Divertimento No. 4


Book Description










6 Viennese Sonatinas


Book Description

At about the same time as 1783-85, a version for piano duet was made which rearranged the movements of the five Divertimenti as '6 Viennese Sonatinas'. Our new edition is based on the piano version of 1803 but also takes into account the original wind divertimenti and attempts to combine the original phrasing and part-writing with an idiomatic pianistic style.




Six Duets, Volume I (Nos. 1-3)


Book Description

Expertly arranged Clarinet Duet by Wolfgang Amadeus Mozart from the Kalmus Edition series. This is from the Classical era.




17 divertimenti


Book Description

In 1771, in the midst of a successful tour of Italy, Mozart received a commission to write a dramatic serenata for the marriage of the Archduke Ferdinand. This serenata so overshadowed Hasse's new opera, which was composed for the same occasion, that Hasse is reported to have said the prophetic words: "This boy will cause us all to be forgotten." In the same year Mozart composed his first divertimento (K.113), the first of some twenty-three that he composed during his lifetime. He was not yet 16 years old. The seventeen works in this edition range from K.113 to K.334 and span the years 1771 to 1779. These short, sparkling, brilliant pieces were created for a typical ensemble of 6 to 14 players for strings, clarinet, bassoon, oboe, horns, flute, trumpets, and drums. They have been reproduced from the definitive Breitkopf & H�rtel Complete Works Edition. They include No. 1 in E-flat Major, K.113; No. 2 in D Major, K.131; No. 3 in E-flat Major, K.166; No. 4 in B-flat Major, K.186; No. 5 in C Major, K.187; No. 6 in C Major, K.188; No. 7 in D Major, K.205; No. 8 in F Major, K.213; No. 9 in B-flat Major, K.240; No. 10 in F Major, K.247; No. 11 in D Major, K.251; No. 12 in E-flat Major, K.252; No. 13 in F Major, K.253; No. 14 in B-flat Major, K.270; No. 15 in B-flat Major, K.287; No. 16 in E-flat Major, K.289; and No. 17 in D Major, K.334. Often recorded and performed, the 17 divertimenti are increasingly popular with music lovers and essential for Mozart enthusiasts. All the music has been reproduced in a size large enough to be read easily, with large noteheads, wide margins, and pages that lie flat and will not fall out. This edition is practical for almost any use, whether as a study guide, a reference, or a companion for more knowledgeable and enjoyable listening.




Divertimenti and Variations


Book Description

Fiction. Translated from the German by Vincent Kling. A story collection by the acclaimed Austrian novelist of the early and mid twentieth century, DIVERTIMENTI AND VARIATIONS mediates traditional and experimental fictional technique to explore an authentic self and creates musically-based narrative forms. These narrative experiments were begun in 1923, not long after the publication of Joyce's Ulysses, with its fugue-like "Sirens" chapter. Traditional psychological realism combines with four-part "symphonic" experimental form--complete with development, intermezzi, and thematic repetition and variation--to demonstrate how technique is adequate to reveal and resolve conflict. Love interests, family tensions, dreams forcing the dreamers to face their struggles, physical injury, a young blind woman's gaining sight, insanity, unexamined lives--Doderer develops these themes by adeptly employing innovative narrative structures grounded in musical formalisms.




Divertimento No. 4


Book Description

(Windependence Chamber Ensemble). Classical composer Vicente Martin y Soler (1754-1806), sometimes called "The Spanish Mozart," wrote a 1786 opera entitled Una Cosa Rara . While the opera has fallen into obscurity, it was immensely popular at the time of its premiere. Six divertimenti by the composer, all based on themes from the opera, have helped preserve the legacy of this marvelous music. Carefully edited and restored from the original manuscripts by Dr. Patricia Cornett, these are important additions to the repertoire for advanced chamber ensembles. Scored for: 2 Oboes, 2 Basset Horns (opt. Bb Clarinets), 2 Horns and 2 Bassoons. Recorded by members of the Temple University Wind Symphony, Dr. Patricia Cornett, conductor.




Winds of Change II - The New Millennium


Book Description

(Meredith Music Resource). This new publication is an extension of The Winds of Change , that traced the development of the American wind band/ensemble in the twentieth century. This book covers all the important conferences, concerts, events, initiatives, and compositions created for wind bands/ensembles during the first decade of the twenty-first century. In gathering information for this book, the author examined hundreds of scores, listened to dozens of recordings, attended conferences, interviewed wind band/ensemble director-conductors, and surveyed numerous professional journals and magazines. The result is a book that provides a panorama view of the American wind band/ensemble scene from 2000-2010.




Composers in the Classroom


Book Description

Composers in the Classroom is a bio-bibliographical dictionary, chronicling the careers and work of over 120 composers associated with conservatories, colleges, and universities in the United States and Puerto Rico. Scholars and students of music seeking critical information about composers who have taken on the mantle of instruction will find a wealth of detail on their subjects. Painstakingly obtained through direct correspondence with the composers themselves, Floyd includes within each entry a short biography of the composer's life and education, lists of previous positions, most prominent commissions, awards and honors, and notable performers of the subject's work. Each entry also contains a discography of the recordings and a bibliography of writings by the composer. Researchers will find especially useful the organization of each subject's compositions by a variety of types. These include vocal, choral/assembly, dramatic, keyboard, solo instrument, handbells, chamber music, jazz ensemble, band and wind ensemble, band and wind ensemble with solo instruments, orchestra, orchestra with solo instruments, film/television/commercial, electro-acoustic and multimedia, arrangements, transcriptions, and editions and reconstructions. Music scholars will find under each work not only the title and date of composition but also the date of revision, commission, and dedication information, as well as other pertinent details ranging from the names of collaborators to alternate titles under which works may circulate. Composers in the Classroom is an indispensable tool to scholars of modern music seeking to research the current state of musical composition and the compositional trends of the 21st century.