Cyclopedia of Painters and Paintings
Author : John Denison Champlin
Publisher :
Page : 448 pages
File Size : 39,43 MB
Release : 1887
Category : Painters
ISBN :
Author : John Denison Champlin
Publisher :
Page : 448 pages
File Size : 39,43 MB
Release : 1887
Category : Painters
ISBN :
Author : Egbert Haverkamp Begemann (Kunsthistoriker)
Publisher : Metropolitan Museum of Art
Page : 490 pages
File Size : 45,41 MB
Release : 1999
Category : Art
ISBN : 0870999184
"Early European art was a consuming interest of both Robert Lehman and his father, Philip Lehman, an interest reflected in the remarkable number and quality of drawings they owned from the fifteenth and early sixteenth centuries. In addition to an important group of early German drawings, the collection includes a "Saint Paul" from a series associated with Jan van Eyck and the famous "Scupstoel" from the circle of Rogier van der Weyden, the only design for a decorative sculpture to survive from the fifteenth century. The great artists of the seventeenth century, Peter Paul Rubens, Jacob Jordaens, Claude Lorrain, and Rembrandt among them, are also represented, Rembrandt by seven drawings, including the large study of Leonardo's "Last Supper" that would stay in his mind all through his career. Drawings by Antoine Watteau, Jean-Honoré Fragonard, Gabriel de Saint-Aubin, Thomas Gainsborough, Paul Sandby, and George Romney are among the many from eighteenth-century France and England. The volume discusses all 153 drawings at length, placing each in its art historical setting and complementing the discussion with comparative illustrations of related works." This e-book on the MetPublications website is also accompanied by links to related works and under the "Additional resources"tab are links to Met works of art and Heilbrunn Timeline of Art History essays and timelines (viewed May 1, 2014).
Author : Mark Jones
Publisher :
Page : 208 pages
File Size : 40,96 MB
Release : 1979
Category : Antiques & Collectibles
ISBN :
Author : Peter C. Sutton
Publisher : University of Pennsylvania Press
Page : 588 pages
File Size : 39,18 MB
Release : 1987
Category : Art
ISBN :
Author : Robert L. Herbert
Publisher : Yale University Press
Page : 348 pages
File Size : 43,24 MB
Release : 1988-01-01
Category : Art
ISBN : 0300050836
Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings
Author : E. de Jongh
Publisher :
Page : 244 pages
File Size : 19,84 MB
Release : 1982
Category : Painters
ISBN :
Author : Ann Bermingham
Publisher : Univ of California Press
Page : 288 pages
File Size : 37,24 MB
Release : 1986
Category : Architecture
ISBN : 9780520066236
In this interdisciplinary study, Ann Bermingham explores the complex, ambiguous, and often contradictory relationship between English landscape painting and the socio-economic changes that accompanied enclosure and the Industrial Revolution.
Author : Christopher White
Publisher :
Page : 160 pages
File Size : 14,45 MB
Release : 1964
Category : Painters
ISBN :
Author : E. John Walford
Publisher :
Page : 243 pages
File Size : 46,16 MB
Release : 1991
Category : Art, Dutch
ISBN : 9780300049947
Jacob van Ruisdael is widely acknowledged as one of the great Dutch landscape artists of the 17th century. This major study aims to provide a comprehensive overview of the artist's work and critical reception.
Author : Lawrence Otto Goedde
Publisher : Penn State University Press
Page : 288 pages
File Size : 43,11 MB
Release : 1989
Category : Art
ISBN :
This innovative study is the first to analyze systematically an important category of Netherlandish seascape--the storm at sea. It addresses the fundamental issues of meaning and purpose that such pictures pose for students of Dutch landscape and, indeed, of all Dutch realism. Bringing together a vast body of imagery and texts never before assembled, Goedde places this imagery within historical and cultural contexts that permit us to enter into the ideas, values, and metaphorical associations that such pictures held for seventeenth-century viewers. He amplifies this iconographic study with a meticulous and subtle analysis of narrative incident and expressive form that, while respecting the naturalism of the art, reveals its surprisingly conventional and rhetorical character. In particular Goedde links the meaning of Dutch tempest paintings with a rhetorical tradition in Dutch literature. Through his analysis he is able to offer fresh insights not only into these seascapes but into the interpretation of all pre-Romantic landscapes as well. This book is addressed at once to specialists in Dutch art and to a broad group of art historians and scholars concerned with cultural history and the relation of literature to art. It offers a survey of the tempest in art and literature from antiquity to the modern era in order to define the conventional elements of Dutch painting and writing on this theme. An exceptional feature of this study is the author's analysis of the ways conventions encode meaning in both literary and pictorial representations. Explicating these conventional structures and themes in terms of the cosmology of correspondences and of elemental love and strife, Goedde's discussion both encourages and controls metaphorical interpretation of stormscapes. This study also offers an essential historical background to anyone concerned with the picturesque, sublimity, and Romanticism in eighteenth- and nineteenth-century culture because of the importance of the themes of storm and shipwreck in the later period.