DURERS ANIMALS


Book Description

In a guided tour through the works of Durer (1471-1528), the greatest Renaissance artist of northern Europe, Eisler reveals the mystic, religious, and social meanings behind Durer's bestiary, accompanied by some 600 illustrations (including 36 color plates) taken from drawings, illuminated manuscripts, painting, etchings, engravings, woodcuts, and pageants Durer created for the Holy Roman Emperor Maximilian. A lovely production. Annotation copyrighted by Book News, Inc., Portland, OR




Nature's Artist


Book Description

"Durer's drawings and watercolours show the artist at his most accessible, revealing his techniques and the masterly use of his media. No woodcut engravers, printers or apprentices come between Durer and the viewer. This contributes to the particular fascination of such sheets as The Large Piece of Turf or Hare. The introductory essay, portraying Durer as a passionate observer of his surroundings and an exceptionally gifted artist, is followed by thirty-five, high-quality reproductions of his most popular drawings and watercolours."--Jaquette







Animals as Disguised Symbols in Renaissance Art


Book Description

The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels. Brill's Studies on Art, Art History, and Intellectual History, vol. 2




Albrecht Dürer


Book Description

Documents the works of this Medieval artist.




Inventing the Renaissance Putto


Book Description

The figure of the putto (often portrayed as a mischievous baby) made frequent appearances in the art and literature of Renaissance Italy. Commonly called spiritelli, or sprites, putti embodied a minor species of demon, in their nature neither good




Albrecht Durer


Book Description

Hutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.




Albrecht Dürer


Book Description

Rediscover the drawings of Albrecht Dürer, one of the most prominent Renaissance artists, known as an incomparable painter and draughtsman with a keen eye for the natural world. During his lifetime, Dürer found tremendous success as a painter and printmaker, taking commissions from prominent figures such as Frederick the Wise and Holy Roman Emperor Maximilian I. His drawings and studies reveal his interest in human proportions, anatomy, and perspective. Featured in this book are Dürer's drawings from the Albertina Museum's preeminent collection including family portraits, studies of animals and plants, and studies of the human body. This book showcases more than 100 of Dürer's drawings including Hare, Self Portrait at the Age of 13, and Melencolia I, along with paintings and prints. Featuring scholarly essays and beautifully reproduced works, this book shows the reader not only how important Dürer's drawings are to his own oeuvre, but also how he helped drawing become an appreciated medium in its own right.







Jan Brueghel the Elder


Book Description

Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.