Catalogue of Printed Books
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Page : 860 pages
File Size : 23,65 MB
Release : 1903
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Page : 860 pages
File Size : 23,65 MB
Release : 1903
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Page : 1078 pages
File Size : 45,47 MB
Release : 1918
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Author : British Museum. Department of Printed Books
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Page : 652 pages
File Size : 12,47 MB
Release : 1903
Category : English literature
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Author : Theodor Christian Friedrich Enslin
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Page : 248 pages
File Size : 23,48 MB
Release : 1846
Category : Business
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Author : British Library
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Page : 628 pages
File Size : 47,29 MB
Release : 1950
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Author : Siegfried Kracauer
Publisher : Harvard University Press
Page : 420 pages
File Size : 25,76 MB
Release : 1995
Category : Family & Relationships
ISBN : 9780674551633
The Mass Ornament today remains a refreshing tribute to popular culture, and its impressively interdisciplinary writings continue to shed light not only on Kracauer's later work but also on the ideas of the Frankfurt School, the genealogy of film theory and cultural studies, Weimar cultural politics, and, not least, the exigencies of intellectual exile.
Author : British Museum. Department of Printed Books
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Page : 628 pages
File Size : 43,7 MB
Release : 1946
Category : English literature
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Author : British Museum. Department of Printed Books
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Page : 628 pages
File Size : 14,9 MB
Release : 1950
Category : English literature
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Page : 456 pages
File Size : 31,74 MB
Release : 1988
Category : Classical antiquities
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Author : Hermann Muthesius
Publisher : Getty Publications
Page : 144 pages
File Size : 11,56 MB
Release : 1994-12-15
Category : Architecture
ISBN : 0892362820
Style-Architecture and Building-Art is Hermann Muthesius’s classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to notions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century’s artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius’s thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.