The Mimbres


Book Description

This reissue of three early essays on Mimbres archaeology and design fills a major gap in the literature on the Mimbres, whose pottery has long fascinated students of the prehistoric Southwest. Fewkes, one of the eminent archaeologists of the early twentieth century, introduced Mimbres art to scholars when he published these essays with the Smithsonian Institution between 1914 and 1924, under the titlesArchaeology of the Lower Mimbres Valley, New Mexico, Designs on Prehistoric Pottery from the Mimbres Valley, New Mexico,andAdditional Designs on Prehistoric Mimbres Pottery.Long out-of-print, these essays represent the first analysis and description of the complex abstract and representational designs that continue to fascinate us 2,000 years after they were painted.




The Production and Distribution of Mimbres Pottery


Book Description

The famous and highly sought-after Mimbres painted pottery in southwestern New Mexico continues to fascinate people today as much as it did when it first became known more than a century ago. Despite several publications promoting Mimbres archaeology and innumerable analyses of style, dating, iconography, meaning, identity, use wear, and trade and travel implications, however, there had been little interest in the actual production of Mimbres pottery. This changed with the professional investigations of the 1970s when petrographic analysis began, and then again, in the late 1980s and 1990s, when Instrumental Neutron Activation Analysis (INAA) was first employed in the study of Mimbres pottery production and distribution. The Production and Distribution of Mimbres Pottery assesses a much-expanded INAA data set and presents a new and more-informed interpretation of ceramic production and distribution in the Mimbres region. The results should guide future research in the region and will also serve as an example of how INAA data can help students and scholars understand many other interrelated aspects of prehistoric Mimbres society in addition to Mimbres pottery production.




New Perspectives on Mimbres Archaeology


Book Description

In the early 1970s, understanding of the Mimbres region as a whole was in its infancy. In the following decades, thanks to dedicated work by enterprising archaeologists and nonprofit organizations, our understanding of the Mimbres region has become more complex, nuanced, and rich. New Perspectives on Mimbres Archaeology brings together these experts in a single volume for the first time. The contributors discuss current knowledge of the people who lived in the Mimbres region of the southwestern United States and how our knowledge has changed since the Mimbres Foundation, directed by Steven A. LeBlanc, began the first modern archaeological investigations in the region. Many of these authors have spent decades conducting the fieldwork that has allowed for a broader understanding of Mimbres society. Focusing on a variety of important research topics of interest to archaeologists—including the social contexts of people and communities, the role of ritual and ideology in Mimbres society, evidence of continuities and cultural change through time, and the varying impacts of external influences throughout the region—New Perspectives on Mimbres Archaeology presents recent data on and interpretations of the entire pre-Hispanic sequence of occupation. Additional contributions include a history of nonprofit archaeology by William H. Doelle and a concluding chapter by Steven A. LeBlanc reflecting on his decades-long work in Mimbres archaeology and outlining important areas for the next wave of research.




Mimbres Life and Society


Book Description

This book offers a detailed account of the archaeological excavation of one of the last possible Mimbres Classic pueblos, including photography of the painted black-on-white pottery--Provided by publisher.




Mimbres Archaeology at the NAN Ranch Ruin


Book Description

Following two decades of excavations and research at the NAN Ranch Ruin in southwestern New Mexico, Harry Shafer offers new information and interpretations of the rise and disappearance of the ancient Mimbres culture that thrived in the area from about A.D. 600 to 1140. The NAN Ranch site gives evidence of a fascinating restructuring of Mimbres culture and society, owing to the introduction of irrigation agriculture in the late ninth century. The social restructuring that accompanied this shift in technology resulted in changes that are visible in architecture, mortuary practices, and ceramic decoration. The NAN Ranch ruin has yielded the largest body of evidence ever gathered at a single Mimbres site and thus offers the clearest picture to date of who the ancient Mimbreños were in relation to their Anasazi and Hohokam neighbors to the north and east. Shafer introduces us to the Mimbres people, gives a history of archaeological research in the Mimbres Valley, and traces the occupation of the NAN Ranch site from pithouses to classic pueblo to abandonment. Social customs, subsistence, biological information, and the symbolism of the distinctive Mimbres designs in their ceramics, pottery, stone artifacts, textiles, and jewelry are all addressed in this comprehensive survey.




Ancient Communities in the Mimbres Valley


Book Description

"Spanning from the end of the Classic Mimbres period to the Black Mountain phase, this volume contains the final report on the excavations of the Mimbres Foundation. The authors consider the nature of the relationship between the Classic Mimbres period population of the valley and the people of the succeeding Black Mountain phase, as well as relationships among the Black Mountain phase people and those of neighboring parts of the region"--




The Ceramist


Book Description




The Swarts Ruin


Book Description

This classic volume on the evocative and enigmatic pottery of the Mimbres people has become an irreplaceable design catalogue for contemporary Native American artists. The Peabody’s reissue of The Swarts Ruin once again makes available a rich resource for scholars, artists, and admirers of Native American art.