The Annenberg Collection


Book Description

The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.







The New Laokoon


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Rubens Drawings


Book Description

A generous selection of Rubens' best drawings, chiefly portraits and religious and mythical scenes, that fully reveal his supreme artistic gifts. Publisher's note.







The Acharnians


Book Description

Writing at the time of political and social crisis in Athens, Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta.




The Songs of Bilitis


Book Description




Alderdene


Book Description




Gamiani, Or Two Nights of Excess


Book Description

Modeled after George Sand, this work gives us a young man observing Gamiani and a young girl, obligingly named Fanny, engaged in their lesbian bed. Having watched them and provoked by their gay abandonment, he reveals himself, joins them, and they spend the night alternately sharing their intimate histories and their bodies in orgies of almost religious intensity. The stories they tell include the rape of one in a monastery and the nearly fatal debauchment of another in a convent, as well as encounters with a number of animals. Author Edith Wharton had an unpublished work based on this text.