Library Catalog of the Metropolitan Museum of Art, New York
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1054 pages
File Size : 14,79 MB
Release : 1960
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1054 pages
File Size : 14,79 MB
Release : 1960
Category : Art
ISBN :
Author :
Publisher :
Page : 312 pages
File Size : 32,71 MB
Release : 1969
Category : Art
ISBN :
Author : Maggs Bros
Publisher :
Page : 304 pages
File Size : 29,30 MB
Release : 1910
Category : Booksellers' catalogs
ISBN :
Author : Bernard Quaritch (Firm)
Publisher :
Page : 1044 pages
File Size : 24,2 MB
Release : 1911
Category : Antiquarian booksellers
ISBN :
Author : Caroline Weber
Publisher : Vintage
Page : 754 pages
File Size : 20,32 MB
Release : 2019-11-26
Category : History
ISBN : 0345803124
From the author of the acclaimed Queen of Fashion--a brilliant look at the glittering world of turn-of-the-century Paris through the first in-depth study of the three women Proust used to create his supreme fictional character, the Duchesse de Guermantes. Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style." All well but unhappily married, these women sought freedom and fulfillment by reinventing themselves, between the 1870s and 1890s, as icons. At their fabled salons, they inspired the creativity of several generations of writers, visual artists, composers, designers, and journalists. Against a rich historical backdrop, Weber takes the reader into these women's daily lives of masked balls, hunts, dinners, court visits, nights at the opera or theater. But we see as well the loneliness, rigid social rules, and loveless, arranged marriages that constricted these women's lives. Proust, as a twenty-year-old law student in 1892, would worship them from afar, and later meet them and create his celebrated composite character for The Remembrance of Things Past.
Author : James Ludovic Lindsay Earl of Crawford
Publisher :
Page : 1378 pages
File Size : 14,33 MB
Release : 1910
Category : Bibliography
ISBN :
Author : Anderson Galleries, Inc
Publisher :
Page : 470 pages
File Size : 34,3 MB
Release : 1910
Category : Art
ISBN :
Author : Warburg Institute. Library
Publisher :
Page : 770 pages
File Size : 24,41 MB
Release : 1967
Category : Library catalogs
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1060 pages
File Size : 46,57 MB
Release : 1960
Category : Art
ISBN :
Author : Monica Preti
Publisher : Routledge
Page : 324 pages
File Size : 23,53 MB
Release : 2017-07-05
Category : Art
ISBN : 1351569910
The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.