Drawing Blood


Book Description

Poppy Z. Brite re-imagines the haunted house novel, creating a fresh, sensual, and totally original reading experience. IT'S A PASSION. IT'S AN ART. IT'S THE ONLY WAY OUT. . . In the house on Violin Road he found the bodies of his brother, his mother, and the man who killed them both—his father. From the house on Violin Road, in Missing Mile, North Carolina, Trevor McGee ran for his sanity and his soul, after his famous cartoonist father had exploded inexplicably into murder and suicide. Now Trevor is back. In the company of a New Orleans computer hacker on the run from the law, Trevor has returned to face the ghosts that still live on Violin Road, to find the demons that drove his father to murder his family—and worse, to spare one of his sons. . . . But as Trevor begins to draw his own cartoon strip, he loses himself in a haze of lines and art and thoughts of the past, the haunting begins. Trevor and his lover plunge into a cyber-maze of cartoons, ghosts, and terror that will lead either to understanding—true understanding—or to a blood-raining repetition of the past. . . . Praise for Drawing Blood “Electrifying . . . explosive lyricism . . . [a] soul-sucking antagonist . . . rich background descriptions. That there is a Brite future never doubt.”—Kirkus Reviews “Exotica . . . disaffected youth . . . a spicy gumbo of sub-cultural hipness simmered in a cauldron of modern horror fiction.”—Fangoria “Darker and more exotic than Anne Rice, more cerebral than Stephen King . . . Horror is rarely this good.”—Echo




WHO Guidelines on Drawing Blood


Book Description

Phlebotomy uses large, hollow needles to remove blood specimens for lab testing or blood donation. Each step in the process carries risks - both for patients and health workers. Patients may be bruised. Health workers may receive needle-stick injuries. Both can become infected with bloodborne organisms such as hepatitis B, HIV, syphilis or malaria. Moreover, each step affects the quality of the specimen and the diagnosis. A contaminated specimen will produce a misdiagnosis. Clerical errors can prove fatal. The new WHO guidelines provide recommended steps for safe phlebotomy and reiterate accepted principles for drawing, collecting blood and transporting blood to laboratories/blood banks.




Drawing Blood


Book Description

Art was my dearest friend. To draw was trouble and safety, adventure and freedom. In that four-cornered kingdom of paper, I lived as I pleased. This is the story of a girl and her sketchbook. In language that is fresh, visceral, and deeply moving—and illustrations that are irreverent and gorgeous—here is a memoir that will change the way you think about art, sex, politics, and survival in our times. From a young age, Molly Crabapple had the eye of an artist and the spirit of a radical. After a restless childhood on New York's Long Island, she left America to see Europe and the Near East, a young artist plunging into unfamiliar cultures, notebook always in hand, drawing what she observed. Returning to New York City after 9/11 to study art, she posed nude for sketch artists and sketchy photographers, danced burlesque, and modeled for the world famous Suicide Girls. Frustrated with the academy and the conventional art world, she eventually landed a post as house artist at Simon Hammerstein's legendary nightclub The Box, the epicenter of decadent Manhattan nightlife before the financial crisis of 2008. There she had a ringside seat for the pitched battle between the bankers of Wall Street and the entertainers who walked among them—a scandalous, drug-fueled circus of mutual exploitation that she captured in her tart and knowing illustrations. Then, after the crash, a wave of protest movements—from student demonstrations in London to Occupy Wall Street in her own backyard—led Molly to turn her talents to a new form of witness journalism, reporting from places such as Guantanamo, Syria, Rikers Island, and the labor camps of Abu Dhabi. Using both words and artwork to shed light on the darker corners of American empire, she has swiftly become one of the most original and galvanizing voices on the cultural stage. Now, with the same blend of honesty, fierce insight, and indelible imagery that is her signature, Molly offers her own story: an unforgettable memoir of artistic exploration, political awakening, and personal transformation.




Drawing Blood


Book Description

In Drawing Blood, medical historian Keith Wailoo uses the story of blood diseases to explain how physicians in this century wielded medical technology to define disease, carve out medical specialties, and shape political agendas. As Wailoo's account make clear, the seemingly straightforward process of identifying disease is invariably influenced by personal, professional, and social factors - and the result is not only clarity and precision but also bias and outright error. Drawing Blood reveals the ways in which physicians and patients as well as diseases are simultaneously shaping and being shaped by technology, medical professionalization, and society at large. This thought-provoking cultural history of disease, medicine, and technology offers a perspective that is invaluable in understanding current discussions of HIV and AIDS, genetic blood testing, prostate-specific antigen, and other important issues in an age of technological medicine.




WHO Best Practices for Injections and Related Procedures Toolkit


Book Description

The new WHO guidelines provide recommended steps for safe phlebotomy and reiterate accepted principles for drawing, collecting blood and transporting blood to laboratories/blood banks. The main areas covered by the toolkit are: 1. bloodborne pathogens transmitted through unsafe injection practices;2. relevant elements of standard precautions and associated barrier protection;3. best injection and related infection prevention and control practices;4. occupational risk factors and their management.




Drawing Blood


Book Description

This is a truly exceptional collection of drawings from one of our most revered cultural commentators. Gerald Scarfe began his career in the 60s working for PUNCH and PRIVATE EYE before taking a job as a political cartoonist for the DAILY MAIL. He then worked for TIME Magazine in New York before starting his long association with the SUNDAY TIMES that still exists today in the form of his weekly drawings. His varied career has seen him work with Pink Floyd (The Wall, Wish You Were Here), Roger Waters and Eric Clapton (The Pros and Cons of Hitchhiking), Disney (Hercules), English National Ballet (The Nutcracker), Los Angeles Opera (Fantastic Mr Fox) as well as produce such iconic images as those for the titles of Yes Minister and Yes Prime Minister. His work has featured in the New Yorker and various BBC TV films such as Scarfe on Sex and Scarfe on Class. Exhibitions of his paintings and drawings have appeared in the Tate Gallery, the National Portrait Gallery and the Smithsonian National Portrait Gallery. He is viewed by many as both a national treasure and a genius and this is the first collection of his work to appear for 20 years.




Drawing Blood


Book Description

CeCe Prentice and her Dumpster-diving pals are back on top...of a pile of trash When Big Bob, manager of the town recycling center, goes missing, CeCe is worried about more than where she'll score her next salvaged car. As one of the only people present when Bob's body is recovered from under the weekly recycling haul, CeCe is able to identify witnesses and provide sketches of the scene. But when she's startled by an unidentified woman at Bob's empty house, CeCe's artistic talents are challenged and her drawings come up short. With her observational skills on the fritz, CeCe joins Detective Frank DeRosa and her network of Freegan friends to re-create Big Bob's life from the garbage up. The team is soon thrust into the underworld of recycling, where what appears to be junk could actually be the clue that saves a life. Praise: "A dysfunctional family to die for...[CeCe Prentice's] second case is every bit as twisty and surprising."—Kirkus Reviews




Drawing Blood


Book Description

So tell me, how do you draw zombies? Do keep them scary looking or maybe you can add a smile to their faces to make them look friendly. You can start with this book of zombies. Here, you can draw the zombies however you like. You can even color your drawings after to prolong your "busy time." Start working on the first page today!




The Lab Draw Answer Book


Book Description




Draw Blood for Proof


Book Description

Initially conceived as a personal project on the walls of Sorrentis New York loft, the material in Draw Blood for Proof eventually found its way onto gallery walls as a large-scale installation piece in 2004. Papering the site from floor to ceiling with layers of collected snapshots, contact sheets, prints, polaroids, and ephemera drawn from over 15 years of work, Sorrentis collection was a unique look into the artists diaristic creative process, going beyond ideas of public and private production. Re-photographed as a series of 8 x 10 polaroids and reconstituted here, Sorrentis montage finds yet another incarnation in book form. Here, the images are both documentation and personal exploration, and the layout repositions Sorrentis photographs in a series faithful to their placement on the walls of the gallery. This gives the viewer a sense of the raw impact of the original installation but also creates new visual relationships between images as they move across spreads, redefining themselves and one another on the pages. Images obscured in one layout may appear fully and with renewed force on the next. The result is a free-associative experience like memory or dreams, rooted in Sorrentis methods but drawing on his cache of personal associations, and the act of perception becomes part of the work. Mario Sorrenti is a New York based photographer whose work has appeared in the publications W, Vogue, and Harpers Bazaar, among many others, and has been exhibited internationally at institutions such as the Victoria & Albert Museum in London and the Museum of Modern Art in New York. Previous publications of his work include The Machine (Steidl, 2002).