Book Description
The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an 'imagined Piaf.
Author : David Looseley
Publisher : Oxford University Press
Page : 264 pages
File Size : 39,88 MB
Release : 2015
Category : Biography & Autobiography
ISBN : 1781382573
The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an 'imagined Piaf.
Author : Andrew Talle
Publisher : University of Illinois Press
Page : 339 pages
File Size : 49,10 MB
Release : 2017-04-07
Category : Music
ISBN : 0252099346
Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public. Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.
Author : Hollis Clayson
Publisher : Getty Publications
Page : 224 pages
File Size : 43,75 MB
Release : 2003-10-30
Category : Art
ISBN : 0892367296
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.
Author : Anne-Marie Baron
Publisher : Council of Europe
Page : 128 pages
File Size : 43,15 MB
Release : 2006-01-01
Category : Business & Economics
ISBN : 9287159602
This publication considers how cinema, as a major modern art form, has covered topics relating to the Holocaust in documentaries and fiction, historical reconstructions and more symbolic films, focusing on the question of realism in ethical and artistic terms. It explores a range of issues, including whether cinema is an appropriate method for informing people about the Holocaust compared to other media such as CD-ROMs, video or archive collections; whether it is possible to inform and appeal to the emotions without being explicit; and how the medium can nurture greater sensitivity among increasingly younger audiences which have been inured by the many images of violence conveyed in the media. Films discussed include Schindler's List, Life is Beautiful, The Pianist, Sophie's Choice, Shoah, Au revoir les enfants, The Great Dictator and To Be or Not to Be.
Author : Didier Fassin
Publisher : Univ of California Press
Page : 352 pages
File Size : 45,65 MB
Release : 2012
Category : Business & Economics
ISBN : 0520271165
Studies primarily France with shorter sections on South Africa, Venezuela, and Palestine.
Author : Ana Debenedetti
Publisher : UCL Press
Page : 334 pages
File Size : 21,72 MB
Release : 2019-01-08
Category : Art
ISBN : 178735461X
The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.
Author : Terence Dobson
Publisher : JOHN LIBBEY PUBLISHING
Page : 312 pages
File Size : 46,19 MB
Release : 2006
Category : Performing Arts
ISBN :
For half a century from the 1930s to the 1980s, the celebrated Canadian animator Norman McLaren made films at a prodigious rate - his output averaged about one film every year. The innovatory nature of his films won him worldwide acclaim, honours and prizes (including an Oscar"!. Curiously, there has been a dearth of serious literature that focuses on the film work of Norman McLaren. One reason for this has been the difficulty in identifying constants through McLaren's work. The very scope of McLaren's innovations together with the varied purposes of his films meant that McLaren's films appeared incongruent. There is, for example, the shocking violence of Neighbours and the gentle whimsy of Hen Hop; the didacticism of Canon or Rythmetic and the scintillating abstract energy of Begone Dull Care; the functionalism of Book Bargain and the sublime beauty of Pas de deux. By looking at the nature and span of McLaren's innovations, and by putting his work in the context of his own ambitions and of his era, Terence Dobson approaches the puzzles that are set by the film work of Norman McLaren. On the way, the encounter with McLaren's movies - which features a detailed analysis of some of his chief works - provides a pivotal view of one of the major film-makers of the twentieth century
Author : Georges Didi-Huberman
Publisher : MIT Press
Page : 387 pages
File Size : 43,93 MB
Release : 2004-09-17
Category : Psychology
ISBN : 0262541807
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
Author : The J. Paul Getty Museum
Publisher : Getty Publications
Page : 262 pages
File Size : 16,51 MB
Release : 1985-01-01
Category : Art
ISBN : 0892360909
The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.
Author : Meryl Altman
Publisher : Value Inquiry Book
Page : 570 pages
File Size : 13,49 MB
Release : 2020
Category : Philosophy
ISBN : 9789004431201
"Beauvoir in Time situates Simone de Beauvoir's The Second Sex in the historical context of its writing and in later contexts of its international reception, from then till now. The book takes up three aspects of Beauvoir's work more recent feminists find embarrassing: "bad sex," "dated" views about lesbians, and intersections with race and class. Through close reading of her writing in many genres, alongside contemporaneous discourses (good and bad novels in French and English, outmoded psychoanalytic and sexological authorities, ethnographic surrealism, the writing of Richard Wright and Franz Fanon), and in light of her travels to the U.S. and China, the author uncovers insights more recent feminist methodologies obscure, showing Beauvoir is still good to think with today"--