Double-Voicing the Canadian Short Story


Book Description

Double-Voicing the Canadian Short Story is the first comparative study of eight internationally and nationally acclaimed writers of short fiction: Sandra Birdsell, Timothy Findley, Jack Hodgins, Thomas King, Alistair MacLeod, Olive Senior, Carol Shields and Guy Vanderhaeghe. With the 2013 Nobel Prize for Literature going to Alice Munro, the “master of the contemporary short story,” this art form is receiving the recognition that has been its due and—as this book demonstrates—Canadian writers have long excelled in it. From theme to choice of narrative perspective, from emphasis on irony, satire and parody to uncovering the multiple layers that make up contemporary Canadian English, the short story provides a powerful vehicle for a distinctively Canadian “double-voicing”. The stories discussed here are compelling reflections on our most intimate roles and relationships and Kruk offers a thoughtful juxtaposition of themes of gender, mothers and sons, family storytelling, otherness in Canada and the politics of identity to name but a few. As a multi-author study, Double-Voicing the Canadian Short Story is broad in scope and its readings are valuable to Canadian literature as a whole, making the book of interest to students of Canadian literature or the short story, and to readers of both.




The Routledge Introduction to the Canadian Short Story


Book Description

This volume aims to introduce undergraduates, graduates, and general readers to the diversity and richness of Canadian short story writing and to the narrative potential of short fiction in general. Addressing a wide spectrum of forms and themes, the book will familiarise readers with the development and cultural significance of Canadian short fiction from the early 19th century to the present. A strong focus will be on the rich reservoir of short fiction produced in the past four decades and the way in which it has responded to the anxieties and crises of our time. Drawing on current critical debates, each chapter will highlight the interrelations between Canadian short fiction and historical and socio-cultural developments. Case studies will zoom in on specific thematic or aesthetic issues in an exemplary manner. The Routledge Introduction to the Canadian Short Story will provide an accessible and comprehensive overview ideal for students and general readers interested in the multifaceted and thriving medium of the short story in Canada.




Bearers of Risk


Book Description

The short story and the short story cycle have long been considered a marginal genre, free to make room for fresh or risk-taking voices. But in thematizing masculinity in crisis, the genre uses the premise of the marginal to elevate recuperative masculinity politics and nostalgia for traditional patriarchy. Despite the scholarly tendency to link marginal genres and marginalized voices, features of the CanLit infrastructure – including genre criticism and literary prize culture – are complicit in normalizing hegemonic masculinity and the Settler colonial project. Bearers of Risk examines how male Canadian writers mobilize the early twenty-first-century short story cycle as an illustration of post-9/11 recuperative masculinity politics, exposing the tendency to position White, heteronormative men’s viewpoints as objective. Neta Gordon introduces the civil bearer of risk, a figure who comprehends the position of men as being marked by or for failure, and who reasserts masculine authority as civil duty towards community. This book looks at contemporary experimental short story cycles, debut cycles by ethnically minoritized and immigrant writers, and cycles unified by setting, whether suburban, urban, or rural. Bearers of Risk unsettles popular notions of the inherent outsider status of the short story cycle while also scrutinizing expressions of recuperative masculinity politics through which men assert their right to reclaim the centre.




A History of Canadian Fiction


Book Description

The first one-volume history of Canadian fiction covering its growth and development from earliest times to the present day. Recounting the struggles and the glories of this burgeoning area of investigation, it explains Canada's literary growth alongside its remarkable history.




Gained Ground


Book Description

Mapping North America: comparative North American literature and its contexts / Bettina Mack -- The Scottish invention of Canadian literature: John Buchan in Canada / Silvia Mergenthal -- "Poetics of the Potent": Yann Martel's Life of Pi, Edgar Allan Poe's The Narrative of Arthur Gordon Pym of Nantucket, and modes of transcreation / Jutta Ernst -- "Wanting to light out for tender tenantless territories": reading landscape in Robert Kroetsch's The hornbooks of Rita K (2001) and Mark Anthony Jarman's 19 knives (2000) / Claire Omhovere -- "Landscape-of-the-heart": transgenerational memory and relationality in Roy Kiyooka's Mothertalk: life stories of Mary Kiyoshi Kiyooka / Katja Sarkowsky -- Performing shame: theatrical motifs in the works of Alice Munro and Alison Bechdel / Marlene Goldman -- Timothy Findley's "Stones": names, symbols, and stories / Sherrill Grace -- Comparative North American opera: individualism and national identity / Michael and Linda Hutcheon -- "Who really lives there?": (meta-)tourism and the Canada Pavilion at Epcot / Florian Freitag -- Contact prints: reading Margaret Atwood's The door and the MaddAddam trilogy through the lens of photography / Julia Breitbach -- Cup-idity, or poetic larceny in transatlantic contexts: Margaret Atwood's "Stealing the hummingbird cup" / Shuli Barzilai -- Across the "Ocean of the page": Nischik and Kroetsch gaining ground / Aritha van Herk -- Reingard, Queen of the Night / Margaret Atwood




Mothers and Daughters


Book Description

Mothers and Daughters is a compelling anthology that explores the multifaceted connections between mothers and daughters. Chapters explore new fields of inquiry, examining discourses about mothers and daughters through academic essays, narrative, and creative work. By examining the experiences of mothers and daughters from within an interdisciplinary framework, which includes cultural, biological, socio-political, relational and historical perspectives, the text surveys multiple approaches to understanding the mother-daughter dynamic. Therefore, the uniqueness and strength of this collection comes from blending not just work from across academic disciplines, but also the forms in which this work is presented: academic inquiry and critique as well as creative and narrative explorations. The length is 296 pages.




The Future of Humanity


Book Description

What is the future of humanity? What does it mean to be ‘human’ in the posthuman age? What responsibility does humankind have towards others and their environments? How are the stories that humans tell themselves implicated in the very power asymmetries and eco-political challenges that they bemoan? Taking a cross-disciplinary approach to the posthuman age, the essays in this collection speak to the multifaceted geographies and counter-geographies of humanity, probing into the possible futures we face as planetary species. Some of these include: ecological issues generated by centuries of neglecting our environment(s); power asymmetries stemming from economic and cultural globalization; violence and its affective politics informed by cultural, ethnic, and racial genocides; religious disputes; social inequities produced by consumerism; gender normativity; and the increasing impact of digital and AI (artificial intelligence) technology on the human body, as well as historical, socio-political, not to mention ethical relations.




Borderlands and Crossroads: Writing the Motherland


Book Description

Motherhood does not just originate in the body, but in the world—a place, a region, a country or nation, a landscape, a language, a culture. Mothers are, as novelist Rachel Cusk once observed, “the countries we come from.” This unique literary anthology features thirty-five poems and twenty-three works of prose (creative non-fiction and short fiction). Here, forty-three award-winning and accomplished writers reflect on their complex twenty-first century familial identities and relationships, exploring maternal landscapes of all kinds, including those of heritage, matrilineage, geneaology, geography, emigration, war, exile, alienation, and affiliation. Spanning the globe—from the U.K, the USA and Canada, Egypt, the former Yugoslavia, France, Africa, Korea and South America—these intimate and honest narratives of the heart cross borders and define crossroads that are personal and political, old and new. Recovering the maternal landscape through poetry and prose, these writers both memorialize and celebrate the power of family to define, limit, and challenge us.




Alice Munro’s Miraculous Art


Book Description

Alice Munro’s Miraculous Art is a collection of sixteen original essays on Nobel laureate Alice Munro’s writings. The volume covers the entirety of Munro’s career, from the first stories she published in the early 1950s as an undergraduate at the University of Western Ontario to her final books. It offers an enlightening range of approaches and interpretive strategies, and provides many new perspectives, reconsidered positions and analyses that will enhance the reading, teaching, and appreciation of Munro’s remarkable—indeed miraculous—work. Following the editors’ introduction—which surveys Munro’s recurrent themes, explains the design of the book, and summarizes each contribution—Munro biographer Robert Thacker contributes a substantial bio-critical introduction to her career. The book is then divided into three sections, focusing on Munro’s characteristic forms, themes, and most notable literary effects.




Mothers and Sons: Centering Mother Knowledge


Book Description

Mothers and Sons: Centering Mother Knowledge makes a case for the need to de-gender the framing and study of parental legacy. The actualization of an entire collection on this dyad foregrounding motherhood without particularizing the absence of fatherhood is in itself revolutionary. This assemblage of analytical, narrative and creative renderings offers cross-disciplinary conceptualizations of maternal experiences across difference and mothering sons at intersections. The authors’ mother knowledge, or that of their subjects, delivers new insights into the appellations mother, son, motherhood and sonhood.