Dessins, Estampes
Author : Tadamasa Hayashi
Publisher :
Page : 528 pages
File Size : 33,30 MB
Release : 1902
Category : Engraving
ISBN :
Author : Tadamasa Hayashi
Publisher :
Page : 528 pages
File Size : 33,30 MB
Release : 1902
Category : Engraving
ISBN :
Author : Anonymous
Publisher : BoD – Books on Demand
Page : 106 pages
File Size : 29,6 MB
Release : 2024-01-05
Category : Fiction
ISBN : 3385304687
Reprint of the original, first published in 1883.
Author : Johns Hopkins University. Peabody Institute. Library
Publisher :
Page : 620 pages
File Size : 45,26 MB
Release : 1897
Category : Catalogs, Dictionary
ISBN :
Author : Ann Dumas
Publisher : Metropolitan Museum of Art
Page : 370 pages
File Size : 13,65 MB
Release : 1997
Category : Art
ISBN : 0870997971
This volume investigates Degas' dual role as both artist and collector. Featuring works by well-known artists like Delacroix, Ingres, Daumier, Manet, Cézanne, Gauguin, Van Gogh, Cassatt, and others, this publication is the definitive text outlining Degas' long career collecting important pieces by his predecessors as well as his contemporaries. -- Metropolitan Museum of Art website.
Author : Bernard Quaritch (Firm)
Publisher :
Page : 1028 pages
File Size : 36,39 MB
Release : 1907
Category : Antiquarian booksellers
ISBN :
Author : Anderson Galleries, Inc
Publisher :
Page : 852 pages
File Size : 21,80 MB
Release : 1909
Category : Art
ISBN :
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1662 pages
File Size : 19,31 MB
Release : 1922
Category :
ISBN :
Author : Catherine Eleanor Clark
Publisher : Oxford University Press
Page : 329 pages
File Size : 47,62 MB
Release : 2018
Category : Art
ISBN : 0190681640
Paris and the Cliché of History traces the changing historical meanings of photographs of this city during a century marked by urban renovation, war, occupation, liberation, and visual documentation. Challenging the idea that photographs merely document the past, it calls for new methods of reading photos as material objects with histories of their own and sheds insight on the capital's reduction to an image in the twentieth century.
Author : Stijn Alsteens
Publisher : Yale University Press
Page : 321 pages
File Size : 38,69 MB
Release : 2016-01-01
Category : Art
ISBN : 0300212054
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.
Author : Federica Goffi
Publisher : Taylor & Francis
Page : 869 pages
File Size : 40,98 MB
Release : 2022-05-30
Category : Architecture
ISBN : 100055032X
Architectural drawings and models are instruments of imagination, communication, and historical continuity. The role of drawings and models, and their ownership, placement, and authorship in a ubiquitous digital age deserve careful consideration. Expanding on the well-established discussion of the translation from drawings to buildings, this book fills a lacuna in current scholarship, questioning the significance of the lives of drawings and models after construction. Including emerging, well-known, and world-renowned scholars in the fields of architectural history and theory and curatorial practices, the thirty-five contributions define recent research in four key areas: drawing sites/sites of knowledge construction: drawing, office, construction site; the afterlife of drawings and models: archiving, collecting, displaying, and exhibiting; tools of making: architectural representations and their apparatus over time; and the ethical responsibilities of collecting and archiving: authorship, ownership, copyrights, and rights to copy. The research covers a wide range of geographies and delves into the practices of such architects as Sir John Soane, Superstudio, Eugène-Emmanuel Viollet-le-Duc, Frank Lloyd Wright, Wajiro Kon, Germán Samper Gnecco, A+PS, Mies van der Rohe, and Renzo Piano.