Discourses of Extremity


Book Description




Discourse


Book Description

This volume presents an overview of the different ways in which discourse analysis has emerged and evolved in relation to the social sciences. It focuses on a structuralist, post-structuralist and post-Marxist theory.




Literature of Revolution


Book Description

Essential essays on key Marxist writers from a leading political thinker Literature of Revolution explores the pivotal texts and topics in the Marxist tradition, drawing on the works of Marx, Trotsky, Luxemburg, Lenin, and Althusser. In close dialogue with common themes and arguments in revolutionary Marxist thought, Geras brings some of his persistent preoccupations to the fore: the relationship between Marxism and justice; the debates on political organization; and the role of revolutionary mass action and party pluralism; as well as an enthralling exploration into the literary power of Trotsky’s writing.




Extremities


Book Description

How do we come to terms with what can't be forgotten? How do we bear witness to extreme experiences that challenge the limits of language? This remarkable volume explores the emotional, political, and aesthetic dimensions of testimonies to trauma as they translate private anguish into public space. Nancy K. Miller and Jason Tougaw have assembled a collection of essays that trace the legacy of the Holocaust and subsequent events that have shaped twentieth-century history and still haunt contemporary culture. Extremities combines personal and scholarly approaches to a wide range of texts that bear witness to shocking and moving accounts of individual trauma: Toni Morrison's Beloved, Sylvia Plath's "Daddy" and "Lady Lazarus," Kathryn Harrison's The Kiss, Tatana Kellner's Holocaust art, Ruth Klüger's powerful memoir Still Alive, and Binjamin Wilkomirski's controversial narrative of concentration camp suffering Fragments. The book grapples with the cultural and social effects of historical crises, including the Montreal Massacre, the Warsaw Ghetto Uprising, and the medical catastrophes of HIV/AIDS and breast cancer. Developing insights from autobiography, psychoanalysis, feminist theory and gender studies, the authors demonstrate that testimonies of troubling and taboo subjects do more than just add to the culture of confession--they transform identities and help reimagine the boundaries of community. Extremities offers an original and timely interpretive guide to the growing field of trauma studies. The volume includes essays by Ross Chambers, Sandra M. Gilbert, Susan Gubar, Marianne Hirsch, Wayne Koestenbaum, Eve Kosofsky Sedgwick, and others.




Discourse Theory and Political Analysis


Book Description

How can recent developments in post-structuralist, post-Marxist, and psychoanalytical theory actually inform ongoing empirical research? What are the appropriate methods and research strategies for conducting research in discourse theory and analysis? How can concepts such as hegemony, identity, the imaginary, dislocation, and empty signifiers illuminate key aspects of contemporary society and politics? This pathbreaking and multi-focal book contains a clear introductory statement of the theoretical approach used, and concludes with an assessment of the future directions of discourse theory in the social sciences.










New Blood


Book Description

This book signifies innovative developments in horror cinema research, as well as the current state of the genre within the film and media industries. It is an injection of fresh insights into horror cinema scholarship. This is a book that includes academic studies from established scholars and early career researchers, as well as fans of horror cinema.




The Extreme in Contemporary Culture


Book Description

This is a study of vulnerability as a dominant cultural discourse today, especially as it manifests in ‘extreme cultures’. These are cultural practices and representations of humans in risky, painful or life-threatening conditions where the limits of their humanity are tested, and producing heightened sensations of pain and pleasure. Extreme cultures in this book signal the social ontology of humans where, in specific conditions, vulnerability becomes helplessness. We see in these cultures the exploitation of the body’s immanent vulnerability in involuntary conditions of torture or deprivation, the encounter with extreme situations where the body is rendered incapacitated from performing routine functions due to structural conditions or in a voluntary embracing of risk in sporting events wherein the body pits itself against enormous forces and conditions. The Extreme in Contemporary Culture studies vulnerability across various conditions: torture, disease, accident. It studies spaces of vulnerability and helplessness, the aesthetics and representations of vulnerability, the extreme in the everyday and, finally, the witnessing of (in)human extremes. Extreme cultures suggest shared precarity as a foundational condition of humanity. A witness culture emerges through the cultural discourse of vulnerability, the representations of the victim and/or survivor, and the accounts of witnesses. They offer, in short, an entire new way of speaking about and classifying the human.




Discourses of Desire


Book Description

In Discourses of Desire, Linda S. Kauffman looks at a neglected genre—the love letters written by literary heroines. Tracing the development of the genre from Ovid to the twentieth-century novel, Kauffman explores through provocative and incisive readings the important implications of these amatory discourses for an understanding of fictive representation in general. Among the texts Kauffman treats are Ovid's Heroides, Heloise's letters to Abelard, The Letters of a Portuguese Nun, Clarissa, Jane Eyre, The Turn of the Screw, Absalom, Absalom!, and The Three Marias: New Portuguese Letters. Drawing on the work of such theorists as Todorov, Genette, Barthes, Bakhtin, Lacan, and Derrida, Kauffman demonstrates how the codes of love shape intertextual dialogues among these works, in which each innovation in the genre is simultaneously a response to and a departure from the one preceding it. Throughout, she pays particular attention to the unsettling questions that the genre's shared thematic preoccupations and formal characteristics pose for concepts of gender, authorship, genre, and mimesis. Drawing on poststructuralism and psychoanalytic criticism to extend the boundaries of feminist theory, Kauffman makes a significant contribution to contemporary critical discussions of writing and gender, mimesis and narrative discourse, and poetics and politics. Her book, broad in its scope and far-reaching in its implications, will be valuable reading for anyone interested in feminist criticism, literary theory, and literary history.