E. M. Forster’s Material Humanism


Book Description

Through attending to the nonhuman, E. M. Forster’s Material Humanism: Queer Matters places Forster’s fiction in conversation with contemporary debates concerned with the intersection of neomaterialism, environmental humanities and queer ecology. The book revisits Forster’s liberal humanism from a materialist perspective by focusing on humans’ embodied activities in artificial and natural environments. By examining the everyday embodied experiences of characters, the book thus brings to the fore insignificant and sometimes overlooked aspects in Forster’s fiction. It also places importance on the texts’ treatment of queer intimacy as an embodied experience that can transcend sexual desire. The book acknowledges nonhuman agency as central to our understanding of queerness in Forster’s texts and studies the representation of formless matters such as dust as a way through which Forster’s ecological concerns arise by linking the fate of oppressed humans with oppressed nonhuman others.




The Modernist as Pragmatist


Book Description

The past few years have witnessed a resurgence in the study of British literary modernism. With recent publications on modernist American poetry and increasingly appreciative attitudes toward modern British novelists like Joseph Conrad and E. M. Forster, many scholars are experiencing a renewed interest in modernism. In The Modernist as Pragmatist, Brian May investigates modernist works that have been, until recently, regarded largely as mere exercises in stale Victorian liberal ideology. Breaking from one current interpretation of Forster as an innovative and perhaps objectionable representative of modernist fictional audacity, May keenly argues that Forster is neither a traditional liberal nor an imperial modernist stylist. He is, rather, a pragmatic liberal critic of both unreconstructed Victorian liberalism and unreckoning modernist aestheticism. May also looks at the debate between two contemporary progressive pragmatists, Richard Rorty and Cornel West, who have turned to the liberalism of the past as an avenue toward the future. First clarifying the terms of the debate, May then tries to resolve it using the writings of E. M. Forster to discuss some of the major political and philosophical statements of Rorty and West. In turn, the works of these two philosophers are used as tools to gain insight into Forster's literary texts and cultural contexts. By bringing British literary history to American neopragmatist philosophy, May allows the reader to understand both more concretely, historically, and imaginatively. Persuasive new readings of A Passage to India, Howards End, and The Longest Journey are used to illustrate how Rorty and West offer a choice between pragmatisms. May's well-argued study offers an exploration of how literature and philososphy can lead to a fruitful dialogue that can complement formalism as well as traditional types of contextualism. It also persuasively connects Forster to the contemporary debates between liberalism and pragmatism, making this an important contribution to all scholars of modernism.




Humanistic Heritage


Book Description

This is an examination of the principle works of Anglo-American novel criticism, defining the values, method and concepts that these works have in common and advancing a defence of Anglo-American humanistic criticism and the ideas proposed by Structuralism, Marxism and deconstruction.




E.M. Forster's Modernism


Book Description

This volume is a comprehensive investigation into Forster's relationship to Modernism. It advances the argument that Forster's fiction embodies an important strand within modernism and in doing so makes the case for a new definition and interpretation of "modernism".




E. M. Forster as Critic


Book Description

This title, first published in 1984, is a study of E. M. Forster as a liberal-humanist thinker and socio-literary critic. Advani discusses Forster’s ideas on man, society, politics, religion, art, aesthetics, fiction and literary criticism. The author examines why Forster was impelled from fiction towards socio-literary criticism and propaganda for art within the political and cultural context of post-Great War Britain. The book argues for Forster’s continuing importance as much more than a skilful novelist. It will be of interest to students of English cultural history, literary theory and criticism, and the work of E. M. Forster.




Proper Words in Proper Places


Book Description

Proper Words in Proper Places: Dialectical Explication and English Literary History explores how literary history intertwines cultural, political, philosophical, religious, and commercial influences with literary production to create new ways of reading, meaning, and understanding. The text provides a delightful and surprising mix of canonical and non-canonical texts that merge many genres and literary allusions to highlight the complexities of literary historiography. Simultaneously, Proper Words in Proper Places digests the challenges of literary history and prepares readers to formulate for themselves the multiplicity of its nature and function. Drawing from texts published between 1670 and 1920, Robert J. Merrett demonstrates how the mixing and involvement of literary forms with such influences as painting, music, theatre, natural history, and notions of civility and spirituality erode simplistic ideas about the nature of narrative. His keen analysis of the traditional and experimental rhetoric of the texts serves to illustrate the double vision of the humanities and shows how the liberal arts enlighten contemporary moral issues. Additionally, the chapters probe, through their diverse models of reading, how mixed literary genres oblige us to create textual memories as our readings unfold. Merrett’s linguistic and contextual analyses heighten cognitive, psychological, and aesthetic processes, thereby demonstrating that poems, plays, novels, and other literary forms mix lexical registers and interdisciplinary discourses to counter literal-mindedness. Proper Words in Proper Places is a unique work, unsettling notions of periodicity, promoting interdisciplinarity, and countering educational indifference toward literary and aesthetic cultures. Its explanations of the diversity of literary historiography could easily inform new design models for survey courses and help prepare those about to enter teaching professions, who are expected to be familiar with the philosophical and contextual problems that motivate literary texts. It promises stimulating and thought-provoking study and invites readers to develop a sense of how literature operates as a system based on philosophical contraries and logical paradoxes.




E.M. Forster and The Politics of Imperialism


Book Description

In Howards End , Forster remarks that the Imperialist 'hopes to inherit the earth' and with the strong temptation he has to acclaim it 'as a superyeoman, who carries his country's virtue overseas'. He then adds: 'But the Imperialist is not what he thinks or seems. He is a destroyer. He prepares the way for cosmopolitanism, and though his ambitions may be fulfilled the earth that he inherits will be grey'. This simple notion is masterly expressed in A Passage to India , which provides a rich diversity of historical contexts and implies political imperatives urging us to rethink the complex relationship between East and West not as simple confrontation but rather as deeply rooted in cultural differences far beyond the realm of imperialist sensibility. With the support of material by Forster published here for the first time, this volume explores the realm of Forster's politics and imperialism.




Compromise and Resistance in Postcolonial Writing


Book Description

Compromise and Resistance in Postcolonial Writing offers a new critical approach to E. M. Forster's legacy. It examines key themes in Forster's work (homosexuality, humanism, modernism, liberalism) and their relevance to post-imperial and postcolonial novels by important contemporary writers.




A Companion to E.M. Forster


Book Description

A Great Novelist, A Learned And Wise Critic, And A Charming Short-Story Writer Can These Three Reside In A Single Person? Yes, But, Of Course, In A Very Few, And E.M. Forster Is Certainly One Of Those Very Few, And That He Is Par Excellence. Any Knowledge Of Modern English Novel Without Even An Acquaintance With Forster Is Absurdly Incomplete. All Of Forster S Six Novels, Perhaps Barring Only Maurice, Have Been And Are Being Printed And Re-Printed In Hundreds Of Thousands Of Copies, And All The Six But Perhaps The Longest Journey Have Been Filmed By Worthy Directors, Such As Lean And Merchant, And The Films Have Received And Are Receiving High And Spontaneous Acclamations. As Said, Forster Is Also An Outstanding Critic And Will Go A Long Way Down The History Of Criticism As Much As He Will Be Remembered As A Highly Fantastic But Excellent Short-Story Writer For A Long Time To Come As He Is Today.This Compendium-Like Book, Split Into Three Volumes, Contains Discussions On All The Six Novels Of Forster Where Angles Fear To Tread, The Longest Journey, A Room With A View, Howards End, Maurice And A Passage To India. Besides, The Study Includes His Twelve Prime Short Stories, And His Critical Acumen And Theories. It Does Not Harbour No, It Carefully Avoids Any Pretension Or Pedantry, But It Comprises Almost All The Matters Relevant To Forsteriana, Plainly But Rather Expatiatingly Treated, So That It Is Expected To Help, Yeoman-Like, Certainly Not The Avant-Garde But The Sophomores. An In-Depth Study Of Forster As A Novelist And As A Critic Provided Herein Adds To The Value Of The Book. Furthermore, Quotations Included In The Appendix, Bibliography And Index Would Serve As Useful Study-Aids For The Readers.




Humanism and Culture


Book Description