Death Makes the Cut


Book Description

Jocelyn Shore investigates the murder of friend and fellow teacher Fred Argus, whose demise has been sullied by false rumors that he was selling drugs.




Death Makes the Cut


Book Description

The first bell of the new school year hasn't even rung, and Texas high school teacher Jocelyn Shore is already at the scene of a murder. Friend and fellow teacher Fred Argus has been found dead on campus, and it isn't long before the annoying, albeit attractive, Austin police detective Colin Gallagher uncovers evidence that Fred might have been selling drugs to students. Shocked by her loss as well as the insinuation that Fred was a dealer who got what he deserved, Jocelyn starts asking the kinds of questions guaranteed to set fellow teachers, administrators, and parents on edge. With the school serving as the setting for a big-time director's latest film, her investigation could hardly have come at a worse time. Jocelyn, however, finds clearing her friend's name far more important than the needs of a pesky movie crew and doesn't care who knows it. But it's only when she's attacked while on set that she realizes someone is determined to make sure the secrets hidden by Fred's death remain hidden no matter what the cost. Humor, romance, and murder abound in Janice Hamrick's follow-up to her Minotaur Books/Mystery Writers of America First Crime Novel Award--winning debut, Death on Tour, and make Death Makes the Cut a charming addition to this outstanding new series.




Death Makes the News


Book Description

Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction Winner of the Eastern Communication Association's Everett Lee Hunt Award A behind-the-scenes account of how death is presented in the media Death is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a “fit” and “unfit” image of death. Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society. In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them—even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed.




Death on Tour


Book Description

After a member of an Egyptian tour group is found dead, Texas high school teacher and fellow traveler Jocelyn Shore learns that no one is what they seem.




Death Rides Again


Book Description

With a family reunion that is getting smaller by the minute and more romance and humor than can be fenced in on any ranch, Janice Hamrick's Death Rides Again is another outstanding addition to her award-winning mystery series. Texas high school teacher Jocelyn Shore had been looking forward to spending Thanksgiving at her Uncle Kel's ranch, but her visit takes an unexpected turn when she discovers Uncle Kel threatening his son-in-law Eddy with a shotgun. It seems that Kel, who is hosting the whole Shore clan, is none too happy about how Eddy has been treating his daughter Ruby June, and tensions are about to boil over. Thanks to Jocelyn's quick thinking, Eddy makes it out alive, and it looks like Ruby June is going to toss him out for good. Yet no one knows for sure because that is the last anyone saw of Ruby June. The family pins the disappearance on Eddy and files a missing-persons report. Still, it isn't until Jocelyn and her sometime-boyfriend, Austin homicide detective Colin Gallagher, find Eddy's body at the bottom of a caliche pit that the police really take notice. Unfortunately, all eyes---including Colin's---are on Jocelyn's family as the most likely suspects. While Colin assists the local police, Jocelyn and her cousin Kyla decide to investigate on their own. Their hunt turns up a shady ranch manager, a mysterious racehorse owner, and an overly persistent goat, but no sign of Ruby June . . . or a killer who is poised to strike again.




The Death of the Book


Book Description

An examination of the ways major novels by Marcel Proust, James Joyce, and Virginia Woolf draw attention to their embodiment in the object of the book, The Death of the Book considers how bookish format plays a role in some of the twentieth century’s most famous literary experiments. Tracking the passing of time in which reading unfolds, these novels position the book’s so-called death in terms that refer as much to a simple description of its future vis-à-vis other media forms as to the sense of finitude these books share with and transmit to their readers. As he interrogates the affective, physical, and temporal valences of literature’s own traditional format and mode of access, John Lurz shows how these novels stage intersections with the phenomenal world of their readers and develop a conception of literary experience not accounted for by either rigorously historicist or traditionally formalist accounts of the modernist period. Bringing together issues of media and mediation, book history, and modernist aesthetics, The Death of the Book offers a new and deeper understanding of the way we read now.




Death of a Cozy Writer


Book Description

Winner of the 2008 Agatha Award for Best First Novel From deep in the heart of his eighteenth century English manor, millionaire Sir Adrian Beauclerk-Fisk writes mystery novels and torments his four spoiled children with threats of disinheritance. Tiring of this device, the portly patriarch decides to weave a malicious twist into his well-worn plot. Gathering them all together for a family dinner, he announces his latest blow—a secret elopement with the beautiful Violet...who was once suspected of murdering her husband. Within hours, eldest son and appointed heir Ruthven is found cleaved to death by a medieval mace. Since Ruthven is generally hated, no one seems too surprised or upset—least of all his cold-blooded wife Lillian. When Detective Chief Inspector St. Just is brought in to investigate, he meets with a deadly calm that goes beyond the usual English reserve. And soon Sir Adrian himself is found slumped over his writing desk—an ornate knife thrust into his heart. Trapped amid leering gargoyles and stone walls, every member of the family is a likely suspect. Using a little Cornish brusqueness and brawn, can St. Just find the killer before the next-in-line to the family fortune ends up dead? Death of a Cozy Writer was chosen by Kirkus Reviews as a Best Book of 2008, nominated for a Left Coast Crime award (the Hawaii Five-O for best police procedural), short-listed for the Macavity Award for Best First Mystery, nominated for the Anthony Award for Best First Novel and was a finalist for the David G. Sasher, Sr. Award for Best Mystery Novel. Praise: "Fans of English detective work will welcome Malliet's droll debut, the first in a new series."—Publishers Weekly "Malliet's debut combines devices from Christie and Clue to keep you guessing until the dramatic denouement."—Kirkus Reviews "Malliet's skillful debut demonstrates the sophistication one would expect of a much more established writer. I'm looking forward to her next genre-bender, Death and the Lit Chick."—Mystery Scene "Almost every sentence is a polished, malicious gem, reminiscent of Robert Barnard...the book is perfect for the lover of the classical detective story or the fan of great sentences."—Deadly Pleasures "In her series debut, Malliet, who won a Malice Domestic Grant to write this novel, lays the foundation for an Agatha Christie—like murder mystery."—Library Journal "An affectionate homage to the Golden Age of British crime fiction by a skilled writer rapidly attracting attention."—The Sherbrook Record "This tale cleverly adds modern touches to an Agatha Christie style classic house mystery."—Mystery Women Magazine "Wicked, witty and full of treats!"—Peter Lovesey, recipient of Lifetime Achievement Awards from the Crime Writer's Association and Malice Domestic "The traditional British cozy is alive and well. Delicious. I was hooked from the first paragraph."—Rhys Bowen, award-winning author of Her Royal Spyness "Death of a Cozy Writer is a romp, a classic tale of family dysfunction in a moody and often humourous English country house setting."—Louise Penny, author of the award-winning Armand Gamache series of murder mysteries "The connections made by St. Just are nothing short of Sherlock Holmes at his most coherent. A most excellent first mystery!"—Midwest Book Review




Death by a Thousand Cuts


Book Description

In Beijing in 1904, multiple murderer Wang Weiqin became one of the last to suffer the extreme punishment known as lingchi, called by Western observers “death by a thousand cuts.” This is the first book to explore the history, iconography, and legal contexts of Chinese tortures and executions from the 10th century until lingchi’s abolition in 1905.




When Death Takes Something from You Give It Back


Book Description

'Extraordinary. It is about death, but I can think of few books which have such life. It shows us what love is.' Max Porter, author of Grief is the Thing With Feathers and Lanny 'There is no one quite like Naja Marie Aidt' Valeria Luiselli 'Devastating, angry, challenging, fragmented and filled with the beautiful hope that the love we have for people continues into the world even after they're gone.' Culturefly 'Fragmented, poetic, informative and truthful, Aidt faces the greatest loss we can ever know with all the force of great elegy writers like Anne Carson and Denise Riley. Essential.' Polly Clark, author of Larchfield and Tiger _______ "I raise my glass to my eldest son. His pregnant wife and daughter are sleeping above us. Outside, the March evening is cold and clear. 'To life!' I say as the glasses clink with a delicate and pleasing sound. My mother says something to the dog. Then the phone rings. We don't answer it. Who could be calling so late on a Saturday evening?" In March 2015, Naja Marie Aidt's 25-year-old son, Carl, died in a tragic accident. When Death Takes Something From You Give It Back is about losing a child. It is about formulating a vocabulary to express the deepest kind of pain. And it's about finding a way to write about a reality invaded by grief, lessened by loss. Faced with the sudden emptiness of language, Naja finds solace in the anguish of Joan Didion, Nick Cave, C.S. Lewis, Mallarmé, Plato and other writers who have suffered the deadening impact of loss. Their torment suffuses with her own as Naja wrestles with words and contests their capacity to speak for the depths of her sorrow. This palimpsest of mourning enables Naja to turn over the pathetic, precious transience of existence and articulates her greatest fear: to forget. The insistent compulsion to reconstruct the harrowing aftermath of Carl's death keeps him painfully present, while fragmented memories, journal entries and poetry inch her closer to piecing Carl's life together. Intensely moving and quietly devastating, this is what is it to be a family, what it is to love and lose, and what it is to treasure life in spite of death's indomitable resolve.




Death, Taxes, and a French Manicure


Book Description

Tara Holloway has got your number. A special agent on the IRS's payroll, she's dead-set on making sure that money crimes don't pay... Tax cheats, beware: The Treasury Department's Criminal Investigations Division has a new special agent on its payroll. A recovering tomboy with a head for numbers, Tara's fast becoming the Annie Oakley of the IRS—kicking ass, taking social security numbers, and keeping the world safe for honest taxpayers. Or else. Tara's latest mission finds her in hot pursuit of ice-cream vendor Joseph "Joe Cool" Cullen. Along with frozen treats he's selling narcotics—and failing to report his ill-gotten gains on his tax returns. Over Tara's dead body. Then there's Michael Gryder, who appears to be operating a Ponzi scheme...with banker Stan Shelton...whose lake house is being landscaped by Brett Ellington...who happens to be dating Tara. If following that money trail isn't tough enough, now Tara must face a new conundrum: Should she invest her trust in Brett—or put him behind bars? New love always comes at a cost but justice? Priceless.