Deerdancer


Book Description

For centuries, shamanic men and women have engaged in shapeshifting rituals - the powerful process of taking on the physical or psychological aspect of an animal to access its strength and perceptions. The imagery of shifting between human and nonhuman form has strongly pervaded folklore, myth, legend, and superstition - from the selkie (or seal shifter) of Celtic myth to bear-human love matches in Native American folklore. In chapters on the buffalo, cat, bird, bear, dragon, frog, and more, Michele Jamal explores the qualities associated with various shapeshifter forms. In her own lyrical style, she retells myths from around the world, and ends each chapter with a poetic and sensual visualization that takes the reader into the heart of each animal's power. Deerdancer shows how to use shapeshifting ritual to find direction, strength, and insight - it will forever transform the way one views other living creatures and the self.




Deer Dancer


Book Description

A girl who is in a woodland clearing to practice dancing spies a deer and observes how it leaps and turns.




Deer Dancer


Book Description

In this mesmerizing picture book from the author of the New York Times bestselling Stars, a young ballerina finds dancing inspiration in the natural world. There’s a place I go that’s green and grass, a place I thought that no one knew— until the deer came. This gorgeous picture book from celebrated author Mary Lyn Ray features luminous and evocative art from Lauren Stringer and will capture the hearts of young dancers everywhere.




The Deer Dancer


Book Description

After leaving his Yaqui pueblo in search of the father he never knew, Juan Araiza, a young Indian boy in Mexico, fights his way out of poverty to a job in the federal government and finds his heart leading him into the fight for Indian rights.




By Means of Performance


Book Description

The field of performance studies embraces performance behaviour of all kinds and in all contexts, from everyday life to high ceremony. This volume investigates a wide range of performance behaviour - dance, ritual, conflict situation, sports, storytelling and display behaviour - in a variety of circumstances and cultures. It considers such issues as the relationship between training and the finished performance; whether performance behaviour is universal or culturally specific; and the relationships between ritual aesthetics, popular entertainment and religion, and sports and theatre and dance. The volume brings together essays from leading anthropologists, artists and performance theorists to provide a definitive introduction to the burgeoning field of performance studies. It will be of value to scholars, teachers and students of anthropology, theatre, folklore, semiotics and performance studies.




The Body of Myth


Book Description

Long ago the ancestors of the Greeks, Romans, and Hindus were one people living on the Eurasian steppes. At the core of their religion was the "shamanic trance," a natural state but one in which consciousness achieves a profound level of inner awareness. Over the course of millennia, the Indo-Europeans divided and migrated into Europe and the Indian subcontinent. The knowledge of shamanic trance retreated from everyday awareness and was carried on in the form of myths and distilled into spiritual practices--most notably in the Indian tradition of yoga. J. Nigro Sansonese compares the myths of Greece as well as those of the Judeo-Christian tradition with the yogic practices of India and concludes that myths are esoteric descriptions of what occurs within the human body, especially the human nervous system, during trance. In this light, the myths provide a detailed map of the shamanic state of consciousness that is our natural heritage. This book carries on from the works of Carl Jung and Joseph Campbell to show how the portrayal of consciousness embodied in myth can be extended to a reappraisal of the laws of physics; before they are descriptions of the world, these laws--like myths--are descriptions of the human nervous system.




OH, WILD WEST!


Book Description

“Midway through Water & Power comes a scene so perfectly written, so chilling and yet so hilarious [it] encapsulates all the anger and social criticism fueling [the play], beginning with the agonizing realization (also central to Culture Clash’s smash Chavez Ravine) that the fates of the L.A. many are held in the hands of the often capricious and heartless few.”—Variety For Zorro in Hell: “The funniest show the Bay Area comedy troupe has ever written. Culture Clash uses the story [of Zorro] as a starting point for a devastatingly hilarious satire of just about everything Californians hold dear.”—Contra Costa Times In this trio of plays, Culture Clash rewrites California’s past in the performance troupe’s own irreverent comic style, interweaving pop culture with their home state’s local history. In Chavez Ravine, called “a hell-raising home run” by Variety, they cover the land grab that uprooted an entire community and built Dodger Stadium. In Water & Power, the topic is the assimilation of Latinos and their rise to political influence. And in Zorro in Hell, Culture Clash re-imagines early California through the eyes of the original masked man. Culture Clash is Richard Montoya, Ric Salinas, and Herbert Siguenza. Founded in San Francisco’s Mission District on Cinco de Mayo in 1984, they have become the most prominent Chicano/Latino performance troupe in the United States. Their work ranges from sketch comedy to full-length plays and adaptations of Greek classics, and has been produced at universities and theaters throughout the country.




Yaqui Indigeneity


Book Description

Examines representations of the transborder Yaqui people as interpreted through the writing of Spanish, Mexican, and Chicana/o authors--Provided by publisher.




Translating Cultures in Search of Human Universals


Book Description

Informed by the anthropological research of Professor Donald E. Brown on human universals, this book compiles 10 articles exploring the representation of common human cultural practices and concerns in literature, cinema and language. The book as a whole demonstrates not only that Brown’s human universals are shared by different cultures, but most importantly that they have the potential to form a basis for inter- and intra-cultural communication and consolidation, bridging gaps of misinformation and miscommunication, both spatial and temporal. The contributors are Egyptian scholars who cross temporal and spatial boundaries and borders from Africa and the Middle East to Asia, Europe and the Americas, and dive deep into the heart of the shared human universals of myth, folklore and rituals, dreams, trauma, cultural beliefs, search for identity, language, translation and communication. They bring their own unique perspectives to the investigation of how shared human practices and concerns seep through the porous boundaries of different cultures and into a variety of creative and practical genres of fiction, drama, autobiography, cinema and media translation. Their research is interdisciplinary, informed by anthropological, social, psychological, linguistic and cultural theory, and thus offers a multi-faceted and multi-layered view of the human experience.




How to Stop Believing in Hell


Book Description

This story teller solves the mind/body problem and escapes the fear of Hell