Frederick Delius


Book Description

First published in 1998, Carley collates twelve essays by an international group of contributors reflects the truly cosmopolitan nature of Delius's life and his music. They reveal the manner in which he absorbed the culture of the nations he came to know, their music, art and literature, and the influences they brought to bare on his own work. Also discussed are some of the often mixed, but rarely equivocal reactions that performances of his music have reactions over the years, with Lionel Carley's in-depth study of the first production of Foleraadet in 1897, and a wide ranging analysis by Don Gillespie and Robert Beckhard of the critical reception of Delius's music in the United States between 1909 and 1920.




Delius and the Sound of Place


Book Description

Few composers have responded as powerfully to place as Frederick Delius (1862–1934). Born in Yorkshire, Delius resided in the United States, Germany, and Scandinavia before settling in France, where he spent the majority of his professional career. This book examines the role of place in selected works, including 'On Hearing the First Cuckoo in Spring', Appalachia, and The Song of the High Hills, reading place as a creative and historically mediated category in his music. Drawing on archival sources, contemporary art, and literature, and more recent writing in cultural geography and the philosophy of place, this is a new interpretation of Delius' work, and he emerges as one of the most original and compelling voices in early twentieth-century music. As the popularity of his music grows, this book challenges the idea of Delius as a large-scale rhapsodic composer, and reveals a richer and more productive relationship between place and music.




Delius and Norway


Book Description

Frontcover -- Contents -- List of illustrations and tables -- Preface -- Abbreviations -- Selected glossary of landscape terms used in place names -- 1 Norway's awakening -- 2 1862-1888: Bradford, Florida and Leipzig -- 3 1888-1889: With Grieg on the heights -- 4 1890-1891: 'C'est de la Norderie' -- 5 1892-1895: Norway lost -- 6 1896: Norway regained -- 7 1897: Front page news -- 8 1898-1902: Unshakeable self-belief -- 9 1903-1907: Breakthrough in Germany and England -- 10 1908-1912: Changes of direction -- 11 1912-1918: High hills, dark forests -- 12 1919-1934: Myth and reality in Lesjaskog -- Appendix I: List of visits to Norway -- Appendix II: Works with Norwegian and Danish texts and associations -- Selected bibliography and archival sources -- Index




Delius as I Knew Him


Book Description

An intimate portrait of Delius by the man who notated many of the disabled composer's last works. Includes 33 musical examples.




Delius and His Music


Book Description

"There are many biographies and articles about the life of Frederick Delius (1862-1934), but there has never been a comprehensive book about his music until now. He was an extraordinarily versatiles composer, equally at home with orchestral, instrumental, and chamber works as with choral works and songs; and Delius and his Music covers his entire output. Everything he published, from his earliest compositions and 'trifiles' to the mighty, ninety-minute A Mass of Life, is analysed here in nontechnical language. The history and background of each work and its critical reception are also examined, set within a biography, and against a backdrop of the English musical scene and some of its personalities during the seventy years of Delius's life. There are numerous musical examples and many quotations from contemporary newspapers and journals, as well as a complete list of Delius's works, with catalogue numbers, and a select bibliography. This book will appeal not only to students and Delian scholars, but also to everyone who already has an interest in Delius's unique music, or who would like to discover it for the first time"--Jaquette.




The Grieg and Schumann piano concertos


Book Description

Two of the great nineteenth-century Romantics, Robert Schumann and Edvard Grieg, each composed only one piano concerto. These world-famous works are cornerstones of the concerto literature and considered among the most popular and accessible piano concertos in the repertory. Both works are paired in this finely made, inexpensive two-piano edition. This side-by-side presentation clarifies the close relationship between the two works. In his concerto, completed in 1868, Grieg gave Schumann the ultimate tribute, patterning his music on the Schumann concerto completed two decades earlier. Both are in A Minor. Both introduce the soloist immediately, in a dazzling outburst from top to bottom of the keyboard. Principal themes are unusually alike, as are episodes of tender simplicity and dramatic intensity. Both works are presented here in authoritative two piano playing editions. This classic format for two keyboards is the universal standard for students and professionals alike, for learning and rehearsing all piano concertos. It gives the pianist the most accessible form and practical means to prepare a work for performance. Dover adds to this practicality the convenience and economy of two major concertos within a single volume.




The Music of Frederick Delius


Book Description

This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice.




Portrait of the Mother as a Young Woman


Book Description

In Rome one January afternoon in 1943, a young German woman is on her way to listen to a Bach concert at the Lutheran church. The war is for her little more than a daydream, until she realizes that her husband might never return. Portrait of the Mother as a Young Woman, winner of the prestigious Georg Büchner prize, is a mesmerizing psychological portrait of the human need to safeguard innocence and integrity at any cost—even at the risk of excluding reality. More than just the story of this single woman, it is a compelling and credible description of a typical young German woman during the Nazi era.




The Land Belongs to Us


Book Description

This book covers the decades spanning two fundamental refashionings of the relations of power in South Africa: the upheavals of the difaqane in the 1820s, and the aggressive British imperialism of the 1870s.




Blackness in Opera


Book Description

Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.