Report


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Journal of the House of Representatives of the United States


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Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."




Jean Renoir


Book Description

Now back in print, the definitive biography of a seminal figure in film history, whom Orson Welles called “the greatest of all directors.” Jean Renoir’s career almost spans the history years of cinema–from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war. Decades after its release, Renoir’s The Rules of the Game (1939) is the only film to have been included on every top ten list in the Sight & Sound's respected decennial poll since 1952, cementing Renoir’s influence. André Bazin and François Truffaut praised Renoir as the patron saint of the French New Wave. Jean Renoir: Projections of Paradise gives detailed accounts of Renoir’s working methods and captivating appraisals of his films, and his long and fascinating life from his blissful childhood as the son of the great Impressionist painter August Renoir. This is a must-read for students of film and all fans of entertaining, timeless movies.




Sergei Eisenstein


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Now back in print, this acclaimed biography reassesses a titan of early cinema based on new material released after the fall of the Soviet Union. Sergei Eisenstein: A Life in Conflict tells the dramatic story of one of world cinema’s towering geniuses and principal theorists. Ronald Bergan details Eisenstein’s life from his precocious childhood to his explosion onto the avant-garde scene in revolutionary Russia, through his groundbreaking film career, his relationships with authors and artists such as James Joyce and Walt Disney, and his untimely death at age fifty. Eisenstein’s landmark films, including The Battleship Potemkin and Ivan the Terrible, are still watched, admired, and taught throughout the world. Drawing upon material recently released from the Soviet archives after the breakup of the USSR and from Eisenstein’s personal letters, diaries, and sketches, Bergan shines a new light on the influence of Eisenstein’s early life on his work, his homosexuality, and his keen interest in the West. This book is the definitive biography of an influential director who saw film as the synthesis of all the arts and whose work displayed a passionate and profound grasp of art, science, philosophy, and religion.




The Coen Brothers


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"Joel and Ethan Coen have pulled off the ultimate balancing act. Despite having their movies financed and distributed by major studios they have somehow managed to remain true independents determinedly rejecting commercial cliches and never giving up their own fiercely idiosyncratic vision." "In this biography of the sibling film-makers, Ronald Bergan, who has played cat and mouse with the Coens over the last few years, traces the brothers' Jewish roots, their beginnings as film geeks in the suburbs of Minneapolis, their battles to get their first feature made and released, the many sources of their inspiration, their unique working methods and their enigmatic, teasing and quirky personalities."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Anthony Perkins


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This is the biography of Anthony Perkins, best known for his role as Norman Bates in Psycho. Like his infamous character, Perkins was a loner with a fear of women stemming from his dominant mother, and most of his life was a struggle; but he is also revealed as a charming and talented man.




François Truffaut


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Interviews with the film critic and director who was a key figure in the French New Wave




The United Artists Story


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Complete history of the studio and its 1581 films.




Images of the Spirit


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Preface by Roberto Tejada. Epilogue by Alfredo Lopez Austin.