Book Description
This first book published on film noir established the genre--a classic, at last in translation.
Author : Raymond Borde
Publisher : City Lights Books
Page : 284 pages
File Size : 38,33 MB
Release : 2002
Category : Performing Arts
ISBN : 9780872864122
This first book published on film noir established the genre--a classic, at last in translation.
Author : Geoffrey Nowell-Smith
Publisher : Oxford University Press
Page : 847 pages
File Size : 25,24 MB
Release : 1996
Category : History
ISBN : 0198742428
Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world.
Author : Giorgio Bertellini
Publisher : University of California Press
Page : 328 pages
File Size : 39,37 MB
Release : 2019-01-15
Category : Performing Arts
ISBN : 0520301366
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.
Author : Brett Bowles
Publisher : Manchester University Press
Page : 278 pages
File Size : 37,41 MB
Release : 2019-01-11
Category : Performing Arts
ISBN : 1526141647
Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.
Author : Madison, James H.
Publisher : Indiana Historical Society
Page : 359 pages
File Size : 47,54 MB
Release : 2014-10
Category : Juvenile Nonfiction
ISBN : 0871953633
A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.
Author : Andy Masaki Bellows
Publisher : MIT Press
Page : 240 pages
File Size : 17,33 MB
Release : 2001
Category : Performing Arts
ISBN : 9780262523189
Essays examining the work of maverick scientific documentary filmmaker Jean Painleve.
Author : Museum of Modern Art (New York, N.Y.)
Publisher :
Page : 306 pages
File Size : 43,72 MB
Release : 1936
Category : Art
ISBN :
Author : David Looseley
Publisher : Oxford University Press
Page : 264 pages
File Size : 21,88 MB
Release : 2015
Category : Biography & Autobiography
ISBN : 1781382573
The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an 'imagined Piaf.
Author : Maggie Humm
Publisher : Indiana University Press
Page : 262 pages
File Size : 32,97 MB
Release : 1997-06-22
Category : Literary Criticism
ISBN : 9780253211460
This is the first study to apply a broad range of theory to contemporary film. With dazzling insight and critical aplomb Maggie Humm highlights and explains feminist issues and offers a fascinating array of original film analyses.
Author : Richard Misek
Publisher : John Wiley & Sons
Page : 250 pages
File Size : 50,88 MB
Release : 2010-04-26
Category : Performing Arts
ISBN : 1444332392
Chromatic Cinema Color permeates film and its history, but study of its contribution to film has so far been fragmentary. Chromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation. In this richly illustrated study, Richard Misek offers both a history and a theory of screen color. He argues that cinematic color emerged from, defined itself in response to, and has evolved in symbiosis with black and white. Exploring the technological, cultural, economic, and artistic factors that have defined this evolving symbiosis, Misek provides an in-depth yet accessible account of color’s spread through, and ultimate effacement of, black-and-white cinema.