Eighteenth Century Plays


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Marina


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The Tragedy of Dido Queene of Carthage


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DigiCat Publishing presents to you this special edition of "The Tragedy of Dido Queene of Carthage" by Christopher Marlowe. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




The Tragedy of Julius Caesar


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The Tragedy of Julius Caesar


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The Tragedy of Julius Caesar is a tragedy by William Shakespeare, believed to have been written in 1599. It is one of several plays written by Shakespeare based on true events from Roman history, which also include Coriolanus and Antony and Cleopatra.




Tragedy of Julius Caesar


Book Description

The Tragedy of Julius Caesar is a tragedy by William Shakespeare, believed to have been written in 1599. It portrays the 44 BC conspiracy against the Roman dictator Julius Caesar, his assassination and the defeat of the conspirators at the Battle of Philippi. It is one of several plays written by Shakespeare based on true events from Roman history, which also include Coriolanus and Antony and Cleopatra. Although the title is Julius Caesar, Julius Caesar is not the most visible character in its action; he appears in only five scenes. Marcus Brutus speaks more than four times as many lines, and the central psychological drama is his struggle between the conflicting demands of honor, patriotism, and friendship. Characters & Synopsis: Marcus Brutus is Caesar's close friend and a Roman praetor. Brutus allows himself to be cajoled into joining a group of conspiring senators because of a growing suspicion—implanted by Caius Cassius—that Caesar intends to turn republican Rome into a monarchy under his own rule. The early scenes deal mainly with Brutus's arguments with Cassius and his struggle with his own conscience. The growing tide of public support soon turns Brutus against Caesar (this public support was actually faked; Cassius wrote letters to Brutus in different handwritings over the next month in order to get Brutus to join the conspiracy). A soothsayer warns Caesar to "beware the Ides of March", which he ignores, culminating in his assassination at the Capitol by the conspirators that day, despite being warned by the soothsayer and Artemidorus, one of Caesar's supporters at the entrance of the Capitol. Caesar's assassination is one of the most famous scenes of the play, occurring in Act 3 (the other is Marc Antony's oration "Friends, Romans, countrymen.") After ignoring the soothsayer as well as his wife's own premonitions, Caesar comes to the Senate. The conspirators create a superficial motive for the assassination by means of a petition brought by Metellus Cimber, pleading on behalf of his banished brother. As Caesar, predictably, rejects the petition, Casca grazes Caesar in the back of his neck, and the others follow in stabbing him; Brutus is last. At this point, Caesar utters the famous line "Et tu, Brute?" ("And you, Brutus?", i.e. "You too, Brutus?"). Shakespeare has him add, "Then fall, Caesar," suggesting that Caesar did not want to survive such treachery, therefore becoming a hero.




The Tragedy of Julius Cæsar (Classic Reprint)


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Excerpt from The Tragedy of Julius Cæsar The edition of this play embodies all the features of its predecessors, with several additions. Firstly, all movements have been printed in heavy type to enable them to be easily detected from the other matter secondly, the text has been pointed by means of perpendicular marks to indicate the pauses to be observed either after or before the word thus treated. These pauses may be short or long, and in most cases there is a note provided to indicate their necessary duration but where this does not occur the reader will be able to judge by the context what form of treatment is required. They do not occur at every obvious point, but only where the difference created by them, though at times slight, enables the line to be governed so as to discharge its proper value. This also applies to the words italicized for emphasis, which in some cases may be light and in others heavy, the slight inflexion sometimes giving the elliptical construction its proper solution. Thirdly, among the innovations comes the detailed description of the costumes. This will, it is hoped, prove of great value in a play which sometimes causes confusion and difficulty in the matter of apportioning the right costume to the right character. Beside the dress is placed its Latin name, so that readers can, if they so wish, continue their investigations in the classical dictionaries and study examples of the clothes that are frequently shown in the articles dealing with them. A glossary of the costumes not fully described in the text, but which are mentioned under their Latin names, is placed at the end of this preface, together with a plate. It contains a short description of the military, civil, male and female costumes, with instructions as to the winding of a full-sized toga. Two plates are also provided showing thirty-seven of the principal properties used in the play, each of which is briefly described in an accompanying commentary. In short, this edition seeks to provide every means to facilitate a proper understanding of the play and its equipment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Tragedy of Julius Caesar


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Why buy this edition? Standard size 11 font- unlike other publishing companies that use small fonts to save on costs. Good book size that looks good on the bookshelf- some companies use massize books to save on costs Original text, word for word. Good quality paper Beautiful vibrant glossy modern cover- take a look for yourself! You all did love him once,--not without cause: What cause withholds you, then, to mourn for him?-- O judgment, thou art fled to brutish beasts, And men have lost their reason!--Bear with me; My heart is in the coffin there with Cæsar, And I must pause till it come back to me. The Tragedy of Julius Caesar is a tragedy by William Shakespeare, believed to have been written in 1599. It is one of several plays written by Shakespeare based on true events from Roman history, which also include Coriolanus and Antony and Cleopatra. Although the title is Julius Caesar, Caesar is not the most visible character in its action, appearing alive in only three scenes. Marcus Brutus speaks more than four times as many lines, and the central psychological drama of the play focuses on Brutus' struggle between the conflicting demands of honour, patriotism and friendship. Visit www.cbypublishing.cf to enquiry about a bulk order.




The Works Of Shakespeare: The Tragedy Of Julius Caesar


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.