Love, Death and the Prom


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Evidence of Love


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The “fascinating” true story behind the HBO Max and Hulu series about Texas housewife Candy Montgomery and the bizarre murder that shocked a community (Los Angeles Times Book Review). Candy Montgomery and Betty Gore had a lot in common: They sang together in the Methodist church choir, their daughters were best friends, and their husbands had good jobs working for technology companies in the north Dallas suburbs known as Silicon Prairie. But beneath the placid surface of their seemingly perfect lives, both women simmered with unspoken frustrations and unanswered desires. On a hot summer day in 1980, the secret passions and jealousies that linked Candy and Betty exploded into murderous rage. What happened next is usually the stuff of fiction. But the bizarre and terrible act of violence that occurred in Betty’s utility room that morning was all too real. Based on exclusive interviews with the Gore and Montgomery families, Edgar Award finalist Evidence of Love is the “superbly written” account of a gruesome tragedy and the trial that made national headlines when the defendant entered the most unexpected of pleas: not guilty by reason of self-defense (Fort Worth Star-Telegram). Adapted into the Emmy and Golden Globe Award–winning television movie A Killing in a Small Town—as well as the new limited series Candy on Hulu and Love and Death on HBO Max—this chilling tale of sin and savagery will “fascinate true crime aficionados” (Kirkus Reviews).




Love and Death in Renaissance Italy


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Gratuitous sex. Graphic violence. Lies, revenge, and murder. Before there was digital cable or reality television, there was Renaissance Italy and the courts in which Italian magistrates meted out justice to the vicious and the villainous, the scabrous and the scandalous. Love and Death in Renaissance Italy retells six piquant episodes from the Italian court just after 1550, as the Renaissance gave way to an era of Catholic reformation. Each of the chapters in this history chronicles a domestic drama around which the lives of ordinary Romans are suddenly and violently altered. You might read the gruesome murder that opens the book—when an Italian noble takes revenge on his wife and her bastard lover as he catches them in delicto flagrante—as straight from the pages of Boccaccio. But this tale, like the other stories Cohen recalls here, is true, and its recounting in this scintillating work is based on assiduous research in court proceedings kept in the state archives in Rome. Love and Death in Renaissance Italy contains stories of a forbidden love for an orphan nun, of brothers who cruelly exact a will from their dying teenage sister, and of a malicious papal prosecutor who not only rapes a band of sisters, but turns their shambling father into a pimp! Cohen retells each cruel episode with a blend of sly wit and warm sympathy and then wraps his tales in ruminations on their lessons, both for the history of their own time and for historians writing today. What results is a book at once poignant and painfully human as well as deliciously entertaining.




The Drama of Love and Death


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Love and Death move through this world of ours like things apart—underrunning it truly, and everywhere present, yet seeming to belong to some other mode of existence. When Death comes, breaking into the circle of our friends, words fail us, our mental machinery ceases to operate, all our little stores of wit and wisdom, our maxims, our mottoes, accumulated from daily experience, evaporate and are of no avail. These things do not seem to touch or illuminate in any effective way the strange vast Presence whose wings darken the world for us. And with Love, though in an opposite sense, it is the same. Words are of no use, all our philosophy fails—whether to account for the pain, or to fortify against the glamour, or to describe the glory of the experience. These figures, Love and Death, move through the world, like closest friends indeed, never far separate, and together dominating it in a kind of triumphant superiority; and yet like bitterest enemies, dogging each other’s footsteps, undoing each other’s work, fighting for the bodies and souls of mankind. Is it possible that at length and after ages we may attain to liberate ourselves from their overlordship—to dominate them and make them our ministers and attendants? Can we wrest them from their seeming tyranny over the human race, and from their hostility to each other? Can we persuade them to lay aside their disguise and appear to us for what they no doubt are—even the angels and messengers of a new order of existence? It is a great and difficult enterprise. Yet it is one, I think, which we of this generation cannot avoid. We can no longer turn our faces away from Death, and make as if we did not perceive his presence or hear his challenge. This age, which is learning to look the facts of Nature steadily in the face, and seethrough them, must also learn to face this ultimate fact and look through it. And it will surely—and perhaps only—be by allying ourselves to Love that we shall be able to do so—that we shall succeed in our endeavor.




The Drama of Love and Death


Book Description

Love and Death move through this world of ours like things apart-underrunning it truly, and everywhere present, yet seeming to belong to some other mode of existence. When Death comes, breaking into the circle of our friends, words fail us, our mental machinery ceases to operate, all our little stores of wit and wisdom, our maxims, our mottoes, accumulated from daily experience, evaporate and are of no avail. These things do not seem to touch or illuminate in any effective way the strange vast Presence whose wings darken the world for us. And with Love, though in an opposite sense, it is the same. Words are of no use, all our philosophy fails-whether to account for the pain, or to fortify against the glamour, or to describe the glory of the experience. These figures, Love and Death, move through the world, like closest friends indeed, never far separate, and together dominating it in a kind of triumphant superiority; and yet like bitterest enemies, dogging each other's footsteps, undoing each other's work, fighting for the bodies and souls of mankind. Is it possible that at length and after ages we may attain to liberate ourselves from their overlordship-to dominate them and make them our ministers and attendants? Can we wrest them from their seeming tyranny over the human race, and from their hostility to each other? Can we persuade them to lay aside their disguise and appear to us for what they no doubt are-even the angels and messengers of a new order of existence?




The Game of Love and Death


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In this “inventive and affecting” historical young adult novel, a black girl and a white boy are pawns in a magical game between Love and Death (Publishers Weekly). Flora and Henry were born a few blocks from each other, innocent of the forces that might keep a white boy and an African American girl apart; years later they meet again and their mutual love of music sparks an even more powerful connection. But what Flora and Henry don’t know is that they are pawns in a game played by the eternal adversaries Love and Death, here brilliantly reimagined as two extremely sympathetic and fascinating characters. Can their hearts and their wills overcome not only their earthly circumstances, but forces that have battled throughout history? In the rainy Seattle of the 1920’s, romance blooms among the jazz clubs, the mansions of the wealthy, and the shanty towns of the poor. But what is more powerful: love? Or death? “Race, class, fate and choice—they join Love and Death to play their parts in Brockenbrough’s haunting and masterfully orchestrated narrative.” —Kirkus Reviews




The Death of the Heart


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The Death of the Heart is perhaps Elizabeth Bowen's best-known book. As she deftly and delicately exposes the cruelty that lurks behind the polished surfaces of conventional society, Bowen reveals herself as a masterful novelist who combines a sense of humor with a devastating gift for divining human motivations. In this piercing story of innocence betrayed set in the thirties, the orphaned Portia is stranded in the sophisticated and politely treacherous world of her wealthy half-brother's home in London.There she encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and her fears her gushing love. To her, Eddie is the only reason to be alive. But when Eddie follows Portia to a sea-side resort, the flash of a cigarette lighter in a darkened cinema illuminates a stunning romantic betrayal--and sets in motion one of the most moving and desperate flights of the heart in modern literature.




Love and Death in Kathmandu


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On June 1, 2001, the heir to the Nepalese throne, Crown Prince Dipendra, donned military fatigues, armed himself with automatic weapons, walked in on a quiet family gathering, and, without a word, mowed his family down before turning a gun on himself. But Dipendra did not die immediately, and while lying in a coma was declared king. He was now a living god. Award-winning journalists Amy Willesee and Mark Whittaker set out to understand what could have led to such a devastating tragedy, one that fascinated and appalled the world. Exploring Kathmandu and other parts of the kingdom, they conducted exhaustive interviews with everyone from Maoist guerillas to members and friends of the royal family, gaining insight into the people involved in and the events behind the massacre. At the heart of the story is the love affair between Dipendra and the beautiful aristocrat Devyani Rana, whom he was forbidden to marry. Culminating their portrait of Nepal is a chilling reconstruction of the events of that fatal day. As conspiracy theories circulate and rebels threaten to topple the monarchy, the future of this small Himalayan kingdom promises to be as tumultuous as its past. Revealing a country where the twenty-first century mingles uneasily with the fourteenth, Love and Death in Kathmandu is both an enlightening portrait of a place that is a world apart and a riveting investigation of an incredible crime.




Love and Death in Vienna


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He's been her obsession throughout her young life. Yet to seventeen-year-old Marie Vetsera, he i smore than that - he is her destiny. But Crown Prince Rudolf of Austro-Hungary, heir to the throne, a man of the world, much older than Marie and disease-ravaged from his indiscriminate liasons, moves in the upper circles of society to which she, of minor aristocracy, can barely aspire. Through sheer stubbornness, however and maybe a touch of the spoiled child who has always got everything she wanted, the girl succeeds in making a fateful meeting with him happen; an encounter that leads to a passionate not-so-secret affair, one marked, one marked, on her side at least, by total adoration. But all is not right in the world. There is a darker side to Rudolf's life, in which he ultimately sees only one way out.




The Death of Mrs. Westaway


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A “perfectly executed suspense tale very much in the mode of Daphne du Maurier’s Rebecca” (The Washington Post) from the #1 New York Times bestselling author of In a Dark, Dark Wood, The Woman in Cabin 10, The Lying Game, and The Turn of the Key. On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she’s honed as a tarot card reader might help her claim the money. Soon, Hal finds herself at the funeral of the deceased…where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the center of it. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, this is a “captivating and eerie page-turner” (The Wall Street Journal) from the Agatha Christie of our time.