Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author : Harvard University. Fine Arts Library
Publisher :
Page : 642 pages
File Size : 13,16 MB
Release : 1976
Category : Art
ISBN :
Author : Harvard University. Fine Arts Library
Publisher :
Page : 642 pages
File Size : 13,16 MB
Release : 1976
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1060 pages
File Size : 36,27 MB
Release : 1960
Category : Art
ISBN :
Author : New York Public Library. Art and Architecture Division
Publisher :
Page : 732 pages
File Size : 48,58 MB
Release : 1975
Category : Architecture
ISBN :
Author :
Publisher : Macmillan Reference USA
Page : 632 pages
File Size : 15,50 MB
Release : 1987
Category : Antiques & Collectibles
ISBN :
Author :
Publisher :
Page : 564 pages
File Size : 29,24 MB
Release : 1967
Category : Art
ISBN :
Author :
Publisher :
Page : 624 pages
File Size : 31,57 MB
Release : 1981
Category : Union catalogs
ISBN :
Author : Library of Congress
Publisher :
Page : 712 pages
File Size : 42,93 MB
Release : 1968
Category : Catalogs, Union
ISBN :
Author : Riva Castleman
Publisher : ABRAMS
Page : 0 pages
File Size : 50,24 MB
Release : 1997-09
Category :
ISBN : 9780810961814
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Author : Gillian Wilson
Publisher : J. Paul Getty Museum
Page : 0 pages
File Size : 28,28 MB
Release : 2021-03-30
Category : Design
ISBN : 9781606066300
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Author : Jody Blake
Publisher : Penn State Press
Page : 232 pages
File Size : 20,47 MB
Release : 1999-01-01
Category : Art
ISBN : 9780271017532
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.