Dislocating the Frontier


Book Description

The frontier is one of the most pervasive concepts underlying the production of national identity in Australia. Recently it has become a highly contested domain in which visions of nationhood are argued out through analysis of frontier conflict. DISLOCATING THE FRONTIER departs from this contestation and takes a critical approach to the frontier imagination in Australia. The authors of this book work with frontier theory in comparative and unsettling modes. The essays reveal diverse aspects of frontier images and dreams - as manifested in performance, decolonising domains, language, and cross-cultural encounters.




Myths of Wilderness in Contemporary Narratives


Book Description

The concept of 'wilderness' as a foundational idea for environmentalist thought has become the subject of vigorous debates. Myths of Wilderness in Contemporary Narratives offers a taxonomy of the forms that wilderness writing has taken in Australian and Canadian literature, re-emphasizing both country's origins as colonies.




The Hydrocene


Book Description

This book challenges conventional notions of the Anthropocene and champions the Hydrocene: the Age of Water. It presents the Hydrocene as a disruptive, conceptual epoch and curatorial theory, emphasising water's pivotal role in the climate crisis and contemporary art. The Hydrocene is a wet ontological shift in eco-aesthetics which redefines our approach to water, transcending anthropocentric, neo-colonial and environmentally destructive ways of relating to water. As the most fundamental of elements, water has become increasingly politicised, threatened and challenged by the climate crisis. In response, The Hydrocene articulates and embodies the distinctive ways contemporary artists relate and engage with water, offering valuable lessons towards climate action. Through five compelling case studies across swamp, river, ocean, fog and ice, this book binds feminist environmental humanities theories with the practices of eco-visionary artists. Focusing on Nordic and Oceanic water-based artworks, it demonstrates how art can disrupt established human–water dynamics. By engaging hydrofeminist, care-based and planetary thinking, The Hydrocene learns from the knowledge and agency of water itself within the tide of art going into the blue. The Hydrocene urgently highlights the transformative power of eco-visionary artists in reshaping human–water relations. At the confluence of contemporary art, curatorial theory, climate concerns and environmental humanities, this book is essential reading for researchers, curators, artists, students and those seeking to reconsider their connection with water and advocate for climate justice amid the ongoing natural-cultural water crisis.




Writing Home


Book Description

Writing Home explores the literary representation of Australian places by those who have walked them. In particular, it examines how Aboriginal and settler narratives of walking have shaped portrayals of Australia’s Red Centre and consequently ideas of nation and belonging. Central Australia has long been characterised as a frontier, the supposed divide between black and white, ancient and modern. But persistently representing it in this way is preventing Australians from re-imagining this internationally significant region as home. Writing Home argues that the frontier no longer adequately describes Central Australia, and that the Aboriginal songlines make a significant but under-acknowledged contribution to Australian discourses of hybridity, belonging and home. Drawing on anthropology, cultural theory, journalism, politics and philosophy, the book traces shifting perceptions of Australian place and space since precolonial times, through six recounted walking journeys of the Red Centre.




Region, Nature, Frontiers


Book Description

The book is a collection of sixteen essays on issues of regional and national identities and perceptions in literature ranging from South Africa to the United States. Discussions include the American frontier, the relationship between non-fiction and place, linguistic and postcolonial boundaries.




Evolution and Belief


Book Description

Asher draws on his experiences as a paleontologist and a religious believer, arguing that science does not contradict religious belief.




Myths and Memories


Book Description

This book examines the perceptions of European travelling writers about southern Western Australia between 1850 and 1914. Theirs was a narrow vision of space and people in the region, shaped by their individual personalities, their position in society, and the prevailing discourses and ideologies of the age. Christian, Enlightenment, and Romantic philosophies had a major influence on their responses to the land – its cultivation and conservation, and its aesthetic qualities – and on their views of both indigenous and settler colonial society – their class and assumptions of race and ethnicity. The travelling men and women perpetuated an idealised view of a colonised landscape, and a “pioneer” community that eliminated class struggle and inequality, even though an analysis of their observations suggests otherwise. Nevertheless, although limited, their narratives are invaluable as a reflection of opinions, attitudes and knowledge prevalent during an age of imperialism. Their perspectives reveal unique viewpoints that differ from those of immigrants who wrote about their hopes and fears in making a new life for themselves. These travellers were economically secure, literate and educated; foundations which provide an insight into the way power and privilege, implicit in their writings, governed the way they imagined Western Australia in the colonial and immediate post-federation period. The tinted lenses through which European travelling writers narrowly observed space and people, presented a mythical, imagined sense of southern Western Australia.




Intimacies of Violence in the Settler Colony


Book Description

Violence and intimacy were critically intertwined at all stages of the settler colonial encounter, and yet we know surprisingly little of how they were connected in the shaping of colonial economies. Extending a reading of ‘economies’ as labour relations into new arenas, this innovative collection of essays examines new understandings of the nexus between violence and intimacy in settler colonial economies of the British Pacific Rim. The sites it explores include cross-cultural exchange in sealing and maritime communities, labour relations on the frontier, inside the pastoral station and in the colonial home, and the material and emotional economies of exploration. Following the curious mobility of texts, objects, and frameworks of knowledge, this volume teases out the diversity of ways in which violence and intimacy were expressed in the economies of everyday encounters on the ground. In doing so, it broadens the horizon of debate about the nature of colonial economies and the intercultural encounters that were enmeshed within them.




Reports from a Wild Country


Book Description

Explores some of Australia's major ethical challenges. Written in the midst of rapid social and environmental change and in a time of uncertainty and division, it offers powerful stories and arguments for ethical choice and commitment. The focus is on reconciliation between Indigenous and 'Settler' peoples, and with nature.




Looking Beyond Borderlines


Book Description

American territorial borders have undergone significant and unparalleled changes in the last decade. They serve as a powerful and emotionally charged locus for American national identity that correlates with the historical idea of the frontier. But the concept of the frontier, so central to American identity throughout modern history, has all but disappeared in contemporary representation while the border has served to uncomfortably fill the void left in the spatial imagination of American culture. This book focuses on the shifting relationship between borders and frontiers in North America, specifically the ways in which they have been imaged and imagined since their formation in the 19th century and how tropes of visuality are central to their production and meaning. Rodney links ongoing discussions in political geography and visual culture in new ways to demonstrate how contemporary American borders exhibit security as a display strategy that is resisted and undermined through a variety of cultural practices.