarod Trail Sled Dog Race eight times. After a fifteen-year career as a sled dog racer, Olesen set out to fulfill a lifelong dream. In four successive winters he steered his dogs and sled on long trips away from his remote Northwest Territories homestead, setting out in turn to the south, east, north, and west, and home again to Hoarfrost River. His narrative ranges from the personal and poignant musings of a dogsled driver to loftier planes of introspection and contemplation. Olesen describes his journeys day by day, but this book is not merely an account of his travels. Neither is it yet another offering in the genre of “wide-eyed southerner meets the Arctic,” because Olesen is a firmly rooted northerner, having lived and travelled in the boreal outback for over thirty years. Olesen’s life story colours his writing: educated immigrant, husband and father, professional dog musher, working bush pilot, and denizen of log cabins far off the grid. He and his dogs feel at home in country lying miles back of beyond. This book demolishes many of the clichés that imbue writings about bush life, the Far North, and dogsledding. It is a unique blend of armchair adventure, personal memoir, and thoughtful, down-to-earth reflection.




In the Unlikeliest of Places


Book Description

Annette Libeskind Berkovits thought her attempt to have her father record his life's story failed. But in 2004, three years after her father's death, she was going through his things and found a box of tapes—several years' worth—with his spectacular life, triumphs, and tragedies told one last time in his baritone voice. Nachman Libeskind's remarkable story is an odyssey through crucial events of the twentieth century. With an unshakable will and a few drops of luck, he survives a pre-war Polish prison; witnesses the 1939 Nazi invasion of Lodz and narrowly escapes; is imprisoned in a brutal Soviet gulag where he helps his fellow inmates survive, and upon regaining his freedom treks to the foothills of the Himalayas, where he finds and nearly loses the love of his life. Later, the crushing communist regime and a lingering postwar anti-Semitism in Poland drive Nachman and his young family to Israel, where he faces a new form of discrimination. Then, defiantly, Nachman turns a pocketful of change into a new life in New York City, where a heartbreaking promise leads to his unlikely success as a modernist painter that inspires others to pursue their dreams. With just a box of tapes, Annette Libeskind Berkovits tells more than her father's story: she builds an uncommon family saga and reimagines a turbulent past. In the process she uncovers a stubborn optimism that flourished in the unlikeliest of places.




The Unwritten Diary of Israel Unger


Book Description

At the beginning of the Nazi period, 25,000 Jewish people lived in Tarnow, Poland. By the end of the Second World War, nine remained. Like Anne Frank, Israel Unger and his family hid for two years in an attic crawl space above the Dagnan flour mill in Tarnow. Their stove was the chimney that went up through the attic; their windows were cracks in the wall. Survival depended on the food the adults were able to forage outside at night. Against all odds, they emerged alive. Now, decades later, here is Unger’s “unwritten diary.” At the end of the war, following a time as people sans pays, the Unger family immigrated to Canada. After discovering a love of chemistry, Israel Unger had a stellar academic career, married, and raised a family in Fredericton, New Brunswick. The Unwritten Diary of Israel Unger is as much a Holocaust story as it is a story of a young immigrant making every possible use of the opportunities Canada had to offer. This revised edition includes a reproduction of Dagnan’s List, a list of Jewish slave labourer similar Schindler’s List, made famous in the Steven Spielberg movie. The name of Israel Unger’s father appears on the list, in which Dagnan declares that Unger is an “essential worker”—a ruse that may have saved the father’s life. This recently discovered document proves that Israel Unger’s memory of this key part of the story was accurate. A new postscript details the importance of this startling document.




Just a Larger Family


Book Description

The Second World War had been under way for a year when Marie and John Williamson welcomed two English brothers to join them and their two children in their small house in north Toronto for the duration of the conflict. Marie wrote over 150 letters to the boys’ mother, Margaret Sharp, imagining that she could make Margaret feel she was still with her children. She shepherded the boys through education decisions and illnesses, eased them into a strange new life, and rejoiced when they embraced unfamiliar winter sports. The letters brim with detail about family holidays, the financial implications of an extended family, their involvement in their church, and the games and activities that kept them occupied. Marie’s letters reflect the lives and concerns of a particular family in Toronto, but they also reveal a portrait of what was then Canada’s second-largest city during wartime. The introduction is by Mary F. Williamson, Marie’s daughter, and Tom Sharp, Margaret’s youngest son. The book features a foreword by Jonathan Vance that puts the letters in historical context.




Boom!


Book Description

Since the early 1990s, tens of thousands of memoirs by celebrities and unknown people have been published, sold, and read by millions of American readers. The memoir boom, as the explosion of memoirs on the market has come to be called, has been welcomed, vilified, and dismissed in the popular press. But is there really a boom in memoir production in the United States? If so, what is causing it? Are memoirs all written by narcissistic hacks for an unthinking public, or do they indicate a growing need to understand world events through personal experiences? This study seeks to answer these questions by examining memoir as an industrial product like other products, something that publishers and booksellers help to create. These popular texts become part of mass culture, where they are connected to public events. The genre of memoir, and even genre itself, ceases to be an empty classification category and becomes part of social action and consumer culture at the same time. From James Frey’s controversial A Million Little Pieces to memoirs about bartending, Iran, the liberation of Dachau, computer hacking, and the impact of 9/11, this book argues that the memoir boom is more than a publishing trend. It is becoming the way American readers try to understand major events in terms of individual experiences. The memoir boom is one of the ways that citizenship as a category of belonging between private and public spheres is now articulated.




Motherlode


Book Description

Motherlode: A Mosaic of Dutch Wartime Experience is Carolyne Van Der Meer’s creative reinterpretation through short stories, poems, and essays of the experiences of her mother and other individuals who either spent their childhoods in Nazi-occupied Holland or were deeply affected by wartime in Holland. The book documents the author’s personal journey as she uncovers her mother’s past through their correspondence and discussion and through research in the Netherlands. Motherlode also considers mother–daughter relationships and the effect of wartime on motherhood. Motherlode is not about recording precise historical data; rather, it attempts to recover and interpret the complex emotions of the individuals growing up in wartime. The book is based on interviews with the author’s mother and other Dutch Canadians, interviews with and letters from Canadian Jewish war veterans, and information provided by individuals with direct or indirect experience of the Dutch Resistance. The creative pieces explore onderduik (going into/being in hiding), life in an occupied country, the work of the Dutch Resistance, liberation, collective and individual cultural memory, and the way in which wartime childhoods shaped adulthood for these individuals.




What the Oceans Remember


Book Description

Author Sonja Boon’s heritage is complicated. Although she has lived in Canada for more than thirty years, she was born in the UK to a Surinamese mother and a Dutch father. Boon’s family history spans five continents: Europe, Africa, Southeast Asia, South America, and North America. Despite her complex and multi-layered background, she has often omitted her full heritage, replying “I’m Dutch-Canadian” to anyone who asks about her identity. An invitation to join a family tree project inspired a journey to the heart of the histories that have shaped her identity. It was an opportunity to answer the two questions that have dogged her over the years: Where does she belong? And who does she belong to? Boon’s archival research—in Suriname, the Netherlands, the UK, and Canada—brings her opportunities to reflect on the possibilities and limitations of the archives themselves, the tangliness of oceanic migration, histories, the meaning of legacy, music, love, freedom, memory, ruin, and imagination. Ultimately, she reflected on the relevance of our past to understanding our present. Deeply informed by archival research and current scholarship, but written as a reflective and intimate memoir, What the Oceans Remember addresses current issues in migration, identity, belonging, and history through an interrogation of race, ethnicity, gender, archives and memory. More importantly, it addresses the relevance of our past to understanding our present. It shows the multiplicity of identities and origins that can shape the way we understand our histories and our own selves.