Author : Michel Poizat
Publisher : Cornell University Press
Page : 252 pages
File Size : 10,45 MB
Release : 1992
Category : Music
ISBN : 9780801423888
French in 1986, is now available in Arthur Denner's fluid and sensitive English translation. Predictably, Poizat's route is not at all a conventional one. Rather than taking as his point of departure the intentions of composers and librettists, he is primarily concerned with the expectations and desires of the audience. He reports on an informal group interview with overnight standees on the Paris Opera House steps as they compare notes on how opera became an addiction.
Author : Jeffery Kite-Powell
Publisher : Indiana University Press
Page : 498 pages
File Size : 22,5 MB
Release : 2007-08-02
Category : Music
ISBN : 0253348668
Vocal/choral issues. The solo voice in the Renaissance / Ellen Hargis ; On singing and the vocal ensemble I / Alexander Blachly ; On singing and the vocal ensemble II / Alejandro Planchart ; Practical matters of vocal performance / Anthony Rooley -- Wind, string, and percussion instruments. Recorder ; Renaissance flute / Herbert Myers ; Capped double reeds : crumhorn--Kortholt--Schreierpfeif / Jeffery Kite-Powell ; Shawm and curtal / Ross Duffin ; Racket : rackett, Rankett (Ger.), cervelas (Fr.), cervello (It.) / Jeffery Kite-Powell ; Bagpipe / Adam Knight Gilbert ; Cornett / Douglas Kirk ; Sackbut / Stewart Carter -- Bowed instruments / Wendy Gillespie -- The violin / David Douglass -- Plucked instruments / Paul O'Dette -- The harp / Herbert Myers -- Early percussion / Benjamin Harms -- Keyboard instruments / Jack Ashworth -- Practical considerations/instrumentation. Proto-continuo / Jack Ashworth and Paul O'Dette ; Mixed ensembles / James Tyler ; Large ensembles / Jeffery Kite-Powell ; Rehearsal tips for directors / Adam Knight Gilbert ; Performance editions / Frederick Gable -- Performance practice. Tuning and temperament / Ross Duffin ; Pitch and transposition / Herbert Myers ; Ornamentation in sixteenth-century music / Bruce Dickey ; Pronunciation guides / Ross Duffin -- Aspects of theory. Eight brief rules for composing a si placet altus, ca. 1470-1510 / Adam Knight Gilbert ; Renaissance theory / Sarah Mead -- Introduction to Renaissance dance. Early Renaissance dance, 1450-1520 / Yvonne Kendall -- For the early music director. Starting from scratch / Jeffery Kite-Powell.
Author : William Shakespeare
Publisher : Penguin
Page : 964 pages
File Size : 48,22 MB
Release : 1994
Category : Drama
ISBN : 9780140434583
Contains Hamlet, Othello, King Lear and Macbeth.
Author : Slayer
Publisher :
Page : 0 pages
File Size : 15,21 MB
Release : 1998
Category : Heavy metal (Music)
ISBN : 9781575601434
Matching folio featuring all 11 songs, including: Bitter Peace * Stain of Mind * Perversions of Pain * and Screaming from the Sky. Plus photos and background to the album.
Author : William Shakespeare
Publisher : Penguin
Page : 356 pages
File Size : 17,31 MB
Release : 1972-01-01
Category : Drama
ISBN : 9780140707243
Powerful tragedy of an aging king, betrayed by his daughters, robbed of his kingdom, descending into madness. Perhaps the bleakest of Shakespeare's tragic dramas, complete with explanatory footnotes.
Author : Derek B. Scott
Publisher : Oxford University Press
Page : 267 pages
File Size : 45,9 MB
Release : 2003-03-27
Category : Music
ISBN : 0195343778
From the Erotic to the Demonic demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" and "low" musical styles, and the cultures that produced them.
Author : Vincent Sherry
Publisher : Oxford University Press
Page : 241 pages
File Size : 46,31 MB
Release : 1993-02-25
Category : Literary Criticism
ISBN : 0195360311
Ezra Pound and Wyndham Lewis developed a highly experimental art; they were attracted simultaneously to political programs remarkably backward in outlook--the autocracies of Fascist Italy and Germany. That paradox, central to the problematic achievement of Anglo-American modernism, is freshly addressed in this study. Here Sherry examines the influence of music and painting on literature, presents original research on European intellectual history, and proposes a new understanding of ideology as a force in the literary imagination. Following the example of continental ideologues, the English modernists use the material of aesthetic experience to prove truths of human nature, making art the basis for social values and recommendations. This sensibility enriches their work, shaping the varied textures of Pound's Cantos and the complex designs of Lewis's painting and fiction, but their mastery of avant-garde techniques endorses the authority of an antique state. Sherry returns their "totalitarian synthesis" of art and politics to its originating moment, following its trajectory from 1910 to the eve of World War II.
Author : Philip Ball
Publisher : Oxford University Press
Page : 464 pages
File Size : 29,79 MB
Release : 2010-09-02
Category : Music
ISBN : 0199780072
From Bach fugues to Indonesian gamelan, from nursery rhymes to rock, music has cast its light into every corner of human culture. But why music excites such deep passions, and how we make sense of musical sound at all, are questions that have until recently remained unanswered. Now in The Music Instinct, award-winning writer Philip Ball provides the first comprehensive, accessible survey of what is known--and still unknown--about how music works its magic, and why, as much as eating and sleeping, it seems indispensable to humanity. Deftly weaving together the latest findings in brain science with history, mathematics, and philosophy, The Music Instinct not only deepens our appreciation of the music we love, but shows that we would not be ourselves without it. The Sunday Times hailed it as "a wonderful account of why music matters," with Ball's "passion for music evident on every page."
Author : Richard Rees
Publisher :
Page : 248 pages
File Size : 48,32 MB
Release : 2020-03-15
Category :
ISBN :
To his adoring public his violin playing was divine; to Holy Church he was of The Devil. Written and published as a screenplay, Diabolus in Musica tells the story of Niccolo Paganini, the world's first "music idol" and greatest ever violinist. After 40 years filling theatres across Europe, dies in Nice, Southern France, at the age of 58, his parish priest and embittered enemy, Romolo Caferelli, refuses him a burial and Requiem Mass, claiming that his mesmeric music came from a Faustian pact he made with The Devil, not his own genius. Contested by Paganini's illegitimate son, honouring a promise demanded of him by his father when Achille was five years old, the story of Paganini's life is told through a Papal Inquiry.
Author : Alan Walker
Publisher : Cornell University Press
Page : 516 pages
File Size : 29,46 MB
Release : 1987
Category : Biography & Autobiography
ISBN : 9780801494215
The third volume in Alan Walker's magisterial biography of Franz Liszt. "You can't help but keep turning the pages, wondering how it will all turn out: and Walker's accumulated readings of Liszt's music have to be taken seriously indeed."--D. Kern Holoman, New York Review of Books "A conscientious scholar passionate about his subject. Mr. Walker makes the man and his age come to life. These three volumes will be the definitive work to which all subsequent Liszt biographies will aspire."--Harold C. Schonberg, Wall Street Journal "What distinguishes Walker from Liszt's dozens of earlier biographers is that he is equally strong on the music and the life. A formidable musicologist with a lively polemical style, he discusses the composer's works with greater understanding and clarity than any previous biographer. And whereas many have recycled the same erroneous, often damaging information, Walker has relied on his own prodigious, globe-trotting research, a project spanning twenty-five years. The result is a textured portrait of Liszt and his times without rival."--Elliot Ravetz, Time "The prose is so lively that the reader is often swept along by the narrative.... This three-part work... is now the definitive work on Liszt in English and belongs in all music collections."--Library Journal
