Decisions of the United States Courts Involving Copyright, 1967-1968
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Page : 891 pages
File Size : 46,15 MB
Release : 1970
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Page : 891 pages
File Size : 46,15 MB
Release : 1970
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Author : Library of Congress. Copyright Office
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Page : 632 pages
File Size : 49,23 MB
Release : 1918
Category : Copyright
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Author : Library of Congress. Copyright Office
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Page : 346 pages
File Size : 23,93 MB
Release : 1946
Category : Copyright
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Author : Benjamin W. Rudd
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Page : 1148 pages
File Size : 20,34 MB
Release : 1976
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Page : 1422 pages
File Size : 50,98 MB
Release : 1988
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Page : 1250 pages
File Size : 46,7 MB
Release : 1970
Category : Government publications
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Page : 712 pages
File Size : 20,81 MB
Release : 1993
Category : Law
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Author : United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, Civil Liberties, and the Administration of Justice
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Page : 796 pages
File Size : 33,93 MB
Release : 1980
Category : Cable television
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Author : United States. Court of Claims
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Page : 744 pages
File Size : 35,13 MB
Release : 1978
Category : Law reports, digests, etc
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Author : Barry Kernfeld
Publisher : Scarecrow Press
Page : 174 pages
File Size : 38,98 MB
Release : 2006-08-24
Category : Music
ISBN : 146170202X
Fake books—anthologies of songs notated in a musical shorthand—have been used by countless pop and jazz musicians in both professional and amateur settings for more than half a century. The Story of Fake Books: Bootlegging Songs to Musicians traces the entertaining and previously unknown account of the origins of pop song fake books, which evolved through the bootlegging of a now obscure musical subscription service, the Tune-Dex. The book follows the history of fake books through their increased popularity among musicians to their prosecution by the government and the music industry, resulting in America's first full-blown federal trial for criminal copyright infringement. Through accounts given by jazz musicians Steve Swallow and Pat Metheny, The Story of Fake Books also reveals the definitive history of the most popular fake book, one that has acquired a legendary status among jazz musicians: an anthology of jazz tunes called The Real Book. Drawing from information in FBI files, entertainment trade papers, and federal court records, author Barry Kernfeld presents pioneering research, which brings together aspects of pop music history and copyright law to disclose this predecessor of current-day battles over pop song piracy.