Dostoevskij and Schiller


Book Description

To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.







The Genesis of The Brothers Karamazov


Book Description

Belknap (Slavic languages, Columbia U.) traces Dostoevsky's last, great novel to its sources, exploring how the author consciously transformed his experience and his readings to construct the work. It is both a lucid analysis of a complex and difficult text and an inquiry into the process of literary creation. Annotation copyright Book News, Inc. P




Dostoevsky's Dialectics and the Problem of Sin


Book Description

In Dostoevsky’s Dialectics and the Problem of Sin, Ksana Blank borrows from ancient Greek, Chinese, and Christian dialectical traditions to formulate a dynamic image of Dostoevsky’s dialectics—distinct from Hegelian dialectics—as a philosophy of “compatible contradictions.” Expanding on the classical triad of Goodness, Beauty, and Truth, Blank guides us through Dostoevsky’s most difficult paradoxes: goodness that begets evil, beautiful personalities that bring about grief, and criminality that brings about salvation. Dostoevsky’s philosophy of contradictions, this book demonstrates, contributes to the development of antinomian thought in the writings of early twentieth-century Russian religious thinkers and to the development of Bakhtin’s dialogism. Dostoevsky’s Dialectics and the Problem of Sin marks an important and original intervention into the enduring debate over Dostoevsky’s spiritual philosophy.




Dostoevsky and the Epileptic Mode of Being


Book Description

For Fyodor Dostoevsky (1821-81), who lived with epileptic seizures for more than thirty years, illness is an ineradicable part of existence. Epilepsy in his writings denotes both a set of physical symptoms and a state of survival in which the protagonists incessantly try to articulate, theorize, or master what is ungraspable in their everyday experience. Their attempts to deal with what they cannot control or comprehend results in disappointment, or what Dostoevsky called a mystical terror. Dostoevsky's heroes are unable fully to understand this state, and their existence becomes 'epileptic' in so far as self-knowledge and self-coincidence are never achieved. Fung explores new critical pathways by reexamining five of Dostoevsky's post-Siberian novels. Drawing on insights from writers including Benjamin, Blanchot, Freud, Lacan and Nietzsche, the book takes epilepsy as a trope for discussing the unspeakable moments in the texts, and is intended for students and scholars who are interested in the subject of modernity, critique of the visual, and dialogues between philosophy and literature. Paul Fung is Assistant Professor in English at Hang Seng Management College, Hong Kong.




Dostoevsky and the Catholic Underground


Book Description

While Dostoevsky’s relation to religion is well-trod ground, there exists no comprehensive study of Dostoevsky and Catholicism. Elizabeth Blake’s ambitious and learned Dostoevsky and the Catholic Underground fills this glaring omission in the scholarship. Previous commentators have traced a wide-ranging hostility in Dostoevsky’s understanding of Catholicism to his Slavophilism. Blake depicts a far more nuanced picture. Her close reading demonstrates that he is repelled and fascinated by Catholicism in all its medieval, Reformation, and modern manifestations. Dostoevsky saw in Catholicism not just an inspirational source for the Grand Inquisitor but a political force, an ideological wellspring, a unique mode of intellectual inquiry, and a source of cultural production. Blake’s insightful textual analysis is accompanied by an equally penetrating analysis of nineteenth-century European revolutionary history, from Paris to Siberia, that undoubtedly influenced the evolution of Dostoevsky’s thought.




The Dostoevsky Encyclopedia


Book Description

One of the greatest writers of all time, Fyodor Dostoevsky (1821-1881) is best known for such masterpieces as Crime and Punishment and The Brothers Karamazov. His works are widely read and studied today, and he has received much biographical and critical attention. Like many other writers of enduring literature, he engages timeless moral and theological issues. His writings and ideas are complex and reflect the swirling political and intellectual controversies of his time. This encyclopedia is a convenient and comprehensive guide to his life and writings. Through more than 200 alphabetically arranged entries, this reference details his life and career. Each of his fictional works is discussed, as are his major pieces of journalism. There are also entries for his family members, close friends and associates, places where he lived, literary movements with which he is associated, and journals or newspapers in which he published. Also included are entries for major writers and thinkers who influenced his works, and for ideas and themes that figure prominently in his writings. The entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography of major works.




Dostoevsky and the Ethics of Narrative Form


Book Description

Three questions of novelistic form preoccupied Fyodor Dostoevsky throughout his career: how to build suspense, how to end a narrative effectively, and how to distribute attention among major and minor characters. For Dostoevsky, these were much more than practical questions about novelistic craft; they were ethical questions as well. Dostoevsky and the Ethics of Narrative Form traces Dostoevsky’s indefatigable investigations into the ethical implications of his own formal choices. Drawing on his drafts, notebooks, and writings on aesthetics, Greta Matzner-Gore argues that Dostoevsky wove the moral and formal questions that obsessed him into the fabric of his last three novels: Demons, The Adolescent, and The Brothers Karamazov. In so doing, he anticipated some of the most pressing debates taking place in the study of narrative ethics today.




A Karamazov Companion


Book Description

The text of The Brothers Karamazov is removed from English-speaking readers today not only by time but also by linguistic and cultural boundaries. Victor Terras's companion work provides readers with a richer understanding of the Dostoevsky novel as the expression of a philosophy and a work of art. In his introduction, Terras outlines the genesis, main ideas, and structural peculiarities of the novel as well as Dostoevsky's political, philosophical, and aesthetic stance. The detailed commentary takes the reader through the novel, clarifying aspects of Russian life, the novel's sociopolitical background, and a number of polemic issues. Terras identifies and explains hundreds of literary and biblical quotations and allusions. He discusses symbols, recurrent images, and structural stylistic patterns, including those lost in English translation.




Toward Another Shore


Book Description

In this thought-provoking book, an internationally acclaimed scholar writes about the passion for ideology among nineteenth- and twentieth-century Russian intellectuals and about the development of sophisticated critiques of ideology by a continuing minority of Russian thinkers inspired by libertarian humanism. Aileen Kelly sets the conflict between utopian and anti-utopian traditions in Russian thought within the context of the shift in European thought away from faith in universal systems and "grand narratives" of progress toward an acceptance of the role of chance and contingency in nature and history. In the current age, as we face the dilemma of how to prevent the erosion of faith in absolutes and final solutions from ending in moral nihilism, we have much to learn from the struggles, failures, and insights of Russian thinkers, Kelly says. Her essays--some of them tours de force that have appeared before as well as substantial new studies of Turgenev, Herzen, and the Signposts debate--illuminate the insights of Russian intellectuals into the social and political consequences of ideas of such seminal Western thinkers as Schopenhauer, Nietzsche, and Darwin. Russian Literature and Thought Series