Defining the Horrific


Book Description

This collection of readings examines how genocide and holocaust have defined the twentieth century. The overall discussion is global in perspective, examining incidents of the horrific in Europe, Asia, Africa, and the Americas. Contains readings by scholars such as Anne Applebaum, Ward Churchill, Steven Katz, Robert Melson, Michael Parenti, Erna Paris, Samantha Power, R.J. Rummel, Edward Said, and Howard Zinn.




Genocide


Book Description

An invaluable introduction to the subject of genocide, explaining its history from pre-modern times to the present day, with a wide variety of case studies. Recent events in the former Yugoslavia, Rwanda, East Timor and Iraq have demonstrated with appalling clarity that the threat of genocide is still a major issue within world politics. The book examines the differing interpretations of genocide from psychology, sociology, anthropology and political science and analyzes the influence of race, ethnicity, nationalism and gender on genocides. In the final section, the author examines how we punish those responsible for waging genocide and how the international community can prevent further bloodshed.




Defining Faith


Book Description

Defining Faith is the second memoir of a series depicting the true story of a woman’s personal, spiritual and literal prison. With nearly 2.2 million people suffering behind bars in America today, and that number multiplied of their families and loved ones; Defining Faith is the continued genuine and heartfelt account of the author’s search for truth, hope and promise of a devoted God while incarcerated within a Women’s State Prison. Often compared as the Christian version of “Orange Is the New Black” (Random House Publishing, 2008); detailed and graphic accounts of hard-core prison life are portrayed; while the pain, suffering and fear is far outweighed by the comfort, love and faithfulness of a loving Father.




Dark Thoughts


Book Description

Is horror a fundamentally nihilistic genre? Why are those of us who enjoy horror films so attracted to watching things on screen that in real life we would almost certainly find repellent? Do monster movies have a deleterious moral effect on their viewers? In seeking to answer such questions, as well as a host of related ones, Dark Thoughts reveals that our fascination with horror cinema, and the pleasure we take in it, is in the end simply a natural extension of a philosopher's inclination to wonder. This is a collection of highly engaging and provocative essays by top scholars in the increasingly interrelated fields of Philosophy, Film Studies, and Communication Arts that deal with the epistemology, aesthetics, ethics, metaphysics, and genre dynamics of horror cinema past and present. Contributors include Curtis Bowman, No l Carroll, Elizabeth Cowie, Angela Curran, Cynthia Freeland, Michael Grant, Matt Hills, Deborah Knight, George McKnight, Ken Mogg, Aaron Smuts, Robert C. Solomon, and J.P. Telotte. Over the past several years, one of the hottest topics in the realm of philosophical aesthetics has been cinematic horror. The emotional effects it has on audiences, the mysterious metaphysics of its impossible beings, the controversial ethics of its violent contents-these are just a few of the concerns to have drawn the attention of scholars and students alike. . .not to mention the genre's legions of fans. Since the publication of No l Carroll's groundbreaking study, The Philosophy of Horror; or, Paradoxes of the Heart (1990), and including most recently Cynthia Freeland's The Naked and the Undead: Evil and the Appeal of Horror (2000), a plethora of articles have been authored by seemingly normal philosophers about the decidedly abnormal activities of the antagonists of fright flicks.




Defining Dulcie


Book Description

From a debut author comes a story of finding oneself in a place all too familiar. After Dulcie Morrigan Jones's dad dies, her mom decides they need to find a new life in California. But Dulcie doesn't understand what's wrong with her old life back in Newbury, Connecticut. So she heads across country and back home in her father's red 1968 Chevy pickup truck. When she arrives, she meets Roxanne, a girl whose home life makes Dulcie see that her own situation may not be all that bad after all. And as the summer comes to an end, Dulcie realizes that maybe it's necessary to leave a place in order to come back and find out who you really are.




Defining America in the Radical 1760s


Book Description

The 1760s were a period of great agitation in the American colonies. The policies implemented by the British resulted in an outcry from the Americans that inaugurated the radical ideas leading to the Revolution in 1775. John Dickinson led the way in the "war of ink" between America and Britain, which saw over 1,000 pamphlets and essays written both for and against British policy. King George III, the new British monarch, wrote extensively on the role of Britain in the colonial world and sought to find a middle way between the quickly rising feelings on both sides of the debate. This book tells the story of this radical decade as it occurred in writing, drawing from primary sources and rarely seen exchanges.




Horror Film Aesthetics


Book Description

This richly informed study analyzes how various cinematic tools and techniques have been used to create horror on screen--the aesthetic elements, sometimes not consciously noticed, that help to unnerve, frighten, shock or entertain an audience. The first two chapters define the genre and describe the use of pragmatic aesthetics (when filmmakers put technical and budgetary compromises to artistic effect). Subsequent chapters cover mise-en-scene, framing, photography, lighting, editing and sound, and a final chapter is devoted to the aesthetic appeals of horror cinema. Instructors considering this book for use in a course may request an examination copy here.




The Shifting Definitions of Genre


Book Description

Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic work within the genre--yet the term "science fiction" had not been invented at the time of the film's release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time? These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied. Part One examines the meanings of genre and reveals how the media is involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre.




Defining Torture


Book Description

"This monograph is a sweeping survey of the legal definition of torture under domestic and international law. Although virtually all nations condemn torture, ambiguity about what conduct amounts to torture creates space that governments can exploit to engage in harsh, cruel methods of interrogation. For this reason, the paper argues, it is important to develop a clear and uniform definition of torture."--Publisher website.




The Oxford Handbook of Traumatic Stress Disorders


Book Description

"In the second edition of this handbook, experts on traumatic stress have contributed chapters on topics spanning classification, epidemiology and special populations, theory, assessment, prevention/early intervention, treatment, and dissemination and treatment. This expanded, updated volume contains 39 chapters which provide research updates, along with highlighting areas that need continued clarification through additional research. The handbook provides a valuable resource for clinicians and investigators with interest in traumatic stress disorders"--